Praxis

Supremacy

The End Of The Beginning

Lyrics:

[McGwire Verse]:
It’s not a problem
The world can get you down
So just don’t stop
Until it turns itself around

It happens often
The voices get too loud
So don’t get lost
It’s getting harder to be found

I’m fading, I’m breaking
I’m down and out
Heart racing, I’m pacing
I’m drowned in doubt

I’m faced with impatience
Its ‘Round my town
It can’t keep on taking
I’ve found my sound

[Hook]:
I was broken, I was beaten, down
Hoping that I could be more
Told them that if truth be told
I ain’t at home

And I pray to God I find my way
I set my sights on better days
I know the day will come when I can say
That it’s alright

[Kahze Verse]:
Heavy burdens ring the tone
I’m forced through pain to play along
But I ain’t picking up the phone

You know that I’m gon make it known
That we move on
We move on
Woah

Broken promises
And evil presences
Will rise above the rest
And beat you til you’re dead

But I’ll be an angel
Amidst this broken world
Together we will grow
I know

[Hook]:
I was broken, I was beaten, down
Hoping that I could be more
Told them that if truth be told
I ain’t at home

And I pray to God I find my way
I set my sights on better days
I know the day will come when I can say
That it’s alright

[Bridge]:
And in the end
We can find the silver line
Hold your faith in your palm
You’ll be fine

[ALT Hook]:
We were broken, we were beaten, down
Hoping that we could be more
Told them that if truth be told
We ain’t at home

Though we pray to God we find our way
We set our sights on better days
We know the day will come when we can say
That it’s alright

[Choir Outro]:
Though we pray to God we find our way
Set our sights on better days
We know the day will come when we can say
…

Though we pray to God we find our way
Set our sights on better days
We know the day will come when we can say
That it’s alright

DEKU SONG | "It's Alright" | Kahze ft. McGwire [My Hero Academia] (Prod. Smoking Igloo)

Orgulho Loco

“Gather close, and let the embers speak. For this is no tale of kings and crowns — this is the saga of fire, oath, and blood. This is the song of the last skald, and the flame that refused to die.”

In the twilight of the old world, when the fjords whispered of gods and ghosts, a warband rose beneath the dawn. Their oaths were carved in stone, their names etched in frost. The saga begins with “Oathbound at Dawn,” where warriors swear loyalty not by word, but by fire — a ritual of steel and spirit beneath the rising sun.

From the shadows of the fjord comes “The Wolf and the Fjord,” a tale of cunning and survival. The warband moves like smoke, striking with the silence of beasts. Then the drums thunder in “Hammerfall Rite,” a berserker’s invocation to Thor — the moment before the clash, where rage becomes ritual and the sky splits with fury.

But war is not only steel. In “Seidr’s Veil,” the warriors kneel before the völva, the seer who chants in tongues older than time. She shows them fate — not as prophecy, but as consequence. And then the clash: “Blood on the Ice” erupts with chaos, where shields splinter and the fjord runs red. Victory is won, but not without cost.

The ravens arrive in “The Raven’s Feast,” circling the dead with solemn grace. They do not mourn — they honor. The battlefield is silent, save for the wind and the wings. And then the myth deepens in “Stone of the Nine Worlds,” where the skald walks through realms of fire, frost, death, and dream. Each world speaks, each stone remembers.

Now the skald stands alone in “Skald of the Last Flame,” the titular track. He sings not for glory, but for memory — the last voice of a vanished warband, the final ember of a forgotten age. The longship burns in “Ashes of the Longship,” a funeral voyage across the sea, where names are whispered into the tide.

But the saga does not end. In “Echoes in the Hall of Shields,” the voices of the fallen rise in chorus. Their shields line the walls of the honored hall, and their names thunder through eternity. Yet even this is not the final flame.

A new chapter begins with “Where the Chief Fell, the Flame Rises.” The warband’s leader is gone, lost to legend. But his fire lives on. The Son steps forward in “The Son Who Bears the Ember,” uncertain but resolute, carrying the weight of legacy in trembling hands.

He learns the truth in “Peace Is a Lie.” The world does not honor restraint — it devours it. The Son casts aside hope and embraces fire. But in “Ashes of the First Command,” he learns that war is never clean. The cost of leadership is written in blood.

And finally, he rises in “The Flame That Does Not Bow.” No longer a child, no longer a warlord — he is the flame itself. Not wild, not broken, but eternal. He walks not for vengeance, but for truth. The saga ends not in silence, but in fire.

“So remember this, you who listen by the hearth: the skald may fall, the chief may fade, but the flame marches on. And in every oath, in every name, in every echo — the saga lives.”

Skald of the Last Flame

inside your silence

Remix I've been working on based on FRANKIE's "Gold" from her Dreamstate EP.

FRANKIE - Gold (Dubya D40 Edit)

Battlefield Earth  By Phil Rey

Piano by DreamEyes - youtube.com/DreamEyes
Vocals by Sharm
Composed by Nobuo Uematsu, arranged by Tsutomu Narita, with lyrics by Yaeko Sato and Michael-Christopher Koji Fox, and performed by American musician, Susan Calloway.

The End Of The Beginning

Evan Frankfort