Wet Ink (Erin Lesser, piccolo; Josh Modney, violin)

Live, St. Peter's Church, New York, NY, 10 June 2016

Recorded and mixed by Sam Pluta

L'art de toucher le clavecin, 2 (2009) for piccolo with violin [Wet Ink]

New York-based new music collective, founded 1998.

*Live Archive Page*

This page collects live recordings from recent concert performances by the Wet Ink Ensemble and Large Ensemble.

Wet Ink Ensemble is
Ian Antonio, percussion 
Erin Lesser, flute
Alex Mincek, sax/composition
Josh Modney, violin
Sam Pluta, elec./composition
Kate Soper, voice/composition
Eric Wubbels, piano/composition

Wet Ink Large Ensemble builds on this group with a flexible roster of over twenty NYC-based soloists dedicated to ambitious, large-scale projects. 






Evan Johnson [b. 1980] is an American composer whose music focuses on extremes of density and of reticence, of difficulty and of sparsity, and on hiding itself. 

His music has been performed throughout North America, Europe and beyond by leading ensembles such as Musikfabrik, ELISION, the BBC Scottish Symphony Orchestra, Trio Accanto, the International Contemporary Ensemble, the Riot Ensemble, EXAUDI, and many others, as well as a wide variety of international soloists.

His work has been programmed at many international festivals of contemporary music, including the Lucerne Festival, Darmstadt Summer Courses, Wittener Tage für neue Kammermusik, Huddersfield Contemporary Music Festival, Milano Musica, Ultraschall (Berlin), TRANSIT (Leuven), Gaudeamus Muziekweek (Utrecht), Klangwerkstatt Berlin, London Contemporary Music Festival, Bludenzer Tage zeitgemäße Musik, and others, featured on the Monday Evening Concerts series in Los Angeles, and heard at such venues as Miller Theatre (New York) and London’s Wigmore Hall. Portrait discs are available on Kairos, all that dust, and Another Timbre, with others forthcoming; recordings of individual works are available on HCR, Metier, New Focus, Label Musikfabrik, and Wergo. Selected scores are published by Edition Gravis (Berlin).

Also active as a writer on contemporary music, Johnson has contributed to Tempo, Contemporary Music Review, MusikTexte, Music Theory Spectrum, GroveMusic Online, and NewMusicBox, and provided booklet essays for discs on the Mode, NEOS, NMC, Metier, and Kairos labels with music by Peter Ablinger, Joanna Bailie, Aaron Cassidy, Einar Torfi Einarsson, Andrew Greenwald, and James Weeks.

He holds degrees in composition from SUNY Buffalo and Yale University, and has lectured widely on his own work and taught composition, analysis and orchestration at SUNY Buffalo, Northeastern University, and Harvard. He lives in Amsterdam and in Arlington, Massachusetts, with his wife and two small children.