Exhilarating soundtrack..captivating & mesmerizing..love the feel..infectious atmosphere..excellent mix & recording production!

like your narrative...organ at 100 is great...like the hesitating background melody

Fascinating and innovative music! Beautifully written and very well done! Biggest Congrats to you! 😎👌

I love the feel of its infectious atmosphere, and the mix and recording production are excellent.

Playful synths organic and original sound

The Path of the Wakeful Dreamer

Cover art: The School of Athens by Raffaello Sanzio.
"Perfect embodiment of the classical spirit during the Renaissance period".

Renaissance

Wakeful Dreamer: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Wakeful Dreamer

The Dawn of the Mystics: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

Cover Art / Photo: Evandro Lira aka Vintage Mutation (in the background, above, photo of the planet Venus)

“The return of the mystics for the awakening of human consciousness”.

“Even times of oppression are worthy of respect, for they are the work, not of men, but of humanity, and therefore of creative nature, which can be harsh, but is never absurd. If the times we live in are harsh, we have the duty to love it even more, to penetrate it with our love, until we have removed the enormous mountains that hide the light beyond them”. (Walter Rathenau)

The Dawn of the Mystics

Between Human and Nature: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

"Between the Human and Nature lives the inner consciousness".

"The human is made up of the essential elements that constitute Nature.
Therefore, planet Earth will not survive if there is no global environmental ethical awareness, an ethical awareness for the entire world".

(Evandro B. Lira)

Between Human and Nature

Fuel for Dance: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

The aforementioned composition evokes "the duty of the Human Being to express Life with intensity", that is, "to commit oneself with heart and soul to everything one decides to do". Vivid expression is the "fuel" that drives movement and art of existence (dance).

Fuel for Dance

Cinematic and Orchestral Music
Picture by MarWin55
Franck C Production
Music by Franck Charles
ASCAP
https://www.youtube.com/watch?v=tB4QzfTFg8A

Expedition

THE POWER OF NATURE

90’s indie vibes for your listening pleasure — Manchester in the house

Can’t sleep ?

A complete stream of conscious recording on acoustic guitar

In The Woods

Passions

Original demo recorded: 2015
Remaster: 2025

The Twists And Turns Of Youth

Final Fantasy XIII   "Saber's Edge"   - Rescore

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

Red Light Syndrome

Cast of characters:

Jack Karasek — beats and seed idea

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation

Llanpsych–@llanpsych –Tez– electric guitar

Tea R. Sea @tea_are_sea -- Terry – Synthesizer

TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production

This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.

  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.

  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 

  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 

  We hope you enjoy listening to this as much as we enjoyed making it. 

  Oh, and just a side note for all of our friends who follow along with us, we will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us! 


Throwing Rocks - Eclectic Collective w/ Jack Karasek and Tea R Sea

Space-Time Rupture

GENRES: Easy Listening | Electronic | Experimental

INSTRUMENTS: Keyboards | Synthesizers | Guitars | Vocals.

Born in São Paulo, Brazil, Evandro B. Lira, also known as “Vintage Mutation”, has been a musical explorer since he was nine years old, when he started his first music studies.
In 1990, he became a trombone player, participating in “jam session” meetings and joining with some gospels orchestras. In 1996 he began his studies in synthesizer keyboards, suffering the influence of the electric guitar since 1998, when he started composing his first songs.
Active researcher on the relationship between music and mysticism, revives his experiences since 2016, expanding his sounds from synthesizers and guitars, in order to rescue all the classic and “vintage” atmosphere, for consequent transmutation into contemporary tendencies.

Fuel for Dance

Vintage Mutation

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