https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-4

Released by:
    Color Squad
Release date:
    21 June 2018

C O L O R S Q U A D 0 4 - Godbath - Cerinloch Themis

Glub Pop

A journey through the most intimate landscapes, the search for the immobile where the slow dilation of time will find itself again in its transcendental origin, a guide for those who have been lost and need to manage their own existence again.

W&P L a m a t r o i s (https://soundcloud.com/scenediaries)
Mastered – Studio900 (https://evelrecords.com/)
Cover – Marina Fages

L a m a t r o i s - The Space Between Heaven And Earth

16smish acid take2

https://neoouija1.bandcamp.com/track/florian-fo-rster-picnic

20200615

Title track from the release "Trees Company" out on Omniishell records October 02, 2020
https://dollarstorekeyboard.bandcamp.com/album/trees-company

Trees Company

L a m a t r  o i s - Managing Anxiety

1986754

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

https://flux-tracks.bandcamp.com/album/004

Collection of hardware jams over the past year. Thank you thank you for any support or kind words.

L a m a t r o i s - The Space Between Heaven And Earth

EVEL