JULIAN SARTORIUS - HIDDEN TRACKS: BASEL – GENÈVE
For his latest project, drummer Julian Sartorius hiked for ten days through Switzerland. In his luggage: two drumsticks and a curiosity about the sounds they might produce along the way. Out of the beats collected en route he made the album «Hidden Tracks: Basel – Genève», an experimental sound collage that maps Switzerland far from the usual stereotypes. In the distribution of the record Sartorius is also charting new territory: It will not only be sold as a vinyl record but also as a hiking map with a download code.

For his last major solo project – «Beat Diary» (2012 / Everest Records) – Julian Sartorius left the studio; each day for one year he played a track in his immediate surroundings. For the album «Hidden Tracks: Basel – Genève» Sartorius progresses a thousand steps further: In October 2016 he donned his backpack and hiked for ten days from Basel to Geneva via the Jura Ridgeway Trail (270 kilometres). For sound sources he used what he found en route: tree trunks, hiker turnstiles, empty silos, dry corn stalks – each object evoking its own voice. As an explorer of the quotidian, Sartorius evoked with his drumsticks a universe of sound that’s hidden to the regular hiker. With a backpack full of recorded rhythmic patterns and sound sources Julian Sartorius returned to the studio to create the album «Hidden Tracks: Basel – Genève». Sartorius edited the different audio files, layering and combining them together. The result is an experimental sound collage in which every track represents one day of hiking and where the familiar meets the previously unheard.

The album «Hidden Tracks: Basel – Genève» will be released in June 2017 by Bernese label Everest Records. It will be available in two formats – as a hiking map with a download code and as a regular 12” vinyl. The map, designed by Silvio Brügger, charts and retraces the paths that Sartorius walked, inviting people to follow in the footsteps of the artist. In addition, one track of the album will be released as an artwork postcard that can be played as a vinyl on a record deck. The album release tour will see Sartorius guide an audience along a short hike circuit during which Sartorius will improvise with objects he finds along the way. The audience participants will follow while listening using headphones that receive audio from a microphone Sartorius trains on the objects. These hikes will start and end at selected music venues.

Pre-order here: http://everestrecords.ch/shop

Hidden Tracks: Basel - Genève

Buy at Everest Records

Julian Sartorius - Basel - Kleinlützel

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When monsters kiss
Certainly, the music of Dnepr is gloomy, dim and in parts ominous. But it does not exhaust itself in
oppressive mud and bombastic lunacy. From the menacing swamp, sound figures rise from time to
time and find a moment of ethereal beauty, as if two monsters kiss each other before disappearing
again into murky ground fog and atonal madness.
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pads and dry drums. Impressive, oppressive and stunning at the same time.

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Antonio Albanello is the musical mastermind behind the cryptically named project, ΘYMOZ. Over the last thirty years, his works have been unveiled to the public in waves of creativity, ever oscillating between pop and experimental. Since the 1980s, Albanello has initiated and produced numerous pop and rock projects (The Men, Albanello). He was a member of the mythical group Dnjepr and has developed concepts for sound installations and theatre music. At the present time, he regularly performs in a live electronic setting under the name ozmoZ. Exploring and experimenting with different electronic realms, over the years he has increasingly created songs that seek to unite electronic and organic soundscapes.

In his project ΘYMOZ, Albanello brings together his long-time musical companion Marco Maria, drummer Manuel Pasquinelli, pianist Maja Nydegger and sound engineer Chris Diggelmann to form a unique collaboration of artists.
The development of Breed was a gradual process involving multiple phases. Its evolution began in Albanello’s recording studio, but then disruptive construction noise sent the project on a one-and-a-half-year odyssey. Working in a mobile recording studio, the ideas were matured and crafted together in the area surrounding Bern, by the North Sea and in Berlin. Each stage of the journey gave rise to new material and increasingly refined soundshaping. Many traditional elements were cast overboard; conventional song structures became visibly corroded.  During the recording sessions in the Church of the Holy Spirit (Heiliggeistkirche) in Bern, the elements of Breed were blended together to create a cohesive whole, skilfully weaving the majesty of the baroque organ, grand piano, percussion and vast space into the fabric of the electronic stories. It is this bold experimental approach which gives the album its distinct atmosphere. The ten stories it recounts are told through very few words. On this intimate sounding album, the voice is held back and the lyrics are kept relatively short, often taking the form of lyrical and metaphorical interjections. They convey up a sense of transience, conjuring up feelings of loss, sleepless states and cracks. Breed does not strive for perfection. The elaborate soundscapes, subtle polyrhythms and organic craftsmanship intentionally reveal fault lines. A certain impudence emerges in the use of the stylistic devices. At the same time, the power of inherent beauty pointedly breaks through the melancholic veil in the form of melodies, rhythms and different musical planes.

Breed

ΘYMOZ - Broken Soldier

“…Kamilya Jubran and Werner Hasler’s Wameedd is the most challenging, creative, and disturbing. Hasler a Swiss composer and performer of electronic music, provides an eerie, subtle, and remarkably appropriate sound background for Jubran's voice and 'ud. Jubran's 'ud playing is mostly basic and spare, her repetitive lines and note-bending often bearing a family resemblance to that of Mississippi delta blues guitarists. The focus here is less on melody than on emotion, feeling, and the
words. “ RootsWorld

Musician, composer and one of the most revered figures for today’s younger generation of experimental and alternative Arabic music-scenes, Kamilya Jubran (text, oud & vocals, collaborates with long standing musical partner, composer, accomplished trumpet player and seasoned electronic musician Werner Hasler (trumpet & electronics).

In Wa (Arabic for and), their third album together as a duo, Kamilya Jubran and Werner Hasler continue to interrogate their listening and their expression, their research and their desires, to unravel a musical universe of possibilities; “a unison of timbres, cultures complementing, the complicity of verses, and modes and languages confronting each other ” in the duo’s own way of communicating respective origins and contemporaneity.

Lyrical, within a sound full of contrast and ornamentation, they pursue an expansion of their repertoire with imaginative interpretation and improvisation. For this release via Swiss label Everest Records, Jubran and Hasler seek new sonic and phonetic territory, based on the wasla compound form found in the classical repertoire of Near Eastern music and in Western modern and improvised music; a suite of musical explorations within one composition. In the 45-minutes-long piece that makes up the full length album, they gradually unveil to us the tenants of this artistic dialogue, as they deepen a longstanding musical pact nurtured since 2002 based on the probing and opening up of musical modes and traditions. The chemistry between Jubran and Hasler’s exchange gives birth to a singular, original and extratemporal sound.

Kamilya Jubran (singer, oud) and Werner Hasler (trumpet, electronics) have been collaborating since 2002. Their first collaboration Mahattaat was their earliest experiment into bringing together disparate cultural and artistic roots. Their next collaboration, Wameedd, released in 2004, combined Jubran’s vocal skill and limitless imagination with Hasler’s melodies and his original aesthetics in electronic music. The duo then released Wanabni in 2010 followed by W asl in 2016, featuring French double bass player Sarah Murcia.

Tumbleweed 1 (single)

Bandcamp

Kamilya Jubran & Werner Hasler - Tumbleweed 1 (Single)

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Kamilya Jubran & Werner Hasler - Jal (Single)

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Established in 1999 in Berne (Switzerland), its catalogue features finest dark drones, electro-acoustic, electronica and IDM/glitch.

Artists:
Alphatronic, Balduin, Benfay, BlindeKinder, Bushwac, Copy & Paste, Everest, The Fabulous Dance Machine, Hemlock Smith & Les Poissons Autistes, Herbaljazz, Herpes ö DeLuxe, HOPEN, Hildegard Kleeb and Pelayo Arrizabalaga, Ige*timer, Mathon, Matu, Margrit Rieben, Meienberg, Misel Quitno, Monpetitponey, Neuromodulator, Op Rechts/Hess, Strotter Inst., Tsuki

Julian Sartorius - Basel - Kleinlützel

Everest Records

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