I composed this work in January of 2013 for the Mars Hill College Saxophone Quartet. The MHC Sax Quartet premiered it April 20, 2013 during the Mars Hill New Music Festival. 
The hall was in complete darkness. Each performer began playing in a different corner of the concert hall surrounding the audience.  Slowly each performer began moving to the front of the hall. When they played the last chord the lights quickly filled the hall.

Quartet for El Anatsui was inspired by the artwork of the Ghanaian artist, El Anatsui. He creates wonderful sheets of metal, wood and cloth that are hung on walls or stand alone on the floor. Each time one of his sculptures are presented at a museum they are presented differently. Which inspired me to write this piece which can be played differently at every performance.

Mars Hill College Saxophone Quartet
Alan Theisen - Alto
Andrew Jenkins - Alto
Dalton Woody - Tenor
Bradley Smith - Baritone

Quartet For El Anatsui (Open Piece No. 3)

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

Composer, contrapuntist.

Website: https://www.piershudson.com
Social Media: https://linktr.ee/piershudsoncomposer
Email: piershudson@mail.com

I am a composer of new music or contemporary classical music whatever name you like or whichever carries the least amount of baggage in your mind. I don't care which term you use but please take a moment to listen to my works.

I currently reside in Gateswood, Alabama with my wife , Cheryl, and our son, Asa. 

I love chamber music. I write lots of it. In fact that is the only music I have written so far. Mainly it's because I've known so many great performers and I've had the opportunity to compose for them.

If you want any scores or have any questions just let me know. 
Hopefully soon I will have more recent works on the site.

Composing since the late 1970s! Quirky movie-score style pieces and songs.

Bio:

Arthur Breur started seriously studying piano after his grandmother, Jocelyn— his grandfather’s second wife—passed away when he was eight.  They had been very close, and his weekend stays at her home inevitably included him asking her to play piano for him.  

At ten he started taking lessons, having already taught himself a variety of music, including various movie score themes and ragtime pieces—but he gradually discovered that he enjoyed composing and playing his own music more than playing what was assigned to him by his piano teacher.

From the start, his compositions were very affected by the music in movies and on television.  It is not in jest that he points to the music performed on such television shows as “Sesame Street”, “The Electric Company”, and “The Muppet Show”—not to mention the superb songs of “School House Rock”—as sources of inspiration.  Further, many excellent scores for movies of that time, such as Escape to Witch Mountain, Close Encounters, Star Wars, Raiders of the Lost Ark, Star Trek, and others, fascinated him and formed his ideas on how music should “work”—with accessible, easily remembered themes that can be associated with specific things, people, or feelings.  His music was also heavily influenced an excellent music program at church.

He studied piano performance and composition and got his bachelor’s degree from Millikin University in Decatur, Illinois. By that time he had been studying piano for eight years, had composed more than a dozen pieces, and had previously lied about his age to get into a college-level music theory course.  His college piano instructor worked with his desire to compose by assigning him works by composers that inspired him.  Prokofiev and Ravel in particular influenced his compositional tone and style considerably.  Around this time, Danny Elfman’s film music also came to Arthur’s attention and provided yet another dimension of sound to pursue.

In the early 1990s, Arthur collaborated with lyricist, comedian, and singer, Cristopher Blake.  Between them they wrote more than twenty songs, many of which they performed live in various Los Angeles venues.

Over the more than 36 years he has been composing, he has written more than 140 individual pieces, including works for five weddings, two Christmas revues, numerous videos, and one short film.

DIY modular synthesizer enhusiast
http://modular.haebbmaster.de
https://logorok.bandcamp.com

Try on some BASS

JA FEEL




lookin good; being bad

South African composer based in Den Haag, Netherlands.

Percussionist/drummer, budding arranger, music fanatic. Lover of discussion, listening, and mental stimulation. Guildhall School of Music and Drama 2018-2020, Royal Northern College of Music 2014-2018.

Quartet For El Anatsui (Open Piece No. 3)

Everette Minchew