More on this 480th weekly Disquiet Junto project – Ongsay Aftcray (The Assignment: Record a piece of music by employing Pig Latin as a technique) – at:

https://disquiet.com/0480/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0480-ongsay-aftcray/42680

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Tom Scott, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/fBWPwN

https://creativecommons.org/licenses/by-nc-sa/2.0/

Adowshay (disquiet0480)

Sounds of Freedom

00002 (Side B)

lull

Participation in the "Disquiet Junto" project led by Marc Weidenbaum:
Seamless Bridge. The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music.
https://disquiet.com/0448/

A bridge between Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
and haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4

The material of the bridge comes entirely from the 2 original sources.
Editing with Audacity.

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Participation au projet "Disquiet Junto" de Marc Weidenbaum.
Créez une musique de 20 secondes reliant deux musiques préexistantes de 20 secondes.
https://disquiet.com/0448/

Le matériau provient entièrement des 2 sources originales:
 - Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
 - haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4

Montage avec Audacity.

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Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:
https://20x20project.bandcamp.com/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

ABridge - Disquiet0448

I created loops of sections of the tracks that made me tingly. I then tuned and adjusted the frequency. Using a looper I took 16 bars of 2 selections and then reversed it. Chopped up the loop and compressed it. Then adding a motion to the sounds using different shaped wav forms. 
More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Alexandrite Lava Disquiet0450

Disquiet Junto Project 0450: Texture Analysis
The Assignment: Create a piece of music from sounds related to working with rocks.

Welcome to the 450th consecutive weekly Disquiet Junto project. Thanks to everyone who has participated, supported, and pitched in along the way.

This project is the third of three that are being done over the course of as many months in collaboration with the 2020 Musikfestival Bern, which will be held in Switzerland from September 2 through 6 under the motto “Tektonik” (“Tectonics”). For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the second year in a row that the Junto has collaborated with Musikfestival Bern. Select recordings resulting from these three Disquiet Junto projects will be played on a listening booth at the Steinatelier on September 5, as well as being aired on Radio RaBe (rabe.ch), an independent local radio station partnering with the festival.

Step 1: Download the field recordings made at Carlo Bernasconi AG, a company that has been working in stone for over a century. The sounds range from machines to manual tools to spatial ambience.

Step 2: Listen for aspects of the recordings that attract your ears. Focus on textures in particular.

Step 3: Create a piece of music combining elements from as few or as many as you chose in Step 2.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0450” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0450” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto and #musikfestivalbern so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, August 17, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, August 13, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0450” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 450th weekly Disquiet Junto project (Texture Analysis — The Assignment: Create a piece of music from sounds related to working with rocks) at:

https://disquiet.com/0450/

This is the third of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

The Rocks - disquiet0450

I remixed/remangled/reimagined a previous ice-originated piece, one that had already been through numerous incarnations, all based on my original ice recording in 2013 (I think).

Interestingly, you can still hear moments of tinkling iciness buried in the noise…


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The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.


More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Glacial phases [disquiet0471]

A layer of Plaits/Cocoquantus/tape panned fully left.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Bedding

Bedding [disquiet0472]

Live electronics created in Pure Data. 
The tempo is 60 bpm (4000 ms & parts thereof).
In this version the right-hand stereo track has been panned toward the left. If required or preferred, this process can easily be reversed by re-panning it toward the right.

More on this 472nd weekly Disquiet Junto project — Jam Time (1 of 3) / The Assignment: Record the first third of a trio that others will complete — at:

https://disquiet.com/0472/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0472-jam-time/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Meg Jones, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/mDRT9 1

https://creativecommons.org/licenses/by-nc-sa/2.0/

Rhythm Sinister (disquiet0472)

I randomly selected the contribution "Comma-Cosmic Duet", from @JochenEdmund and @comma which features the coffee machine at the data center.  With some synths to pull this together, I arrived at Cosmic Java.  I can't guarantee that you will like it but I can promise this piece is better than the coffee at the data center without ever having tasted it!

Cosmic Java(disquiet0474)

Layers of piano, tape loops, samples, and noise.

Bedding [disquiet0472]

Stray wool