Premiered first at Brainrave now uploaded for your listening pleasure.

gutterball

Bonfire

We were sitting around the fire — the whole gang from work —
after a full day of deep impressions, nature, and shared experiences.
Voices blended with the crackling wood.
I wanted to capture that warmth — that simple human stillness.

You can hear me say:

“Lars, no sound.”
“No music.”
“This is what I want.”
“No, no music.”
“Now you ruined it.”

…just as the random plonk fades in and the drums ignite.

These are the final recordings from that journey —
the last echoes of a trip that will stay with me forever,
quietly shaping what I create from here on.

That’s Bonfire — a moment between silence and sound,
where life itself decides when the music should begin. 🔥

Bonfire

A hypnotic ambient techno piece where piano, cello, and distant dhol echo through the unseen depths of sleep.

Memories

Typhonian Highlife -  Zenith Umbaba - Xeno

Marco Colocci (@queimada77) is an Italian producer and sound engineer based in Berlin. Learning how to play the contrabass and music theory has initiated the growth of his interest in the techniques of field recording and sound design, as well as his overall passion for electronic music. After self-releasing music during his teens, and later producing for Taiwanese artist Sabiwa from Chinabot, under the moniker Queimada he now presents a debut record coming out on Gin&Platonic.

Built around a concept proposed by Harvard professor E.O. Wilson, Eremocene depicts a future state of miserable epoch into which human species is slowly but steadily accelerating. Characterized by the existential & material isolation that comes from having calamitously extinguishing other forms of life on Earth while intrepidly fulfilling our immediate needs, the future labeled as The Age of Loneliness sees our identity completely transformed. 
On the record, Queimada explores precisely the conflict between the tempting ease and a pang of unconfessed guilt in an attempt to capture the ironical relationship they epitomize. The album represents an encounter between different techniques of granular synthesis and field recording. The encounter between the unstoppable and destructive, altogether resulting in a disruptive anthem of the intensifying burden of the postmodern times.

Produced by Queimada
Mastered by Wim Dehaen
Artwork by Jiri Macku

Buy via: https://ginandplatonic.bandcamp.com/album/eremocene

https://soundcloud.com/ginandplatonic

Eremocene

Premiere: Queimada - Why U Cry? (ft. Sabiwa)[Gin&Platonic]

BANSHEE FOAM BY SPENCER CLARK(STAR SEARCHERS) album "AVATAR BLUE".  PRESENTS THE SWIMMING OF SHARK MOVEMENTS WITHIN PALATTE OF AVATAR'S BANSHEE CREATURE.

BANSHEE FOAM

DIGITONICA coma

Artist: Diamond Soul
Album: Maya'mi
Format: Vinyl / Digital
Release: July 3, 2020

https://orangemilkrecords.bandcamp.com/album/mayami

Music by Alex Colombo
Visual art by Keith Rankin
Mastering by Angel Marcloid

“Sand Dollar Lingo” features amplified clarinet and motion triggers by Eric P. Mandat
“Rose Gold” features synths, vocals, and saxophone, and bass by more eaze

Maya’mi is the third release and first LP on Orange Milk from Alex Colombo’s Diamond Soul project. The album continues to experiment with hyper-abstracted electronics and collage aesthetics, which Colombo refers to as ‘mixed media’ music. Even though samples are used sparingly on the album, it retains a sense of micro genres and varied sources colliding on a moment to moment basis, a feel that I alway find comparable to fellow Orange Milk artists Koeosaeme, toiret status, and DJWWWW. Colombo views the music as a metaphor for the uncertainty and fragility of culture and our own memories through time. 

He says: “when I started work on the album I was thinking about things from my past that I never fully realized or maybe erased on my own through building new reality as you get older.” 

I’ve always related to this style of rapid, through-composed music because it moves at a pace similar to an agitated mind, with thoughts appearing and going on tangents second by second. Of course having touched on the music’s pace, I would regret not mentioning that there are also moments of beautiful calm and lengthier melodic phrases at play, like the album closer “Screens” or the ascending lyrical melody in “Sand Dollar Lingo”, where featured artist Eric Mandat’s affected Clarinet sounds like a sampled opera singer. (For those not aware of Eric Mandat, he’s an established educator, composer, and clarinetist that I would recommend looking up.)

The track “Rose Gold” is also a collaboration with Mari Maurice aka more eaze, whose signature auto-tuned vocals meld with MIDI choirs and saxophone before disintegrating into one of the albums sparsest moments where light scratching electronics punctuate stretches of silence.

Diamond Soul -  Sand Dollar Lingo ft. Eric Mandat

a mix of a few tracks from me that I like.

Jessica Walrus - JESSET 01 [Set]

Track 6 - siq~1
https://ultravirus.bandcamp.com/album/siq-1
music: @drojji
artwork: @simon-villaret
curation: @thickowens
👻

Drojji - Althorun

Paszka's new album 'Gluon' out not via Noumenal Loom! 

Digital - https://noumenalloom.bandcamp.com/album/paszka-gluon

'Gluon' feels like metadata management (or mismanagement) transcribed into music. Maximal electronic music with a keen focus on sampling, spatialization and timbre. It's at home alongside artists like Foodman, Yellow Magic Orchestra and Oval - straddling the line between saccharine pop and the experimental. Szymon is based out of Poland and also records as 1/2 of the duo @mukamukamuka

All songs composed by Szymon Sapalski

Artwork by Neil Jackson (https://neil.graphics)

Cauliflower features vocals from Kacha Kowalczyk

<3 Noumenal Loom 2020 <3

paszka - Pantofelek

24/autistic/trans girl
[Ended project, goodbye]

Im dead

Jessica Walrus account is dead, whoever uses my name on any other website isnt me, it would be contradictory to abandon the internet and use an account with said name huh? 
tbh I did it not because I want to erase any proof of  my past mistakes (I mean, plenty of people knows that) but because all this was harmful for me in a emotional and psichological level, people harassed me and even doxxed me and that put me in a critical situation which almost ended in my dead, and tbh, I dont want anything else but retire from the internet, bandcamp and soundcloud will be still available because I know people like the music and as a respect sign to people who already bought my music.

sorry  for the past mistakes I hope I can grow better from now on (there wont be any way to contact me, sorry)

also, I have never doxxed or fake chats ever, if you ever heard about it, its just an excuse for people to justify messing with personal data...

see you in the other life.

Jessica Walrus - JESSET 01 [Set]

Jessica Walrus [ended project]