STUDIO RADIO

Tropical Beats Sept 18

Tropical Beats Dec 2018 B O 2018

aguas del verano goteando en el crepusculo

Version acustica de la cancion original incluida en nuestro primer disco LA VERDAD DEL PLATO

NEGRA HIERBA 2013

Ya todo está planeado y quiero ver el cielo abrir
y todos van riendo al sur, y todos van riendo así
sabemos de memoria, nos perdemos en vulgaridad
y todos van riendo al sur, y todos van riendo así
Sé que no voy a dormir, se que no voy a salir
del sol , duerme un canto eterno y una palabra mortal
en vos vuelvo a ver y vuelvo a ser palabra mortal
duermo cada día buscando una salida para todo
Ya todo está planeado y quiero ver el cielo abrir y todos van riendo al sur y todos van riendo así, sabemos de memoria
nos perdemos en tu caridad y todos van riendo así, y todos van riendo al fin
Algunos juzgan sin saber que he secado el río que encontré 
donde fluyó sin querer y me lavo y río para que
si somos dignos para quien?, no van a entender
algunos sufren por creer, yo finjo parecer..

Letra y música: José Orellana
Arreglos por Jodamassa.
Producción general: José Orellana/Santiago Landivar
Grabado mezclado y masterizado por Tito Bravo.

Ya Todo Está Planeado

Get the album:  http://smarturl.it/Respira

Lluvia

Ficción

Become a fan of Rio Mira:

www.facebook.com/RioMiraMarimba/

Co-produced by Grammy nominee Ivis Flies and Grammy winner Ivan Benavides, Rio Mira is a marimba supergroup with Afro-Pacific binational heritage consisting of some of the most in-demand and respected musicians from Colombia and Ecuador. Their music is the sonic rejoining of the region known as El Pacífico Sur, one connected by history, ecology and culture and divided by the national borders of Ecuador and Colombia.

The people throughout this area have similar music, food, speech, fashion, and background, and it is no coincidence that the band takes its name from the Mira River that flows across these borders, connecting rather than dividing people and cultures. This area is home to a great many people of African descent and the rhythms of Africa have become entwined with the lilt and grooves of Colombia and Ecuador. Marimba music has become firmly established, a sound so sacred it was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2015.

Marimba Del Pacifico is a beguiling showcase of this protected sound, a celebration of a unique cultural heritage found nowhere else on the planet, by a band of young musicians keeping this strong tradition alive.

Rio Mira - Adios Morena

Pueden bajarse el disco aquí:
https://lolabum.bandcamp.com/


07 Manitos De Seda

Nuevo Sencillo junto a Lolabúm. 

Letra: 

"Cuando me levanté, 
tendido en la obscuridad. 
Sin nada más que mi piel, 
sin nada más que ocultar. 

Sonidos en el salón
me conducen a algún lugar. 
Sin rumbo en la habitación, 
sin saber adónde llegar. 

Coro: 

Pongo mis manos al Sol, 
y sin más remedio, 
camino sin dirección 
y siento el silencio. 


Como quieres que te quiera, 
siento tus manos en la cabeza. 
Mi pulmón se ha vuelto tierra 
y me divierte tanto que lo sepas. 

Como quieres que te quiera, 
siento tus manos bailando en mi cabeza. 
Como quieres que te quiera. 

Coro"

Grabado por Hernán Freire. 
Mezclado y Masterizado por, el propio, Juan Pablo Rivas. 

Voz y Piano: Daniel Sorzano
Voz: Pedro Bonfim
Voz y Bajo: Tomás Villafuerte
Guitarra: Mateo Castillo
Batería: José Miguel Fabre





Sol (Ft. Lolabúm)

Adiós Morena is the first single off of Afro-Pacific super group, Rio Mira's forthcoming album, Marimba del Pacifico. Composed by Esteban Copete, the single also features remixes by Nicola Cruz, Kaleema & Chancha Via Circuito, Midnight Ravers and M. RUX. 

In 2015, UNESCO added the marimba to its Representative List of the Intangible Cultural Heritage of Humanity, observing that "Marimba music and traditional chants and dances are musical expressions integral to the family and community fabric of people of African descent in the Colombian South Pacific region and Esmeraldas Province of Ecuador." 

In celebration of this cultural heritage, and with a main goal of creating an intergenerational meeting between the sounds of Afro music from the Pacific, Rio Mira was founded. The project has a fundamental mission of revitalizing and strengthening bonds between the members of the Afro community from each side of the Colombia-Ecuador border. 

Rio Mira is co-produced by Ivis Flies (Co-Director and Creator of the musical and social heritage recovery Project "De Taitas y Mamas", nominated for a Latin Grammy in 2013. "Smile Ambassador" in 2010) and Ivan Benavides (Producer of Carlos Vives, Sidestepper, Chocquibtown, Grammy Winner Gaiteros de San Jacinto) and features a number of well known Cali and Esmeraldeña artists including Esteban Copete and Karla Kanora. Rio Mira's first album, Rio Mira - Marimba del Pacifico, will be released in 2017 on AYA Records.

Adios Morena

Rio Mira - Adios Morena (Nicola Cruz Remix)

Following the first year of Mateo Kingman’s international touring, AYA Records - new imprint from ZZK Records - is releasing a collection of remixes from his debut album "Respira" (breathe).  Few times have we had such an overwhelming response to a new album by an up and coming artist and it's heart-warming to find his work so inspiring for musicians and producers from around the globe. With versions from Japan (Ground), Chile (Matanza) passing through the United States (Jeffrey Paradise from Poolside) amongst others. We can see how songs mutate and adopt new personalities in different hands, exploring new atmospheres and rhythms, down tempos in dynamic songs, inflections and accents, textures and new attributes that appear as the essence of artistic expression and collaboration. This creative transmission attests to an endless quality of the original material and it's our pleasure to share this sampling of remixes to accompany Mateo's upcoming European tour this fall, with debut shows in Amsterdam at ADE and Paris at Hasard Ludique.

Mateo Kingman - Sendero Del Monte (Matanza Remix)

Remixed by SUPERSAN 
Original Version by Palov meets A.Angelides from the album "He Hecho Por Ti" from spang recordings 

Audiophile Analogue Mastering by Angelos 'Timewarp' Stoumpos 
Cover Artwork and Illustrations by Lee Hodges 

Buy: https://spangrecordings.bandcamp.com/album/he-hecho-mucho-por-ti-remixes-3

Palov meets A.Angelides - Omkar's Journey (SUPERSAN Remix)

Music and lyrics: Leonardo Gómez Jattín
Lyrics in lingala: Malage de Lugendo

Arrangement: Leonardo Gómez Jattín with the contribution of Malage de Lugendo, Dizzy Mandjeku, Toms Ntale and Sebastián Villanueva

Voice: Paola Marquez
Saxophones: Cesar Medina
Guitar: Dizzy Mandjeku
Guitar: Toms Ntale
Fretless bass: Leonardo Gómez Jattin
Tambor alegre y djembe: Wilmer Guzmán
Tambora: La Wey Segura
Maracas: Abelardo Jiménez
Percusion: Emeris Solis
Drums: Saidou Ilboudo

Published by Zephyrus Records / ZEP041

----------------------------------------------------------------------------------------------------

Mueve tu equipaje de sombras, 
lleva tu oscuridad donde no haga mal,
sumérgela en el agua profunda 
hasta que la corrompa la sal. 

Tu mirada está tan vacía 
a tus ojos no quiero mirar, 
donde habitó el dolor y la pena
hoy la alegría se viene a quedar. 

Ya no mires atrás 
para ti es camino prohibido. 
No vengas a buscar 
lo que no se te ha perdido. 
Yo he aprendido a escuchar 
cuando la vida te advierte 
que el olvido trae el dolor 
y el desamor trae la muerte. 
No remuevas más las heridas 
lo único que quiero es vivir en paz, 
corre de nuevo tu manto negro 
pa que la luz me vuelva a llegar. 

Desempolvaré los cajones, 
ningún recuerdo tuyo ha de quedar, 
que tu guadaña siga enterrada 
donde las flores han de brotar. 

Ya no mires atrás 
para ti es camino perdido…

01 Canción De Amor Y Muerte

Out now ...

itunes
https://itunes.apple.com/gb/album/champion-remixes-part-2-feat-ward-21-ep/1388522719

Beatport
https://www.beatport.com/release/champion-remixes-part-2/2329808

Juno Download
https://www.junodownload.com/products/rukus-champion-remixes-part-2/3782606-02/

More stores to follow

Check out the remixes pt. 1 here 
soundcloud.com/raiderrecords/sets/rukus-champion-remixes

Rukus Ft. Ward 21 - Champion (Mr Benn Rmx)



<a href='https://theartistunion.com/tracks/9c36e8'>Download for free on The Artist Union</a>

TAP & SANSAI - MLK BOM (PEDRO EDIT)

Download the Bumper to Bumper remix album here: http://uprootandy.bandcamp.com

Bumper to Bumper

Download

Lokassa Ya Mbongo - Assitou (Uproot Andy Remix)

Un edit en honor a la autora Rokia Traore.

Laidu se traduce como "La Promesa"
Para mi es la promesa de ser quien de verdad somos.

Free Download

Rokia Traore - Laidu (Funka Edit)

Un primer encuentro poderoso y la belleza de un deseo naciente.
Capulí que nace del ritmo afroecuatoriano Bomba, del Valle del Chota.

Capulí

Capulí

Fala galera, 
Esse é um EP numa pegada um pouco diferente, ele é completamente inspirado do soul/dance brasileiro com uma pitada se samba .
Espero que vocês gostem.
_____________________________

Boogie is a musical genre that understands a short period of time between the late 70's and early 80's and is marked by the vast use of electronic paraphernalia along with organic instruments in a dancing and overflowing groove context. A musical wave that is the direct daughter of disco music, with the same elements (bass line in the face, the famous beat "four on the floor", wonderful vocals and arrangement of strings) added to the brand new synthesizers, which were the last music technology at the time and fashion in all recording studios.

Craque



<a href='https://theartistunion.com/tracks/ba3775'>Download for free on The Artist Union</a>

PEDRO - TE REBENTA

From Bryte's debut album "Too Good For Your Liking".

@bryte_music @tsvisions

smarturl.it/BryteTGFYL 
bryte.bandcamp.com/album/too-good-for-your-liking

Too Good For Your Liking

Bryte - Kokote (prod. TSVI)

From Bryte's debut album "Too Good For Your Liking".

@bryte_music 

smarturl.it/BryteTGFYL 
bryte.bandcamp.com/album/too-good-for-your-liking

Bryte - Je m'appelle Bryte (prod. Gafacci)

We have noticed one thing over the years of playing shows, meeting artists, exchanging music and having conversations with people all over the world. That we are surrounded by a community of musicians, producers and music lovers which acts as an inspiring, uniting force. For that reason this fourth Shika Shika compilation is called Union or Unión: "the action of joining together or the fact of being joined together".

These are 13 tracks of music without borders, music that unites, music that brings together different styles, rhythms, influences, languages and cultures to create something richer, something fresh, something different. That is how music evolves and has always evolved, uniting sounds and creating something new. 

We are really happy to present lots of artists who are new to the Shika Shika collective alongside some old friends. Hard to categorise so we let the tracks speak for themselves.

We hope you enjoy our homage to unity, thank you for the support and thank you to all the talented artists for sharing their music with us!

Mr. Toé & Carla Valenti - Sube A Nacer

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Otun feat. Nidia Gongora

VOODOO ECONOMICS (WolfMan), the second single off of ÌFÉ's forthcoming sophomore album moves as a modern day funeral song, written as a lament for Adolf Wolfgang Siemon-Otero, a beloved friend and musician gunned down in the streets of San Juan Puerto Rico, the target of a drug trafficking dispute.  The song, built around sacred Afro Cuban Bata rhythms and prayers plays a powerful procession, honoring those that have fallen while stirring up a cache of questions, principally among them, why do we want so badly to be rich?  And what does right and wrong ultimately mean in a society that judges us more on our outcomes than our methods?


Written by: Otura Mun aka M. Underwood (ASCAP)
Publ. by Discos Ifa Publ (ASCAP)
Label: Discos Ifá LLC
Recorded at ILÉ ÌFÉ, San Juan Puerto Rico
Mixed by Stuart Sikes, ATX
Mastered by Bob Macc, London UK

VOODOO ECONOMICS (WolfMan)

DL: https://wonderwheelrecordings.bandcamp.com/album/mama-clo

Just in time for summer, Thornato returns to Wonderwheel with a boomin' new dancefloor single rooted in sounds of the Pacific Coast of Colombia.  "Mama Clo"  is written by Benjamín Vanegas (of Grupo Taribo) and produced/arranged by Thornato.  The collaboration manifested when Thornato visited Esmeraldas, Ecuador in the summer of 2017 to perform live with Grupo Taribo, Other members of the group contributed to Mama Clo as well, Including Jud Wellington on marimbas and Eduardo Martinez on percussion.

Mama Clo (SINGLE)

Thornato & Benjamín Vanegas - Mama Clo

Nuevo Single "Capulí"
Banda Etnoelectrónica Ecuatoriana. Tradición e Innovación.
#NoEsCumbia  

Síguenos en Spotify ===> https://goo.gl/oKx3q2

Capulí

EVHA