My New Remix For Brasilian Mnml Techno BRO - R3ckzet!!! Try to cross some trambones & horns with funky beat & mnml original perc from original mix))) Enjoy that FUNKY SHIT)))) OUT NOW at NEW ZAREH KAN LABEL - INCOGNITO AUDIO (HUNGARY)!!!

R3ckzet - Sugar Biscuit (Evil Jokes SugarBaby Funk Remix) [Incognito Audio] OUT NOW!

Algia - Empty Station (Strasse Killer Remix)

Agradeço todos meus amigos artistas pelo suporte :Em especial : FORCE BEAT , MANDRAGORA , FREDOM FIGHTERS , LIGHTERS ,GROUNDBASS ,4i20 . 

Paulinho Scherzinger - Of My Soul - Mix 2015

Don't Stop

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - At the Mountains of Madness

Evil Jokes aka Pavel Barannikov - minimal techno music project from capital of Russia - Moscow. Since 2012 Evil Jokes become one of the popular minimal techno producers from Russia, which received a lot of international supports from artists of minimal techno genre around the world. From 2006 to 2011 works as DJ in best Moscow dance clubs. Evil Jokes style is universal, whether it be minimal techno with elements of funky, whether it be more dark sounding with elements of horror, mystic and brutal sides of minimal techno. Received good comments and support from: Mark Dekoda, Louie Cut, A.K.O., Luca Terzini, Corner, Droplex, Ruiz Sierra, Marco P, Manu Sami, Doubkore, David Temessi, Devochka, Flex B, Prosdo, Daniel Portman, Chris Lawyer and etc. 

WWW.BEATPORT.COM TOP 100 MINIMAL CHART: 

№43 Evil Jokes - Woo (Original Mix) [Mona Music] (in may 2013);
№35 Zir Rool - Bad Touch Errors (Evil Jokes No Errors Remix) [Hamburg Aufnahmen] (in october-november 2013);
№49 Evil Jokes - Alice In Drug Trip (Original Mix) [Drugstore Records] (in march 2014);
№54 Evil Jokes - Fuck Da Police (Original Mix) [Flat Belly Recordings] (in october 2014);
№65 Luigi Peretti & Evil Jokes - Extazy (Original Dark Funk Mix) [Bosphorus Underground] (in october 2015);
№58 Evil Jokes & Bro & Toons - Virus (Original Mix) [Bosphorus Underground] (in may 2016);
№98 Evil Jokes - Bassline (Original Mix) [Hungry Koala Records] (in march 2017).

WWW.BEATPORT.COM TOP 100 MINIMAL RELEASES CHART:

№48 Nacim Ladj - Money For Nothing EP include Evil Jokes Rock'n'Roll Remix [Macro Lab] (in april 2016);
№3 MoonyMan - Drug Floor EP include Evil Jokes Drug Dealer Remix [Turning Wheel Records] (in august 2014);
№68 Evil Jokes, MoonyMan, Dafuq - Pitcher Danger & Little Green Bag EP [Strict Recordings] (in march 2014);
№21 Evil Jokes - Afgan Hashish EP [Flat Belly Recordings] (in november 2013);
№81 Evil Jokes - Fat Toys EP [Drugstore Records] (in september 2012).

WWW.TRAXSOURCE.COM TOP 100 MINIMAL:

№2 Nacim Ladj - Minimal Money For Nothing (Evil Jokes R'n'Roll Remix) [Nasimus Records] (in march-april 2014).

WWW.DJTUNES.COM TOP 100 MINIMAL:

№32 Evil Jokes - Hunter (Original "Predator" Mix) [DC10 Records] (in march 2014).

WWW.DJSHOP.DE TOP 100 MINIMAL:

№52 Evil Jokes - Hourglasses EP [Nasimus Records] (in april 2014).

One of the WINNERS OF 3 REMIX CONTEST's:

David Temessi - Bow Down, Drugstore Records;
Zareh Kan - Bad Talking, White Face Records.
Corner - Honolulu, Apache Records.

Now the sound of Evil Jokes is released and signed in Europe & Russia, on labels:

M-Vitamine Records, Italy;
Fruit Records, Italy;
Flat Belly Recordings, Hong Kong;
Flat Belly White Recordings, Hong Kong;
Hamburg Aufnahmen, Hong Kong;
Sixteen Pads, UK;
DoubSquare Records, UK;
Dark Smile Records, Bulgaria;
White Face Recordings, Hungary;
Drugstore Records, Hungary;
DC10 Records, Hungary;
Freshport Music, Hungary;
Insane District Records, Hungary;
Minimum Addiction, Hungary;
Massive Duck Records, Hungary;
Sick Beatz Music, Hungary;
Incognito Audio, Hungary;
Sound Lab, Croatia;
Clubtronica Records, Germany;
Berlin Aufnahmen, Germany;
Kassel Aufnahmen, Germany;
Bandit Music, Germany;
Strict Recordings, Portugal;
Zodiac Saints Records, Portugal;
Massive Dark Records, Russia;
Mona Music, Russia;
Nasimus Records, Georgia;
Punch Underground, Brazil;
Digiment Records, Brazil;
Hungry Koala Records, Australia;
Rabies Records, Turkey;
Bosphorus Underground, Turkey.

And it only began! Joke rigidly and I always will be EVIL!

For remix or booking request please feedback: eviljokes@mail.ru or in private message here!