A Trance producer based in South Sweden, Supported by Aly & Fila, Paul Van Dyk, Alex Morph etc, 
Signed to Blackhole Recordings, Blue Soho and Trance All-Star Recordings

I'm a Berlin based producer and DJ who likes hardware, improvisation, collaborative jams, tweaking sound live and tweaking sound live in collaborative hardware improvisation jams. I don't get things done to publish for no good reason so here's my half baked stuff lol

I'm just a creative guy who works too much in spite of being lazy. Anyhow, I compose music in a variety of styles and genres.

Need songs for your project! I'm your guy!
For more, please visit https://musiconpurpose.net

CUSTOM MUSIC COMPOSITION • SOUND EFFECTS • AUDIO MIXING • AUDIO EDITING • REMIXING • FILM SCORING • AUDIO BRANDING • UI/UX SOUND DESIGN • AMBIENCE CREATION • VOICE-OVER (EN/HU)

Brainchild of Dávid 'Nagz' Halmi a.k.a @naaaaaagz

To be fair, I release most of my stuff elsewhere (new and old), so here you can find only some of my archaic / miscellaneous / non-serious tunes. Oh and the remixes!

RELEASES: http://fanlink.tv/nagz
BY SERVICE: http://linktr.ee/nagz
PORTFOLIO: https://musiconpurpose.net/

Every tune featured here was made by me, entirely or partially.

@nagz-chiptune and @nagz-old-tracked were also me.

This is a a selection of tracks that I've created in 2001. 

There must be something in it that is still likable to someone, somewhere, somehow ;-) . 

2000 was the year where I acquired my own pc with cutting edge cd burner and had to switch to Cubase 5.1 + vst's as my beloved fasttracker didn't work in the than new Windows 98. 
At first the changed set-up meant much mouse clicking frustration in the (beat) programming department, often resulting in sparse and minimal segmented tunes as I couldn't be bothered spending more time on melody or progression, words that didn't/don't mean much to me anyway, but recording and tweaking live was fun (hear results in 2000 selection; plugexpert.bandcamp.com/album/2000-selection ). 

In 2001 I also started using the step-sequencer of fruityloops, exporting patterns to .wav and using these as building blocks in cubase. 
Any hint of melody in most of these, is thin, the notes are rigidly quantized, even lacking variation in dynamics. Tonal elements repeat in short patterns at fixed intervals, like short station calls implying structure, but probably not resulting in an emotional impact and thus tracks can come across cold and absent of any intention or goal. I can't remember having any other aim at the time than having fun creating 'fat' beats, as is still often the motive. Nevertheless, said excuses and resulting impersonal music does have its charm and moments... 

lol.

Followers of sicknotelvd