Two pieces done in the last 10 days from my heart to yours. This is where my music is going to and this is where it will be for a while. Thanks for tuning in.

Image and design by Nikola Kostov www.instagram.com/nikola.kostv/

Digital / Tape

Crucify / Running Into a Lie (Tape/Digital)

First Collaboration of Europa and Amoxi. All Tracks written and produced by Europa and Amoxi. 

read more:
https://www.pw-magazine.com/2021/premiere-europa-amoxi-morgana/

amoxi:
https://soundcloud.com/gloryrabbit1996

cover by eccoturist
https://www.instagram.com/eccoturist/

(9) Benassi Through The Chimney

~How To Open Your Eyes In The Eye Of A Sandstorm~ Ep

doing this one on my own please share and support if you can relate would make me blush and send you lots of love~ sending lots of love to all of you either way
<3

how to open your eyes in the eye of a sandstorm

HAJJ HEAVEN'S CALAMITY 2 ON NOODS RADIO (13.09.22)

Wats The Issue

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Pollute Bold

https://evitceles.bandcamp.com/album/crucify-running-into-a-lie

Your nature
Its my weakness
You don't know
I will crucify

Your nature
Its my witness
You don't know
I will crucify

Digital/Tape

Crucify

Floating
Into a river
Floating 
Into a river

You are running into a lie
I am running into a lie

You are running into a lie
I am running into a lie

Running Into a Lie

Buy: https://bugbuspiano.bandcamp.com/album/passing-through-all-happy-dreams-like-hallways-2

‘Passing Through All Happy Dreams Like Hallways’ is an album by New York City-based artist Bug Bus Piano (@goodnightbed). It’s on TT.

It’s a world. A zone of elusive memories and insomniac fog. An album of murky mirages, slow-spiralling smoke plumes, gently bobbing streetlights viewed through bleary eyes during hours outside of time. Dream-to-mp3 conversion.

The spectral hypnagogia of ‘Blue And Purple Ribbons In The Hallways’ and ‘Tired’ haunt and soothe in equal measure, while the low-lidded vignettes of ‘Unlucky’ #1 through #6 conjure ghostly, stairwell-dwelling figures. Sleep paralysis angels. Whispering windows and shadows that sigh.

This is night music. ‘Open-Air Factory (Entering The Battlefield Version)’ is a mind playing tricks on itself, ‘All Clocks Stopped And The Dream Rewound’ is pure sleepwalking sugar. Songs that flicker and glow like candlelight, music about half-hallucinated conversations that might have meant everything or nothing at all. Blurry mnemonic outlines of encounters that feel significant, if you could only bring them to mind. There’s truth in dreams, but a weary head is hard to trust.

Per ‘Lucky’: “The path into the light seems dark. The path forward seems to go back. The direct path seems long. True power seems weak. True purity seems tarnished. True steadfastness seems changeable. True clarity seems obscure. The greatest art seems unsophisticated. The greatest love seems indifferent. The greatest wisdom seems childish.”

---

Released on TT.

All music by Bug Bus Piano
Mastering: Robert Venning, aka DJ Pitch
Cover art: Bug Bus Piano, Josh Crumpler
Words: Madjestic Kasual
A&R: Madjestic Kasual

Bug Bus Piano - Voice From Broken Tape

letting them in

Retaliation

Some Pain Has To Be Endured

The Test (music from the 1997 Spawn Soundtrack)

- contact/bookings : bkn.es@hotmail.com
Cursed Radiance out now https://strangetherapy.bandcamp.com/album/cursed-radiance



"само тънка тръпнеща кожа върху изпълнен от сънища свръхдействителен картинен свят" 

@opal-tapes 
@amekcollective
@strangetherapy
@yerevan-tapes
@shimmering-moods-records
@noorden
@accentsrecords
@soundandmatter

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