This is a mixed down composite version of Browser Music 4.

The individual parts and instructions for playing them are as follows:

Open each link below in its own web browser tab or window and press play on each. The four parts are meant to play at the same time but don’t have to start together. You can stop / re-start individual parts and change their respective volumes as you wish. Like the components of a mobile sculpture, each part can be considered on its own or in any combination.

Part One:
youtu.be/4fE2awB7_d0

Part Two:
youtu.be/kT9ZastGvqE

Part Three:
youtu.be/Hzd_ydrGCqE

Part Four:
youtu.be/EpPkit3i8Vg


This is music without development, where nothing much happens (or rather: the happening is evenly distributed throughout). This is also quiet music – perfect for playing in the background on your web browser while you are doing something else on your computer. You can even listen to other music / watch other videos / make Zoom calls, etc. while playing Browser Music in the background.

Bandcamp

Browser Music 4

PREORDER: https://lisalerkenfeldt.bandcamp.com/album/halos-of-perception

—

Halos of Perception

I want to introduce this work ‘Halos of Perception’ to you in the way Lisa introduced me to it, through the sharing of experiences.

Lisa and I met for a walk near South Yarra station to talk about this work, when inclement weather made it too wet to visit the tunnels. Moving almost seamlessly from a world of leisurewear, infinite milk alternatives and blaring neons to stretches of green by the water that brimmed with sounds and life, we saw a few people climbing the Burnley bouldering wall, butterflies suspended in the hot wind and lots of plants I wish I knew the names of. Overhead the cars rumbled like a ceaseless animal as we talked about hidden ecosystems, imagined spaces and networks of care.

Stemming from a serendipitous encounter with an original Cave Clan member that led to many underground adventures, this work explores the worlds that exist outside of our perceptions. By the river, I leafed through a selection of tunnel photos Lisa had printed off at Officeworks, revealing alien textures, tunnels that stretch on into abysses of their own, underground flowing streams. Light is sparse and delicate, something reflected by the flickering and wavering in Lisa’s piano compositions.

As we walked, we noticed the ways in which infrastructure is often designed to keep people out—cut doors into fencing and clipped wires show an active and ongoing defiance of this. We spoke about how her Cave Clan friend used to go down to this painted room and read in solitude, using candles for light. The way sound exists underground, encased in these hollow cement tunnels, a painted room with its own deep hum. How people used to hold underground shows, how there were rules for safety (no exploring after rain, never alone) that was shared with each other. This warmth and absorption of other’s experiences is present in Lisa’s work—it’s immersive, like wading in water.

We paused on the walk to eat berries and talk about how The Caretaker creates transitory worlds with recorded sound, how this technology captures memory, and the exploratory pursuits of Pauline Oliveros’ Deep Listening Band. These citations of memory and deep listening inform Lisa’s use of analogue and classical instruments, playback artefacts and acoustic feedback in her own world-building. When speaking about ‘Halos of Perception’, she describes it as a fascination with timbre and acoustic artefacts.

Ideas of networks and enmeshment are felt deeply in Lisa’s compositions, motifs overlaid over each other evoking the image of many hands interlinking playfully, tenderly, softly. The way her compositions delve into refraction and echo makes me think about the tunnels and the way they splinter off into many possibilities. Manipulated textures reminiscent of the chalky, earthy, moss air that perfumes the tunnels’ subterranean air. Tactile details that gesture towards close attention, verging on obsession.

This work is also about imagining ecosystems of potential. Lisa shared with me that during this project, she has been reimagining subterranean networks in dreams, thinking about the buoyancy of oral traditions, and the way water moves—from the sky to the earth, through the ground, connecting all these spheres. Realised in collaboration with hyperreal video artist Tristan Jalleh, Lisa’s dream landscape melds waterfalls, leaks, flower graffiti, and hidden messages lit up by imagined light sources with existing subterranean networks. There’s a real sense of wonder in this world she has built, how the city can reveal itself to you with some patience and care, how the city and its secrets can find its way into your dreams.

— Panda Wong, Sept 2023

LISA LERKENFELDT 'Stairway to the interior' (SP148)

Zero — to Heejin Jang

Yumi Iwaki - Smoketree

2024 marks 10 years since I began this project, sentimentally celebrating it by releasing this compilation of music which I have produced over the last year.

These are pieces that exist intimately within my headspace and hold a lot of emotional experience related to them which made me believe it would be the best if I put them out myself.

https://evitceles.bandcamp.com/album/recall

Recall

Fade Away

Въглен

💎Purchase Beat or Download for Free: https://bsta.rs/B4EZAk 💎

BPM: 140 | Key: C# minor

Beat Store: www.vintageluxurybeats.com
Instagram: www.instagram.com/vintageluxurybeats
Email: contact@vintageluxurybeats.com

This beat is free for non-profit use only. For profit use, you must purchase a lease.
The free version of this beat is NOT available for streaming services such as Spotify, Apple Music, etc. Credit must be given in the title and in the description as following: (Prod. by Vintage Luxury Beats).

© 2025 Vintage Luxury Beats. All rights reserved.
#twofeettypebeat #indietypebeat #bluestypebeat

(FREE) Blues Type Beat | "Slow Motion" Two Feet Type Beat

Shangdu Gardens, Who are these people (这些人是谁？)

could you be in this town.

5th track off of Ka Baird's "Sapropelic Pycnic" release on Drag City Records, 2017

Oneiric

Recorded live at Home Studio.

Gear used: Technics ST-S1L, ЛМ 1229, DL-301A, Yamaha DX7, Alesis Midiverb 2, Mackie CR-1604, Akai GXC-725D.

Open for release proposals. More records on request.

August 2020.

Abiocoen — Venue

- contact/bookings : bkn.es@hotmail.com



"само тънка тръпнеща кожа върху изпълнен от сънища свръхдействителен картинен свят" 

@opal-tapes 
@amekcollective
@strangetherapy
@yerevan-tapes
@shimmering-moods-records
@noorden
@accentsrecords
@soundandmatter

Въглен

EVITCELES