This track came about from a lyric in the song 'Me and Bobby McGee' about "windshield wipers slappin' time". That was the basis of the rhythm which was augmented with percussion tapped out on an acoustic guitar and loosely inspired by Steve Gadd's drumming on '50 ways to leave your lover.' The whole thing wasn't completely unoriginal - the piano and chordal background came from an unsuccessful attempt at another piece which was stretched and repurposed. The clarinet melody is an original length, which means the emphases in the melody fall in different places with each iteration. Finally the melody is processed to sound as if it is mediated by different technologies to reinforce the slight theme of nostalgia. These technologies move through time from AM radio to vinyl to data-compressed digital.

patterns and accidents vol 1

on our way home

Lyrics


Oh I need ya baby
Like the corn need the sun
I need you and you know
It’s true

Without you sunshine
I’d be so glum
It’d be all misery and heartbreak
Without you

And that smile
It lifts me up
It satisfies 
My restless soul

Oh God help me
When you prance and saunter
My poor heart beats so fast
I’m afraid it might falter 

When the good lord in heaven
Sat down to create you
The angles must have gathered around

To gaze in stunned wonder
At the beauty he sundered 
From this medium of flesh and bone

I can’t leave you alone
I’ve got no choice
There ain’t anything else
In this world that would do

I love you woman
And I ain’t no fool
I will not be parted
From this precious jewel

Oh I need ya baby
Like the corn need the sun
I need you and you know
It’s true

Without you sunshine
I’d be so glum
It’d be all misery and heartbreak
About you

And that smile
It lifts me up
It satisfies 
My restless soul

Oh God help me
When you prance and saunter
My poor heart beats so fast
I’m afraid it might stop

Free on Bandcamp

Sunshine

All Instruments By Martin Reed,
Produced By Martin Reed.

Say no more, amazing year for me & my 2 Amigos.

Remembering 1992 - Year Of The Hot Knives

All of It

Sumthin' Prettie

DR0000 0166

Picture reference: https://oko-planet.su/science/sciencecosmos/182299-kak-sfotografirovat-mlechnyy-put-ne-pokidaya-galaktiki.html

The nameless is the origin of Heaven and Earth
The named is the mother of myriad things.
Tao Tê Ching 1, 5-6

Claudio Ferrari: electronics - percussions - vocal intrusion.
Alessandro Bona: flute - bass flute - ethnic flutes - electronics - percussions - bottle - hose - vocal intrusion.

DiaDeNa

Werden (part one)

A Meeting Of Two Goths

Marco Lucchi : piano

30 ottobre 2020

***



A inacção consola de tudo. Não agir dá-nos tudo. Imaginar é tudo, desde que não tenda para agir. Ninguém pode ser rei do mundo senão em sonho. E cada um de nós, se deveras se conhece, quer ser rei do mundo.

Não ser, pensando, é o trono. Não querer, desejando, é a coroa. Temos o que abdicamos, porque o conservamos, sonhando, intacto eternamente à luz do sol que não há, ou da lua que não pode haver.

Fernando Pessoa

piano patterns n°9

Sometimes we can drink.. and sometimes we can watch Lana Del Rey.
But sometimes we can feel the vibrations of psychedelic music..
as we can think..

Katie Mason - Good As It Gets [evol mix]

EVOL DAN

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