LABEL // PODCASTS // EVENTS
- specific audio experience -

Residents
BTM, DXRVO, EK-SISTENZ, MARRGIAN, PILEA

Inquiries: contact@osmium-lab.de
Support us: osmium-lab.bandcamp.com
__________

We believe in the power of emerging talent.

Our mission is to support young, up-and-coming artists by giving them a platform to be heard. Through our Various Artists releases, we create space for fresh voices and new sounds to resonate - beyond algorithms, trends, and borders.

Each compilation is a carefully curated snapshot of producers, shaped by raw energy, experimentation, and a shared love for timeless techno.

This is not just a release. It’s an invitation - to listen, to discover, and to grow together.

신경학적 공격

zerozero is a team of eclectic minds with a post-modern take on music, blending genres and providing a decadent, futuristic sound experience. it is a movement that strives to open people’s minds to a different kind of electronic music consumption.

Booking: james@sweatlodgeagency.com
Other inquires: ah@tripleone.agency

"Lubie go i techno"
https://www.mixcloud.com/cruz-oe/

🌲 Monument is a global community bound together by the transformative power of music, art and human connection.

Pure timeless techno without following hypes!

__________Synthetic electronics
________________Member of zerozero
_____________________1/2 SOLARPUNK

Aasthma, a collaboration between Swedish producers Pär Grindvik and Peder Mannerfelt . A sonically high-fidelity whirlwind, occupying a dazzling soundworld where Top 40 ballads and breakbeat rollers gleefully canoodle with trap bangers, neon-streaked EDM and guttural dancehall.

Graduating from the class of Fever Ray 2018 Plunge tour, Peder Mannerfelt and Pär Grindvik found themselves inexplicably drawn towards creating Aasthma as a vessel for their collaborative respiratory malaise. After being tapped up for gaseous exchanges for the likes of Björk, Modeselektor and Massive Attack, they released their debut full length ”Arrival” in late 2022 to great fanfare. Including collaborations with diverse artist such as Jonnine Standish of HTRK, Adam Olenius of Shout Out Louds, Casey MQ, Gavsborg of Equiknoxx and Swedish rapper Silvana Imam it shows their commitment to fumigating beyond their natural habitat of cramped basements and cavernous technodomes into uncharted popular territories.

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

The Acid Mind Recordings (T.A.M.R) and Artist.

Demo Submission: demos@theacidmind.com

The Acid Mind is a visceral and cerebral experience at the same time. Induced by seductive, deep and rhythmic melodies, inspired by the underground electronic scene. Common side effects include: relentless head rocking, pendulum motion of your hips known as buckling, synesthesia in your senses, and mental teleportation.

Welcome to The Acid Mind.

tchnbllrn 2.0 is following