Hossam Ahmed is an Egyptian electronic music composer. He makes powerfully emotive, instrumental music ranging from solo acoustic piano to ambient, space, chillout, trance and bass-heavy electro. 
He started to play keyboard and guitar from the age of 10. By the age of 16, he started to compose music specifically focusing on Chillout and New Age genres. Recently, he makes and compose consistently crosses genres.
His tracks are played and sounded on the Chillout Dreams channel of the world famous Internet radio DI.FM. His first EP "Sahara Nights" is available now on Beatport, and other tracks as well are listed in famous Chillout Compilations like Shining Sleep (by Solarsoul), Chillout Breeze by Galileo Dreams Recordings

Electronic / Instrumental / Rock N Roll / Country

#TECHNO #INDUSTRIAL #HARDCORE #AMBIENT

"My vision of sound art is to use wisely the power of science and technology to create something that helps human beings to continue evolving in a positive way, empathizing with the universe."

#TECHNOLOGICMUSES

technomuses@soundjockey.es
+34 692 433 784

Supported by SOUNDJOCKEY.ES
@SoundJockeyES
@HedenClub
@SekretKlub

■Releases
□"Matters of the Affection"
https://apple.co/3Jpg5f0

□"Underneath The City of The Bloom"
https://apple.co/3qVZiKs

□"Gate" as Jomyak, beat music project.
https://bit.ly/3qNWVJn

■Stage Works
Work as the sound artist & the concept director in contemporary dance performances.

□“Defection for beginners: The Country of Dreams”
Got grand prix in "Yokohama Dance Collection 2019".
And was performed in "Hong Kong Dance Exchange 2020".
https://bit.ly/3NHIj7G

■Organizing
□"Bion Sonic"
"Bion" (微音) means soft & low volume sound.
It was the most silent & miniature music festival.

■About
Masayuki Nii is an innovative sound artist who transcends the boundaries of traditional music, embodying a deep empathy towards others and human warmth. His unique creative approach designs space and time through sound, generating multidimensional experiences that deeply impact listeners.

Nii values evolution and growth over perfection. His philosophy derives from the "Co-Active Coaching Model," asserting that "people are Naturally Creative, Resourceful, and Whole". This belief shapes his perspective on music and art, viewing them as more than just entertainment. For Nii, these forms are means of exploration and communication that should be engaged actively rather than passively.

Throughout his career, Nii has extensively collected live sound recordings and field recordings. He carefully layers these sounds to create captivating works. This artistic process is a pursuit of the orthodox and at the same time a kind of rebellion, seeking the true essence behind names, labels, categories, and attributes. He hopes his work provides comfort and motivation to others.

Not only in his individual works but Nii also brings his distinctive sound design into contemporary dance performances, demonstrating his leadership and creative direction skills. He is also creatively active as a record label release director and event organizer.

He cherishes the idea of Serenity Prayer, the serenity to accept the things I cannot change, the courage to change the things I can, and the wisdom to know the difference. This philosophy is a testament to his positivity, personal growth, and commitment to change through sound.

Nii also works as a web developer, possessing the ability to bridge the gap between art and technology. His creative activities aim to connect the world of sensuous art with the world of intellectual material, providing new perspectives and insights by moving between these two worlds. This act brings consistency and multifacetedness to his work, offering a richer experience to listeners.

I craft unique, genre-blending mixtapes that capture as much of my musical personality as possible. Style, genre, or tempo are never limitations.
My taste is deeply rooted in jazz, funk, hip hop, trip hop, latin, downtempo, "regular-tempoed" house, techno, acoustic and singer-songwriter vibes, all kinds of electronica, orchestral, electroacoustic and atmospheric sounds — along with things I can't even define or fit into any genre.
Always open to new quality sounds.

I produce(d) very, very shitty hip hop tracks with samples of my friends as a joke and I am sorry about that.

Followers of Ewi