https://www.instagram.com/joe_ford_music/

Upon stumbling on a Metalheadz promo tape in 1995, Slantooth got hooked on his first dose of drum & bass and never looked back. Slantooth has played along side many "old school hard hitters" such as Goldie, Jumping Jack Frost, Dillinja & LemonD, Spirit, Usual Suspects, and many, many more. In 2002, Slantooth became the owner of Compound Records Seattle. A brother store of Compound San Francisco. The first and only all drum & bass store on the West Coast. Compound Seattle and, Compound San Francisco are closed, but check out www.compoundrecordsltd.com

Junglist 1994-present...... Been active as both a DJ and an emcee since 99 in various cities such as NY, Philadelphia, Kansas City area, Seoul Korea, and now the northwest comin out of Portland, Oregon.  Played gigs, opened for producers, you know the bit....I work a reg low paying shite job and make mixes to meditate...you can usually find me at the 175 bpm club, but i'll fuck around with everything 70-200, depending on the day....


DJ/ Producer/ Musician/ Audio Warlock/ Bus Stop Bandit

Infinityface makes the music you would listen to if you were falling in love with a broken robot that was built to kill you. 

Experimental mixed fidelity beats.

PROPER MOVEMENT / FOOT CLAN RECORDINGS / BRICKS & MORTAR

I make beats.
Faction Digital Recordings
https://www.facebook.com/FactionDigitalRecordings/
I own Elm Imprint 
https://www.facebook.com/elm.imprint/
I own Deep Hurtz
https://www.facebook.com/Deep-Hurtz-2164022890521755/

Dusty Fungus's Upcoming Gigs
Fri 16 Jan, 15 
Discombobulation, Golden Bay, Takaka, New Zealand

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Drum & Bass/Experimental Producer & Sound Designer

Bookings:
info@sentientsounddesign.com

Biography
Supporting acts such as Sabre, Youngsta, Truth, Tantrum Desire, Flux Pavillion, Hedflux, Opiuo, SPL, Grouch, Mr. Bill, Sun in Aquarius, Mindbuffer, Birds of Paradise.

Forever trying to grapple, understand, destroy and rebuild a myriad of sound palettes Dusty Fungus continually redefines himself through constant experiments in sound design, synthesis and obscure Foley recordings.

Moving in between glitch saturated Drum & Bass through epic cinematic soundscapes, orchestral compositions and organic ethnically infused bass makes for a synaesthetic aural landscape that has to be felt to be heard.

EWOK is following