end.
It is difficult to know if Eworks‘ music is an influence on his personality, or on the contrary, a representation of his personality. Both are probably correct. 
But we can be certain of one thing, this young man is as unsociable as his music is difficult to access, his character as sour as his world is spicy, and his reasoning can be as convoluted as his sonic makings are ornate.

By SSS | seeksicksound.com

http://www.drizzlecat.org
http://www.facebook.com/Ametsub
http://twitter.com/Amtb3110
http://www.youtube.com/user/Klukka00

http://lnk.bio/saintx

With 9M+ streams and 70+ tracks released since 2023, SAINT X stands out as a unique voice in the emerging electronic scene — an artist capable of turning an idea into a total emotional experience. Where others follow trends, SAINT X builds worlds. His music travels between EDM, melodic house and evocative pop, always shaped with soul, intention and authenticity. Each project carries his mark: palpable emotion, poetic tension, and an instantly recognizable sound. A rare opportunity to connect art, emotion and social meaning, placing music at the service of a message that truly resonates. 

Mgmt : ourfutureislove@gmail.com

Channelled madness – the sound Dawn of Midi spent years shaping, culminating into their most mesmerising work yet

With Dysnomia, the Brooklyn-based group Dawn of Midi abandons improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.”
Having met at California Institute of the Arts in Los Angeles in 2006, bassist Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi found their original rapport through late night tennis matches on the campus court. The chemistry they founded there eventually led them back indoors to improvise together; something they did in total darkness to deprive themselves of all their senses except the crucial one – their hearing.
The manner, by which a trio of solely acoustic instruments ends up sounding like electronic music, has to do with the unconventional ways the group play their instruments on Dysnomia. The record comes to life in the trio’s critically acclaimed live shows, a test of endurance and trust that involves performing their hand-looped acoustic minimalism note for note, just as the compositions were recorded. Dawn of Midi’s sets are as energetic and rhythmic as a seamlessly mixed DJ-set, mesmerising fans in the same way the group’s favourite experimental and electronic acts have for decades.
The album was recorded to 2-inch tape at Waterfront Studios in Hudson, New York - a former church that was purchased and transformed into an analogue recording playground by the great engineer Henry Hirsch. Once the band visited the studio and met Henry, an expert in analogue recording equipped with a vintage Helios console, 16 and 24-track tape machines and a superb collection of microphones, it was obvious they had to record there; it was miles ahead of anywhere else they had visited. Rusty Santos then mixed the album to make sure it would hit as hard as the group’s favourite electronic albums do in spite of it being entirely acoustic.
“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

Dysnomia will be released worldwide on June 1st, 2015 through Erased Tapes – available on 2x LP, CD and Download.

French website that talks about indie/alternative music, through reviews, interviews, live-reports, photos, mixtapes,... Since 2010, articles available in french, english, german and spanish.

http://www.musicforyourmind.fr



hit me up for a collab or all inquiries at 
tfernandez.lpc@gmail.com

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lo frequencies 
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SuperPitch is an independent Music House founded and directed by Kouz, an international leader in sound design and music production.
From finding that one ideal track in our own catalog to cratedigging for the perfect sync or producing striking and original compositions, depending on what your project requires, trust that we’ve got the talent and the means.
With 50 albums so far, and going strong, our library includes specific Artist Series and theme albums. Canal+, Hermes, Volvic, Armani and Ubisoft, among others, trust us. We’re also behind the new French TV show Zone Blanche’s soundtrack.

We try to cross the boundaries between "commercial music" and "production music"; our album Nicolas Deutsch Artist Series 02 went N° 25 on the iTunes store...and got great reviews from film editors and music supervisors....

Our most notable placement are
Armani Code with "Barker" by Harshman
Armani Crema Nera with "ARI"
Fondation de France with "Blaze of Glory" by Spottiswoode
Hermes with "Left hand Swing" from our Piano solo album
US TV series Kindown S2EP09 - "Blaze of Glory" by Spottiswoode
and many more....

Awards :
All I Got won Best Country Song at the Mark Awards/PMA (2016)
Blaze Of Glory won Best use of underscore at the Mark Awards/PMA (2016)
Blaze Of Glory won Best use of Music Production in a TV Drama at Production Music Award / PMA London (2016)
Timeout by Harshman won Best Dance Track at the Mark Awards/PMA (2015)
The Arch won Best Folk Song at the Library Music Award (2015)

eworks is following