New Album "Moonlit Planetarium" out now!


Moonlit Planetarium

Kaitlyn's solo debut Euclid (primarily written on a Buchla Music Easel synthesizer) was inspired by her love of mbira music, early electronic music pioneers like Suzanne Ciani, Laurie Spiegel, Oskar Sala, and Terry Riley, and euclidean geometry. Each of the first six songs on Euclid were initially structured using euclidean geometry, an idea which Smith explored while attending a class at the San Francisco Conservatory. As Smith explains, "We each chose a 3D shape and assigned our own guidelines to the different components that make up the shape. For example each point of the shape represents a different time signature, each line between the points represents a pitch, each shape within the closed lines represents a scale, etc. And then you play the shape." Despite their heady geometric origins, the songs have a playfulness and warmth that makes them inviting and memorable. In addition to the buoyant grooves of Smith's synthesizers, some of the songs feature wordless vocals, which energize the otherworldly songs, while grounding them with Smith's earthly presence. 

She slows things down for the second half of the record, which features a collection of twelve short pieces, Labyrinths I-XII. Originally composed as new soundtracks to old silent films she found online, Smith says the tranquil Labyrinth pieces are "intended to feel like one is walking through a holographic labyrinth and encountering different experiences such as hang gliding, viewing microbes under a microscope, ice fishing in Alaska, and watching glaciers collapse." Despite their brevity, most of these songs feel like mini odysseys, effortlessly casting a cinematic hue on the the listener's world.

Throughout Euclid Kaitlyn Aurelia Smith consistently delivers sonic puzzles draped in a warm Pacific mist. At times these songs feel so alive — like the musical analog to roots growing deeper and stronger, leaves on branches bending towards the light, or the sun peeking over the horizon, briefly igniting the air with a primordial swirl of warm and cool colors.

Kaitlyn Aurelia Smith - Careen

This mix that ive done for Daina Dubauskaitė. 

オーディオTAPE

B2 Xen All Of The Sun(Voodoo)

Dear all, we’re proud and happy to let you know that we’re close to reaching a record label milestone. After 5 years of releasing music suitable for both dancefloor and armchair, it’s now time to mark our 50th release: https://atomnation.bandcamp.com/album/50an - out October 6th

Pre-order

Olaf Stuut - Suspended Animation

An abridged version of my most previous 199radio "hypnagogic jerk till midnight mix'. A trawl through funky electronic tracks from some library & soundtrack records I've bought over the years.

Track list:
Building - Music from 'Building a better way' - The 1974 Chevrolet
Jazz computer - Futuribile - Gianni Safred & his electronic instruments
Officina Stellare - Tra Scienza E Fantascienza - Moggi
Thematic - Synthetic Music - Martin Lanibor & Jean-Pierre Decerf
Angoisse Intense - Electro sounds - Bernard Estardy
Montage 9 - Montage -  Gerhard Trede
Dreams In The wind - Light Flight - Magical Ring/Jean-Pierre Decerf
Untitled - De Nieuwe Volkswagen Transporter
Surveyor - Action/Parchwork 49 - Jean-Pierre Decerf
Video synthbass - Automation vol 2 - Sauveur Mallia
Blush response - Blade Runner - Vangelis
Endstation Freiheit - Title music - Irmin Schmidt
Il Dopolota - Mimì Metallurgico Ferito Nell'Onore - Piero Piccioni
Jerk beat - Gli Angeli Del 2.000 - Mario Molino
Sequence 4 - Zombi 2 - Fabio Frizzi
Lotor - April Orchestra Vol. 47 - Milpatte
Percussionnistement Votre - April Orchestra Vol. 41 - Bernard Estardy
Zelda's theme - Zelda - Marcello Giombini
Oriental Workload - Action disco - James Asher/Studio G
Mount Rushmore - Little America - Gianni Marchetti ‎

Into the cosmos - library funk & soundtrack mix

dedicated to :
Milan Mladenović (Serbian Cyrillic: Милан Младеновић; September 21, 1958 – November 5, 1994) was a Serbian musician best known as the frontman of the Yugoslav art rock band Ekatarina Velika.
<3

Katarina II - Ja znam [kompleks edit]

First track off Jonas Munk's (Causa Sui) and Nicklas Sørensen's (Papir) new collaborative album, "Always Already Here", out August 16th, 2019!

Preorder available soon from www.elparaisorecords.com

Info:

"Jonas Munk and Nicklas Sørensen team up for a genre-defying record that explores American minimalism, psychedelia, and electronic music – both vintage and contemporary. On a foundation of interlocking guitar and synthesizer patterns, the duo constructs lengthy pieces that are experimental yet welcoming in nature, precisely executed yet with room for soaring improvisation. Always Already Here pays homage to the masters of classical minimalism (Steve Reich, Terry Riley) and the pioneers of electronic music and kosmische (Brian Eno, Manuel Göttsching), still it doesn't sound derivative or retrospective. The type of hypnotic bliss Munk and Sørensen strive for is distinctly timeless."

Jonas Munk & Nicklas Sørensen: "Shift"

U Škripcu (Serbian Cyrillic: У Шкрипцу; trans. In Dire Straits) was a Serbian and Yugoslav rock band from Belgrade.

The band was formed in 1980 by Zoran Vulović "Vule" (keyboards), Milan Delčić "Delča" (vocals) and Aleksandar Vasiljević "Vasa" (guitar), who decided to expand the lineup of their former band to Miloš Obrenović (drums) and Aleksandar Lukić (bass guitar), and change their name to U Škripcu. At the time of their formation, the band was a part of the Yugoslav new wave scene, the period of work which was documented on the seminal 1981 various artists compilation album Artistička radna akcija. With the debut album release, the 1982 Godine ljubavi, the band moved towards a more experimental post-punk sound, before achieving nationwide commercial success with the release of the album O je! and EP Nove godine!, under the influence of New Romanticism. The original lineup recorded yet another album, the synthpop Budimo zajedno, which failed to repeat the commercial success of its predecessors, causing the band to disband in 1985.

U Skripcu - Ovo Nije San [Kompleks Edit]

KATEDRA [Justinas Marcinkevičius]

Muzika, kompozitorius
Antanas JASENKA

Režisierius
Oskaras KORŠUNOVAS

Scenografas
Vytautas NARBUTAS

Kostiumų dailininkė
Sandra STRAUKAITĖ

Videoprojekcijų autorius
Rimas SAKALAUSKAS

Šviesos dailininkas
Eugenijus SABALIAUSKAS

Judesį kūrė
Vesta GRABŠTAITĖ

Muziką atlieka
Petras VYŠNIAUSKAS (saksofonas), choras "Brevis" (vad. Gintautas Venislovas), simfoninis orkestras (dir. Egidijus Ališauskas), elektronika - Antanas JASENKA
„Spektaklio kūrėjams pavyko rasti tą intonaciją – gimsta sąžiningas ir gilus „Katedros“ traktavimas, tos vertybės gali ir šiandien suskambėti“, – kalbėjo A. Liuga.

Dailininko Vytauto Narbuto sukurtas scenovaizdis, pasak autoriaus, turėtų suteikti spektakliui didingumo. Nors jame daug simbolikos, tačiau jokio Katedros vaizdo, net jos detalių scenoje nebus. Kūrėjai sako neprisirišą prie istoriškumo, tačiau bandantys užuominomis, formomis, bendru vaizdu jungti dabartį su praeitimi, dėl kurios daug konsultavosi su istorikais. Šių tikslų siekė ir kostiumų dailininkė Sandra Straukaitė, kompozitorius Antanas Jasenka, savo muzika interpretavęs sukrečiančią lietuvės moters raudą.

ANTANAS JASENKA_"KATEDRA" /b

sTiaRadio #16 Tossing & Turning

https://www.mic.lt/en/database/classical/composers/jasenka/

ANTANAS JASENKA_"KATEDRA" /b

Antanas Jasenka

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