117-0x

NETWORK GLASS - "DAEMON69-2" [117-10]

Al4a Unit - emotion 2

“Rianás” is a Hungarian word for the sounds caused by the breaking or moving ice plates of frozen lakes and rivers.

“That which is solid will always shatter. That which melts into a current will search for direction before freezing again.”

music by Dávid Gerlei @yibai100
mastered by Roland Nagy
painting by Péter Papp

www.instagram.com/ptr.papp

Buy EP

yibai – Tenger gát

To Mirka

Nuclear decay occurs when the nucleus of an atom is unstable and spontaneously emits energy in the form of radiation. The result is that the nucleus changes into the nucleus of one or more other elements. These daughter nuclei have a lower mass and are more stable (lower in energy) than the parent nucleus.

“Ábris Gryllus is a cross-disciplinary media artist and musician based in Budapest. He is well-known for several projects, collaborations and performative works with choreographers, sculptors, dancers and other musicians. As a tireless artist always open to new possibilities, Gryllus has worked on dance pieces, educational workshops and installations; he is one-half of the beat-oriented group FOR., and not least of all, he produces immersive electronic music under his own name. His solo materials include the frantic vocal-based ‘Canon’ (The Death of Rave) and two releases on Farbwechsel (‘Post_’, ‘A.D.’) that feature a rather focused, slowly forming approach to composition.

‘Nucleus of the Decay’ shares the fundamental, carefully sculpting method that is prominent on the aforementioned Farbwechsel releases. This two-track EP is a conceptual piece that reflects on life-changing events, biological or chemical processes and the overall bipolarity that is encoded into the course of a lifetime. Both pieces of the album embody the duality of a living, organic texture and its transience: at times, it can be graceful and splendid, at other times it can be distressing and overwhelming.

‘Parent I (with Thea Soti)’ is a gradually building opening track, starting with only a handful of audio channels of scratches, hisses and a high-pitched tone. In a smooth and subtle manner, the vocals of Soti then fade into the dense fabric of sounds that unfold, engaging in a plethora of expressions, supported by a bass progression resembling a chorale-like structure. ‘Parent II’ is centered around an instrumental piece, a string-like leitmotif surrounded by whispers and echoes that are bright and piercing, as well as light and cumbersome at the same time.

‘Nucleus of the Decay’ offers a sonic world that admits the struggle and joy of reflecting on one’s presence, and sees the captivating yet eerie nature of the inevitable future. Working with both purely synthesized sounds and real-life voices, Gryllus’ first solo EP at EXILES invites us to a place that is warm and harsh all at once, dragging us into a swirling torrent of ethereal whitewater.”

—Nemerov

music by Ábris Gryllus @abrisgryllus
digital mastering by Roland Nagy @fausto_mercier
vinyl mastering by Stefan Betke (pole)
vinyl distribution by Rubadub
artwork by Renáta Szabó

scapemastering.com
rubadub.co.uk
www.instagram.com/rnszab

Digital / 12” Vinyl

Ábris Gryllus – Parent II

+seraphim untitled0415

@esze_veszett is member of Scene -س- icommunity project focusing on showcasing renowned and upcoming artists from the Arab world bringing forward their distinctive sounds and talent alongside our beloved local artists.
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Praise be to shadow, from he who faces the warrior, spirits of mountain, forest, river, and stone, all is positioned in readiness, in the wanderer's place atop the mountain.

Tracklist: https://radioflouka.com/shows/scene-s-showcase-esze_veszett-27-04-2023

SCENE س showcase: esze_veszett - 27/04/2023

examine-plain-129-2023-06-08(boilerroom-01-Phase Sunspot).wav

@boiler_room

129-2023-07-08

Recording, production, vocals by IVORY BLACK with collaborative effort from Bride on ‘Tarnished’
Artworks photographed by IVORY BLACK & painted by Bride
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IVORY BLACK - Patina

I always return to sci-fi for inspiration when I want to "rock-out"! 

I used my Fender Telecaster for all the guitar parts. All the other instruments were played on a Native Instruments Maschine pad.

At Speed

Tint & Tone

rychtářská

Exiles Electronics are a small label of wonder and intrigue.