Stream Dial Tone:
https://songwhip.com/stjasper/dial-tone

Produced and engineered by Louis Milburn
Mastered by Felix Davies

Follow St Jasper:
https://www.instagram.com/_stjasper/
https://twitter.com/_stjasper
https://www.facebook.com/iamstjasper

Lyrics:
Maggie’s on the water blocking out the dial tone, she waves, he nods.
Standing in the harbour looking at the old boats, how do they float?
It’s not a conversation that he wants,
but she needs an explanation, of sorts.

Standing in the corner taking off her wet clothes, he looks, she knows.
Studying the hallway looking at the photos of him and her. 
It’s not a conversation that he wants,
But she needs an explanation that works.
He had all the right intentions at first,
but she needs an explanation, of course.

Dial Tone

Monsterhouse

Let Go : Be Free

Queen of My World

End Of The World

Purchase from Bandcamp: https://desertliminal.bandcamp.com/album/glass-fate

“I don’t need no southbound highway sign to tell me HELL IS REAL”.

This opening line from the debut single “New Tongue” launches us into the sophomore album Glass Fate by the Chicago based Desert Liminal. Glass Fate takes us through a Lost Highway trip into the subconscious of Sarah Jane Quillin’s year while writing this record. The songs form a collective meditation on Quillin’s hope and grief while processing the loss of a parent, the end of a beloved band Heavy Dreams (a collaboration with DEHD’s Emily Kempf), and witnessing the surreal near-death experience of her best friend, Desert Liminal’s drummer Rob Logan, during one of their shows. Channeling this heaviness into soaring and simmering experimental indie rock, Desert Liminal’s sound is marked by Quillin’s spectral vocal melodies layered over warm, looping walls of vintage synthesizer and violin filtered through a distortion pedal array. Rob Logan’s drumming ranges from driving post-punk drum grooves to thoughtful, held back polyrhythms that serve and elevate the record.

Completing this subverted power trio, violinist and prolific noise artist Mallory Linehan (Chelsea Bridge) joined in 2019, perfecting the trio’s sound with spacious strings and tape loops that blend into the warm wash of resonating reverb and delay. A first listen of Glass Fate reveals a band with an astute ear for creating warm, engaging art-pop that entwines Quillin’s eliding delivery around smart hooks and introspective, bordering on melancholy, melodies. The further these songs move from the source they begin slipping into headier terrain creating neck-craning audio fields of droning violins and looped voice that recall Tony Conrad at his most accessible and Haley Fohr’s experimentations with voice and breath. These sounds cohabitate in the liminal space where meaning and reference slowly fade into Jungian archetype and back again through the trio’s strong grasp on solid, reality-affirming songwriting.

Desert Liminal - Watercolor

This I Know

It Feels Like

New single from Fresh out 8th December via Specialist Subject / Get Better Records.

https://smarturl.it/morgan-joanne

FRESH - Morgan & Joanne

Jordan Allen - Bolton
Jarpsy - Sunderland
The Outcharms - Doncaster
Columbia - Cardiff
The Headspace - UK
Droves - Sydney
Bandit - Liverpool
Tom Collins - North Wales
Panaviscope - Switzerland
Shambolics - Kircaldy, Scotland
Turquoise - Brussels, Belgium
Racing - Auckland, New Zealand

Episode 244 Of The Unheard Indie Podcast! 12th December 2021

Big Man Says Slappydoo

If I Wanted To

Judith Whittaker Returns for another PulseMeld Rock Electronica Album bringing high energy industrial and adrenalin filled tracks to enjoy! Day I Lost You sends you on an emotional rollercoaster while Storm Inside fires up the sky.

It is available digitally through our bandcamp page or as a vinyl record.
>> https://elasticstage.com/pulsemeld/releases/the-storm-inside-album <<

This I Know

exit kid

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