EXIT project

Moscow, Russia

www.exitproject.pdj.ru

The variety of genres and styles behind the music of EXIT project has always been overwhelming. In general, it is a harmonic unity of live improvisations and subtle electronics, vigour and energy of jazz-rock, charm and timbre of IDM, Progressive, Ethnic & World Music. 

Since 2001 the band released 4 albums, and, taking into account single tracks released in various compilation CDs, the overall circulation is now around 500,000 CDs. The first two albums – ‘Live Electricity’ (2002) and ‘Hack the World’ (2005) are mostly electronic arrangements mixed with jazzy guitar solos and intricate vocal passages. The latest ‘Mystery Journey of Girl with her Death’ (2007) develops this trend in depth. However, these are mainly studio work.

In the meantime, since 2003 a parallel direction in the music of EXIT project has been blossoming – a live performance involving renown artists of Russian jazz and avant stage. Critics named the style with a meaningful ART-fusion, recognizing traits of various influences from contemporary classics and jazz to ethno, progressive rock and Drum’n’Bass. The jazzy live performances are full of drive, spontaneity and clubbing groves. The sound, however, is always somehow changing depending on the on-stage crew and the “special guest”.  The band is a welcome at many festivals, concert halls and clubs, as well as radio and TV shows. The jazzy trend has its extreme – a free jazz Personal EXIT – a platform for avant-garde pursuits of the drummer Vladimir ‘BIG’ Glushko.

Another recent trend is an ambient and thoughtful mix of chill-out DJ electronics and ECM style live guitar, tabla and sax improvisations. This Indian-inspired heavenly blend is named Shanti Place. The program is now being recorded and a new release is to come out soon.    

All the variety of music is easily accessed at www.exitproject.pdj.ru

Recorded live at JEL-O Los Angeles. www.facebook.com/jelopartypeople

Drum and Bass, Jungle, Dub, Dancehall, breaks, house and Bass music genres.
Music available on Beatport, Juno, Itunes, Deezer, amazon, Spotify etc


<a href="http://www.junodownload.com/labels/Crazy+Rabbit+Recordings/releases" rel="nofollow" target="_blank">http://www.junodownload.com/labels/Crazy+Rabbit+Recordings/releases</a>/

<a href="http://www.beatport.com/label/crazy-rabbit-recordings/18431">http://www.beatport.com/label/crazy-rabbit-recordings/18431</a>

Hysterical Center XX, edited at P.A.I. (Performance Art Institute), San Francisco, 2011-2012

http://soundcloud.com/somnoroase-pasarele  



Hysteria

This article is about the state of mind. For other uses, see Hysteria (disambiguation).
Hysteria, in its colloquial use, describes unmanageable emotional excesses. People who are "hysterical" often lose self-control due to an overwhelming fear that may be caused by multiple events in one's past[citation needed] that involved some sort of severe conflict; the fear can be centered on a body part, or, most commonly, on an imagined problem with that body part. Disease is a common complaint; see also Body dysmorphic disorder and Hypochondriasis. Generally, modern medical professionals have given up the use of "hysteria" as a diagnostic category, replacing it with more precisely defined categories such as somatization disorder. In 1980, the American Psychiatric Association officially changed the diagnosis of "hysterical neurosis, conversion type" to "conversion disorder".

Contents 

1 History
2 Current theories and practices
3 Mass hysteria

History


For at least two thousand years of European history until the late nineteenth century hysteria referred to a medical condition thought to be particular to women and caused by disturbances of the uterus (from the Greek ὑστέρα "hystera" = uterus), such as when a neonate emerges from the female birth canal. The origin of the term hysteria is commonly attributed to Hippocrates, even though the term isn't used in the writings that are collectively known as the Hippocratic corpus.[1] The Hippocratic corpus refers to a variety of illness symptoms, such as suffocation and Heracles' disease, that were supposedly caused by the movement of a woman's uterus to various locations within her body as it became light and dry due to a lack of bodily fluids.[1] One passage recommends pregnancy to cure such symptoms, ostensibly because intercourse will "moisten" the womb and facilitate blood circulation within the body.[1] The "wandering womb" theory persisted in European medicine for centuries.
By the mid to late 19th century, hysteria (or sometimes female hysteria) came to refer to what is today generally considered to be sexual dysfunction.[2] Typical treatment was massage of the patient's genitalia by the physician and, later, by vibrators or water sprays to cause orgasm.[2]


Professor Jean-Martin Charcot of Paris Salpêtrière demonstrates hypnosis on a "hysterical" patient.
A more modern understanding of hysteria as a psychological disorder was advanced by the work of Jean-Martin Charcot, a French neurologist. In his 1893 obituary of Charcot, Sigmund Freud attributed the rehabilitation of hysteria as a topic for scientific study to the positive attention generated by Charcot’s neuropathological investigations of hysteria during the last ten years of his life.[3] Freud questioned Charcot’s claim that heredity is the unique cause of hysteria, but he lauded his innovative clinical use of hypnosis to demonstrate how hysterical paralysis could result from psychological factors produced by non-organic traumas (psychological factors that Charcot believed could be simulated through hypnosis).[3] To Freud, this discovery allowed subsequent investigators such as Pierre Janet and Josef Breuer to develop new theories of hysteria that were essentially similar to the medieval conception of a split consciousness, but with the non-scientific terminology of demonic possession replaced with modern psychological concepts.[3]
In the early 1890s Freud published a series of articles on hysteria which popularized Charcot's earlier work and began the development of his own views of hysteria. By the 1920s Freud's theory was influential in Britain and the USA. The Freudian psychoanalytic school of psychology uses its own, somewhat controversial, ways to treat hysteria. Freudian psychoanalytic theory attributed hysterical symptoms to the unconscious mind's attempt to protect the patient from psychic stress. Unconscious motives include primary gain, in which the symptom directly relieves the stress (as when a patient coughs to release energy pent up from keeping a secret), and secondary gain, in which the symptom provides an independent advantage, such as staying home from a hated job. More recent critics have noted the possibility of tertiary gain, when a patient is induced unconsciously to display a symptom because of the desires of others (as when a controlling husband enjoys the docility of his sick wife). There need be no gain at all, however, in a hysterical symptom. A child playing hockey may fall and for several hours believe they are unable to move, because they have recently heard of a famous hockey player who fell and broke their neck.
Many now consider hysteria to be a legacy diagnosis (i.e., a catch-all junk diagnosis),[4] particularly due to its long list of possible manifestations: one Victorian physician cataloged 75 pages of possible symptoms of hysteria and called the list incomplete.[5]

Current theories and practices

Current psychiatric terminology distinguishes two types of disorder that were previously labelled 'hysteria': somatoform and dissociative. The dissociative disorders in DSM-IV-TR include dissociative amnesia, dissociative fugue, dissociative identity disorder, depersonalization disorder, and dissociative disorder not otherwise specified. Somatoform disorders include conversion disorder, somatization disorder, pain disorder, hypochondriasis, and body dysmorphic disorder. In somatoform disorders, the patient exhibits physical symptoms such as low back pain or limb paralysis, without apparent physical cause. Additionally, certain culture-bound syndromes such as "ataques de nervios" ("attacks of nerves") identified in Hispanic populations, and popularized by the Almodóvar film Women on the Verge of a Nervous Breakdown, exemplify psychiatric phenomena that encompass both somatoform and dissociative symptoms and that have been linked to psychological trauma.[6] Recent neuroscientific research, however, is starting to show that there are characteristic patterns of brain activity associated with these states.[7] All these disorders are thought to be unconscious, not feigned or intentional malingering.
Jungian psychologist Laurie Layton Schapira explored what she labels a "Cassandra Complex" suffered by those traditionally diagnosed with hysteria, denoting a tendency for those with hysteria to be disbelieved or dismissed when relating the facts of their experiences to others.[8] Based on clinical experience, she delineates three factors which constitute the Cassandra complex in hysterics: (a) dysfunctional relationships with social manifestations of rationality, order, and reason, leading to; (b) emotional or physical suffering, particularly in the form of somatic, often gynaecological complaints, and (c) being disbelieved or dismissed when attempting to relate the facticity of these experiences to others.[8]

Mass hysteria

 Mass hysteria
The term also occurs in the phrase "mass hysteria" to describe mass public near-panic reactions. It is commonly applied to the waves of popular medical problems that "everyone gets" in response to news articles. A similar usage refers to any sort of "public wave" phenomenon, and has been used to describe the periodic widespread reappearance and public interest in UFO reports, crop circles, and similar examples. Hysteria was often associated with events like the Salem Witch Trials, or slave revolt conspiracies, where it is better understood through the related sociological term of moral panic.



Mister Fever (aka Julien Jauras) is a electronic music producer,  is fascinated by the world of the "bass culture". Initially rock band drummer, he discovers potentials offered by the electronic machines in his musical investigations. Here began a music production always more powerful and original. Attracted by deep basses and fast grooves, he turns to musical styles like dubstep, drum'n'bass Trap,  Abstract... Today, he's convinced of the real travel the public can make, during a night, listening these musics. Mister Fever likes to produce powerful tracks and remix to get people out of control!!! Mister Fever has been influenced most by Shy FX, Bad Company, Pendulum, Noisia.,Andy C, Grooverider, etc... He works in featuring with a lot of different artists to create various universes in his productions. His last project is a Trap, hip-hop and drum'n'bass live. Disturbing melodies, delirious rhythmic basses, these lives are made to dance whole nights!!!. If you want to book him for any live act or dj set please contact : seed.box.booking@gmail.com Come Close Massiv! 



My original name Dmitriy Chernov (Russia) 
Write music deep & tech house
National Techno, Kommunikation Records, Tretmuehle, Complex Textures, GSS records.

Beatport link:http://www.beatport.com/artist/deem/285717


mail:ddeem83@gmail.com

sudblockstudios@gmail.com
Servicio de mastering online.

EXIT project is following