Love this CD. Creative. Nothing like it...kicks up some weird cinematic nostalgia. Just works.

Exit

A. Eyes Open
AA. Violator

Release Date: 24th February 2023

Friske turns in two thugged out weapons for UVB-76’s delinquent sister label DROOGS. Normally his releases showcase his mastery of the light and dark duality of Drum & Bass with a sensei’s precision, but for DROOGS he reminds everyone that to be adept in the Yin, you need to be an accomplished champion of the Yang.

The 303 acid rhythm of “Eyes Open” slithers through the smokey underworld, a measured and methodical killer that squeezes the listener tighter and tighter in its grasp
.
“Violator” goes full Rufige with broken side steps and gooned up stabs setting up speaker knocking thuds and miscreant B Boy atmosphere.

Pre Order

DROOGS012 Friske - Violator

SNKR044

Mantra - Murda

Fragments

Entity

Out now on the incredible YUKU

Buy here on Bandcamp: https://yukumusic.bandcamp.com/album/fresh-faces-part-1

Fresh Faces Part 1

Porous [YUKU]

Aroma Nice and Earl Grey’s Monologue duo debut on Rua Sound with Keano Traxx. A playful study of technicolour breaks in 4 wide-eyed varieties, stuffed with tight drumfunk dynamics and melodic warmth.

A junglist’s haze shrouds the muzzled braindance ballistics of Monologue, a musical partnership that pairs a 15-year friendship in drum-cutting with a keen flair for melody. 2022’s debut EP Acid Settee for YUKU set the scene, now Rua Sound helps prize open further trails along their introspective club voyage.


Last Of The Summer Wasps

After The End EP - out now on Defrostatica

Release date: 1.11.2024
Artwork: Aiax 
Mastering: Macc
Distribution: Clone

Sun People is one of the few modern producers with an unmistakable signature sound. For more than a decade, the Austrian has seemingly effortlessly pursued the plan of developing a soulful minimalism in the field between footwork, jungle and techno, creating moments of bliss for listeners and dancers.

His third EP on Defrostatica emphasizes the contrast between footwork grooves - as in After The End - and spiraling drum techno patterns on 160 beats per minute like in Forward.

After The End

No Fear No Hope

Buy / Stream

Sun People - No Fear No Hope (Defrostatica)

160 flip of Pinch and Mumdance's Turbo Mitzi

Mastered by znlmastering.com

turbo mitzi (160 turbo flip)

Mastered by Bob Macc
Artwork by Cami Jungle
Limited edition of 40. A3 art print, printed on 300gsm smooth cotton with white border.

AMG002 Ila Brugal & Jon1st - Bolla [Forthcoming Amygdala 28/02/25]

We are thrilled to announce the upcoming release on JUDDER – 'Mumbling' EP (JR005) by @alyness_music and @untrue

This new record weaves together influences from foundational UK dub, Berlin dub techno, leftfield bass, and dubstep, enriched with intricate arrangement choices. One thing remains constant — the signature heavyweight style of Alyness and Untrue’s production.

This release is particularly special for us, as Alyness and Untrue push beyond their usual patterns and, for the first time, share their experimental take on bass music.

taplink.cc/judder_bass

Tracklist: 
1. Alyness — Stoned
2. Untrue — Murderer 
3. Alyness — Victim
4. Alyness & Untrue — Mumbling

Mastered: Kercha ( @thekercha )
Design: PQQ ( @pqqshki )

Pre-Order

Alyness & Unrtue - Mumbling EP (JR005) - Showreel (18/04/2025)

New Zealand’s downtempo-bass producer Consequence, aka Cam McLaren, always tread the line musically, to the point that the line became blurred entirely. His debut album, ‘Live For Never,’ reminded the electronic world of the intricacies and emotional heights of Drum &amp; Bass, and carried the genre into new realms of sonic possibility. ‘Live For Never’ appealed to different scenes across the board (and around the world), receiving rapturous applause from electronic music’s toughest critics (Resident Advisor, Boomkat, FACT) and magazine gurus alike (DJ Magazine, IDJ). 

In March 2011, Consequence made his second album appearance on Exit Records with Joe Seven, as They Live: the duo’s ‘Cancel Standard’ was an immersive, sci-fi laced album that set the bar for the year rather high. Consequence decided to end 2011 with one more album, however: his long-awaited sophomore solo LP: ‘Test Dream.’

‘Test Dream’ is not for those who expect the next logical evolution of ‘Live For Never.’  It’s also not for the unadventurous, nor for those who seek easily digestible music. Creatively free, Consequence revels in pure electronic experimentation, and the result is an album that follows no rules, and explores fractal dimensions that defy conventional genres. 

The downtempo compositions on the LP manage to hold the intensity and propelling urgency of high BPM electronic music, even though some of the tracks are relatively beatless. ‘Before I Go’ takes the listener to space and back, while ‘Can’t Say’ comes through with staggered synths and rugged drums, building an atmosphere where each sound tells a story. ‘Marlo’, meanwhile, is a welcome retreat from the tension built in its predecessors, with a reassuring melody, softly rhythmic snaps and handclaps, smooth vocals and warm pads. ‘Of Uncertainty’ reveals a slow beauty that builds with impeccable grace, adding colours, slowed vocals and tranquil atmospheres along the way.

Ever a many-faced producer, Consequence’s album takes a few forays into more haunting, cryptic territories. ‘Just Water’, filled with creepy effects and sinister samples, leaves the listener nothing short of on-edge, especially with a finale that sounds not much unlike C3PO being ripped to shreds. And ‘Magda Trench’ sounds like a video game that’s burning under a microscope, rendering fractured pixels into outer space. 

Staying true to his roots, Consequence brings the album back through the tangles of the jungle, and voyages into heavier D&amp;B landscapes. ‘Oden‘ and ‘Soul Sees Spirit’ feel slightly apocalyptic, with soaring ominous-filled synth builds and hard-hitting drums that will darken (and deepen) any dancefloor instantaneously. 

There are many surprises tucked within, too, of course. ‘Re-occuring’ has ascending melodies that sound as though they could dance in a Giorgio Moroder universe: a transportive space-capade that gives an aural tour through a cluster of stars. Powered by a stuttered melody on a wavering synth line, ‘Lovershell’ is one for code-crackers: an intriguing ball of chaos that slowly starts to make sense as it comes together. The dub-drenched ‘Slant’ starts out mysterious in feel, takes a swift turn for anxiety and suddenly breaks into an enigmatic poem slowly recited in a sing-song manner. 

‘Untitled’, with a yearning vocal that floats through an ambiguous atmosphere, closes the album on that typical Consequence note: with lines being tightrope-walked and left obliterated. ‘Test Dream’ grows and unfolds more with each listen, giving way to explorations of dense sound universes.



Consequence - Test Dream - EXITCD / LP010 - Preview Mix

London’s Loxy and Finland’s Resound have always been known for their ragga-tinged, hard-hitting sound, where each beat slams through with an untouchable technical precision. The two producers have been combining forces for the last three years  - including their 2009 anthem ‘Green Destiny/Storyboard’ (Digital Soundboy), remixes for Kryptic Minds, additions to Renegade Hardware compilations, last year’s ‘No Money - Deadly Venom/Driving Force’ (Def Recordings), and their contribution to Exit Records’ ‘Mosaic: Volume One’ (‘Vertigo’) earlier this year. But the duo’s long-awaited debut long player marks their first collaboration that has absolutely no boundaries: as experimental and creative as it gets. True to form, as most Exit Records releases go, ‘Burning Shadows’ sees both producers finding their stride, and treading into surprising new sonic territories from a few different directions. Taking the energy and force of early tech-heavy Drum & Bass, Loxy & Resound bring the genre into a sound that’s uniquely their own.

Exit Boss dBridge put it himself:
“I really love how there’s the reggae side to Loxy’s productions; I thought his sound would really come together as a a whole album, especially with the tech side of Resound. With an album, you’ve got 72 minutes to fill the space with whatever your heart desires. I just love what Loxy & Resound do, so I told them to write the album that they wanted to make. I feel like I got the best out of them this way.”

Deep and vibe-laden, ‘Burning Shadows’ as a whole feels like a trip into another world. There are moments of tranquility and calm, but overall it’s an intensely fast-moving and suspenseful body of work that always feels as though there’s something in wait. With a production style where each song is lead by the drums, the duo flex an incomparable understanding of rhythm and timing: every sample comes just when you least expect it, and each track builds to a point of tension and release, keeping the listener on edge and guessing throughout. 

‘Celestial March’ is a downtempo introduction into their cinematic productions, building slowly with an ascending melody. ‘Depth Excess’ teases in a small vocal throughout, swells and waves, with percussion that sounds as if it comes straight from a tribal ceremony. ‘Part Human’ has a dark sci-fi feel to its eerie atmosphere: filled with crescendos, it gets louder and more forceful with each refrain. ‘Black Hole’ is a downtempo masterpiece, one that indeed makes the listener feel as though they’re lost within a never ending abyss.

The next few tracks stand as a modern take on the technical end of D&B, with such a sharp and fresh approach. It’s noticeable in the way the bass hits on the deep roller ‘Conscious,’ for instance, or the way the rhythms create a whirlwind of tension despite having a defined lack of heavy drums on ‘Declaration.’ ‘Sin City’ is filled with all the urgency and fear of pitch-black streets at night, with sparse percussion, but a dancefloor destroyer that will keep you on your toes nonetheless. ‘Fall’ feels like it could go in any direction for the first tense 1:30, but gives into a dark bassline that leads the way to a dense atmosphere with all manner of unexpected sounds. ‘Conqueror X’ is a deep helping of vibes, bringing back the darker edge of early 00’s D&B with a new twist. ‘Inversion’ slams down with old jungle rhythms and swathes of bass: a track that shows the duo’s rare ability to make something so raw and harsh with such delicate precision. ‘Thin Ice’ brings back that inimitable Loxy & Resound Drum & Bass sound - a layered, rhythmic track that hits with immense force. ‘Vindication’ starts to slow things down, with an atmosphere filled with haunting melodies and low-slung bass frequencies, while ‘Vertigo Reprisal’ closes the journey gracefully, carrying tribal drums and a two-tone bassline that waft through jagged-cut sounds. “Take me away,” takes the listener into a hypnotic trance, as a final release from the album’s tight grip.



Loxy & Resound - Burning Shadows EXIT LP/CD010 -  Preview mix

12" with free WAV's - http://found.ee/CYL013
Cylon Bandcamp - https://cylonrecordings.bandcamp.com/album/nether-regions-ep

Last Life - Smoke & Shadows

From The Known

Preview of the forthcoming album by Dan HarbarNam on Exit Records



Dan HabarNam - From The Known - MINIMIX

EXIT MINI LP001 - FIS - The Commons LP - Preview Mix

dBridge - Not Known

Exit Records is at forefront of electronic music, constantly pushing the envelope in terms of aesthetic and execution.
Label owner dBridge strikes a careful balance between releasing music that serves a purpose for dancers and thinkers alike. The roster of artists involved in the label is allowed express themselves as they see fit with only one stipulation; pushing the genre forward.
The Exit Records club nights are typically riotous affairs- they stand as a mix of the most cutting-edge music crossed with a firm eye on the dancefloor, from stages at festivals to residencies at clubs across the world, the events are known to sell out.
As the label enters its 15th year of existence a confidence in sound and direction has come to the fore and this is what cements Exit Records as a go-to label for those inside and out of the genre.

Dan HabarNam - From The Known - MINIMIX

Exit Records UK

Recent comments

JAnderson

meturi

cljff

unknownsound

Related tracks