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zer0zer0-1
The Hague // CTS Records

I came up in the filth and fury of illegal raves —
160+ BPM tekno, pitch black floors, no lights but strobes, no egos, no influencers. Just machines, bodies, and bass that cracked concrete. I stayed in that world for years.
I still haven’t left.

Now I build that energy into sound.
Raw. Deep. Hypnotic. Uncompromising.
This isn’t for playlists.
It’s not for your TikTok.
And it’s definitely not for the fake-ass DJs who couldn’t name a Detroit record if their sponsorship depended on it.

I make techno.
Sometimes house, breakbeat, ambient — if the mood cuts right.
But always real. Always physical. Always alive.

All gear, no gimmicks:
Focusrite 18i20, S Patch Plus, Behringer RD-9, RD-8, TD-3, TD-3-MO, Virus B, DSI Mopho, AFX Station, Monologue, Maschine Mk3, Korg Electribe EMX, SX, Sampler 2, EM-1, Volca Sample, Ultragain, CME MIDI, and more.

Everything is played. Everything is built.
No sync buttons. No ghost producers. No superstar bullshit.

I wear a mask to stay anonymous — because I don’t matter.
The sound does.
This is not a brand. It’s a rebellion.

Released on CTS Records (Ukraine).
Operating from The Hague.

This is underground.

This is war.

This is zer0zer0-1.

Free Party DJing since 2005 with "Ruido de Guerra" crew

South Madrid based
Just another DJ
BASS ADDICT

Trabajo como técnicx de sonido directo, grabación en estudio, mezcla y mastering. Tengo experiencia en el medio audiovisual tanto en audio como en video. 
Me dedico a la producción musical desde el año 1996, me interesa cualquier estilo de beat roto, tipo jungle, hardstep, breakcore, tanto como noise, techno, triphop, hip hop abstracto, siempre con filtro de la actitud del digital hardcore, el crust-punk más ruidoso, el cante jondo antisistema.
Me gusta la tecnología bien usada, no como esclavxs del progreso, sino como herramienta de liberación. Entiendo la música como arma contra lo impuesto y establecido. Una buena letra en la cara vale más que mil imágenes.
Todo esto en redrum,  estudio que he diseñado especializado en mezcla y masterización, sin preferencia en estilos musicales en concreto, pero que leyendo se intuye por donde tira la cabra. 
Redrum estudio, nace de la necesidad de darle más calidad a esas producciones que sabes que merecen la pena ser tratadas con cariño y respeto, ponerlas en el lugar que les corresponde. Simplificando, llegar a sonar en cualquier plataforma como los temas que te gustan. 
Durante años he mantenido una obsesión por escudriñar en el sonido que me ha llevado a entender la física del mismo como si pudiera separar sus partículas, fonones, para llevar este conocimiento allá donde fuese útil. Vamos, que flípo.
Desde hace tiempo trabajo en varios proyectos musicales:
- zinica (antes ¨zinica deicida), con etiqueta musical tipo digital hardcore, breakcore, hardcore techno, noise.  Con letras que van de frente.
- kRudä , performance de base industrial, noise, triphop, banda sonora para poesías creadas desde mas allá de la piel en suspensión.
- ãKlesā, pareja de amantes de la electronica más oscura, con intención de llevar el acid, el techno, al punto psicotrópico y áspero. Para esos momentos de perfecta anormalidad mental.
También he producido músicas o bandas sonoras para diferentes espectáculos teatrales, circenses y algún que otro cortometraje. 
Hasta aquí mi parte biográfica que sirva más que por exhibición para entender mi amor y respeto por la música libre, sin mercantilismos, ni aviesas intenciones,  más que darle una patada al sistema.


I work as a live sound technician, recording engineer in the studio, mixing and mastering. I have experience in the audiovisual field both in audio and video.
I've been dedicated to music production since 1996, and I'm interested in any style of broken beats, such as jungle, hardstep, breakcore, as well as noise, techno, abstract hip hop, always with the filter of digital hardcore attitude, the loudest crust-punk, and the anti-system flamenco singing.
I like technology when it's used well, not as slaves to progress, but as a tool for liberation. I understand music as a weapon against what is imposed and established. A good lyric in your face is worth a thousand images.
All of this is happening at redrum, a studio that I designed, specialized in mixing and mastering, without any preference for specific musical styles, but you can tell where I lean towards by reading this.
Redrum studio was born out of the need to give even more quality to those productions that you know deserve to be treated with love and respect, to put them in the place they deserve. In simple terms, to sound like the songs you like on any platform.
For years, I have been obsessed with scrutinizing sound, which has led me to understand its physics as if I could separate its particles, phonons, and to take this knowledge wherever it was useful. Let's just say I'm geeked out on it.
I've been working on several music projects for some time:

zinica (formerly "zinica deicida"), with a musical label of digital hardcore, breakcore, hardcore techno, noise. With lyrics that are straightforward.
kRudä, an industrial-based performance, noise, triphop, soundtrack for poetry created from beyond the skin in suspension.
áklesa, a couple of lovers of the darkest electronics, intending to take acid and techno to the psychotropic and rough point. For those moments of perfect mental abnormality.
I have also produced music or soundtracks for various theatrical, circus, and some short films.
That's my bio, and it's more than just for show, it's to understand my love and respect for free music, without merchandising or ill intentions, just to give the system a kick in the pants.

TEKNO SUPPORT FOR THE  PROPER TECHNO HEADS
: AKA DJ HOMICIDE
HOMICIDE303/LIAMSOL303/SQELCH THERAPY(CHEMICAL SOLUTIONS/CHEMICAL MENTALISTS SOUND SYSTEM)producer and dj started mixing in 1994 at the age of 10 when techno very first began!  He was playing dutch techno, gabba, hardcore, hardcore techno, old skool, acid techno, industrial, tibe/mental and psytrance as the scene progressed. He first played out at the age of 16 at underground events chemical solutions he played along side big djs trouble & anarchy(death sydicate/deathchant records) dj clarkee (area 51 recordings/x recordings/meltdown records)sterling moss (stay up forever/racetrax/hydraulix etc)mobile dogwash (cluster/acid test/chase yer tail)dj jay prescott(killer recordings),marcos & jk walker(sectioned recordings/overdose/druck etc), logger & gnetic(storm records), holocaust(chemical solutions records) and shades of rhythm(ZTT/S.O.R RECORDINGS)also played out on many sound systems/ collectives across the globe chemical solutions, enviromentalists, turbulence, chemical  mentalists, fiendish behaviour, diversion, shit disco, slack banter, halucinal sounds hss, looney tunes, perforated sounds, progect mayhem, realeyes, brains kan and community as the years progressed playing at indoor/
outdoor events and festivals in goa, Australia, spain(dragon festival/viña tek and the Norfolk(stifkey/wheybourne, Suffolk, Cambridgeshire(organic sounds)  Lincolnshire, Derbyshire
underground scene and also a producer mainly of acid techno and hardcore techno started producing 2010
! my hardware toys are: roland TR-8 rhythem performer, roland TB-3 touch bassline and xox box bassline   ! please contact for questions, for downloadable wav files mixes, tunes, demos dj bookings, sound hire or sound technician! liamsolution@gmail.com
por favor contacte para preguntas, mezclas de archivos wav descargables, melodías, reservaciones de demos dj, alquiler de sonido o técnico de sonido liamsolution@gmail.com

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Sted Hellvis; HEADS DOWN DIRTY SQUAT TECHNO
SH13: dark industrial inspired techno / neo rave

Nexus / Project Mayhem / wAliens / Sound Ammunition / Zero Fucks

sted_hellvis@hotmail.com

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