We live in turbulent days. The future in front of us is dark.. music is a relief for the soul

₴₮Ø₱ ₲Ɇ₦Ø₵łĐɆ! ₥łӾ

CRUSH THE SILENCE, IGNITE THE CHAOS!

Bookings / Enquiries: contact.sebba@gmail.com

S3BBA is a DJ & Producer who emerges from the vibrant scene of Belgium, creating seismic waves in EDM, Club, and Techno. With an unwavering dedication to the darker and more industrial facets, S3BBA architects a journey that dives into the abyss of Hard Techno.

Infused with the industrial pulse of Techno's roots, S3BBA's unique style is a formidable force, delivering relentless beats, thunderous bass, and an electrifying atmosphere.

Inspired by the dynamic energy of the EDM and Club scenes, S3BBA's musical alchemy is a fusion of pulsating beats, ethereal melodies, and an unyielding drive that propels listeners into a realm of MAX-Power exhilaration. Each track, each performance is a testament to an unbridled commitment to pushing auditory boundaries.

Residing in the musical crucible of Belgium, S3BBA stands as a local Maestro, leaving an indelible mark on the electronic music landscape. From the depths of Hard Techno to the infectious rhythms of Club anthems, S3BBA's sonic explorations transcend genre limits.

Embark on a unforgettable adventure. The beats are potent, the vibes are intense, and the journey promises an unforgettable experience. Join the movement and immerse yourself in the orchestration of S3BBA's underground symphony.

Free Party DJing since 2005 with "Ruido de Guerra" crew

techno, latín house, tech house,hardtechno,acidtechno.
revolución de neuronas.



I started off with a controller after a weekend where I'd heard Acid Ska for the first time, I got this want to show the world this and Acid Techno that I had fallen in love with in London. 

I had played at a free party and a shebeen but had been watching people spin vinyl for years and I loved it I then set out to get turntables and vinyl. 

I got a set of old kam direct drives around eight years ago and played vinyl in Belfast and Dublin getting to share my favourite tunes over the floor through swanky fat rigs.

Our old collective now disbanded (BTribal) put on a few nights in 2016 and smashed 2017 with all sorts of Acid, Tekno and Techno alongside DnB, Jungle and much more, especially at our biggest event UMAD which was a festival that hosted over 125 People over two days in the beautiful hills of outback Ireland. We had our own radio station over @ www.BTribal.Eu we hosted shows on it having had Biri, Nesbit, Tiddles, Jula, Acid Steve, Nigel Keane, Tik Tok, Paul the hat, Sted Helvis, Phil Devious and so many many more! It also acted as a hub for the underground scene, promoting parties with a chat section for the radio.

After a 5 year break I've gotten turntables now in 2023 and I'm ready to blast out the Acid!

Trabajo como técnicx de sonido directo, grabación en estudio, mezcla y mastering. Tengo experiencia en el medio audiovisual tanto en audio como en video. 
Me dedico a la producción musical desde el año 1996, me interesa cualquier estilo de beat roto, tipo jungle, hardstep, breakcore, tanto como noise, techno, triphop, hip hop abstracto, siempre con filtro de la actitud del digital hardcore, el crust-punk más ruidoso, el cante jondo antisistema.
Me gusta la tecnología bien usada, no como esclavxs del progreso, sino como herramienta de liberación. Entiendo la música como arma contra lo impuesto y establecido. Una buena letra en la cara vale más que mil imágenes.
Todo esto en redrum,  estudio que he diseñado especializado en mezcla y masterización, sin preferencia en estilos musicales en concreto, pero que leyendo se intuye por donde tira la cabra. 
Redrum estudio, nace de la necesidad de darle más calidad a esas producciones que sabes que merecen la pena ser tratadas con cariño y respeto, ponerlas en el lugar que les corresponde. Simplificando, llegar a sonar en cualquier plataforma como los temas que te gustan. 
Durante años he mantenido una obsesión por escudriñar en el sonido que me ha llevado a entender la física del mismo como si pudiera separar sus partículas, fonones, para llevar este conocimiento allá donde fuese útil. Vamos, que flípo.
Desde hace tiempo trabajo en varios proyectos musicales:
- zinica (antes ¨zinica deicida), con etiqueta musical tipo digital hardcore, breakcore, hardcore techno, noise.  Con letras que van de frente.
- kRudä , performance de base industrial, noise, triphop, banda sonora para poesías creadas desde mas allá de la piel en suspensión.
- ãKlesā, pareja de amantes de la electronica más oscura, con intención de llevar el acid, el techno, al punto psicotrópico y áspero. Para esos momentos de perfecta anormalidad mental.
También he producido músicas o bandas sonoras para diferentes espectáculos teatrales, circenses y algún que otro cortometraje. 
Hasta aquí mi parte biográfica que sirva más que por exhibición para entender mi amor y respeto por la música libre, sin mercantilismos, ni aviesas intenciones,  más que darle una patada al sistema.


I work as a live sound technician, recording engineer in the studio, mixing and mastering. I have experience in the audiovisual field both in audio and video.
I've been dedicated to music production since 1996, and I'm interested in any style of broken beats, such as jungle, hardstep, breakcore, as well as noise, techno, abstract hip hop, always with the filter of digital hardcore attitude, the loudest crust-punk, and the anti-system flamenco singing.
I like technology when it's used well, not as slaves to progress, but as a tool for liberation. I understand music as a weapon against what is imposed and established. A good lyric in your face is worth a thousand images.
All of this is happening at redrum, a studio that I designed, specialized in mixing and mastering, without any preference for specific musical styles, but you can tell where I lean towards by reading this.
Redrum studio was born out of the need to give even more quality to those productions that you know deserve to be treated with love and respect, to put them in the place they deserve. In simple terms, to sound like the songs you like on any platform.
For years, I have been obsessed with scrutinizing sound, which has led me to understand its physics as if I could separate its particles, phonons, and to take this knowledge wherever it was useful. Let's just say I'm geeked out on it.
I've been working on several music projects for some time:

zinica (formerly "zinica deicida"), with a musical label of digital hardcore, breakcore, hardcore techno, noise. With lyrics that are straightforward.
kRudä, an industrial-based performance, noise, triphop, soundtrack for poetry created from beyond the skin in suspension.
áklesa, a couple of lovers of the darkest electronics, intending to take acid and techno to the psychotropic and rough point. For those moments of perfect mental abnormality.
I have also produced music or soundtracks for various theatrical, circus, and some short films.
That's my bio, and it's more than just for show, it's to understand my love and respect for free music, without merchandising or ill intentions, just to give the system a kick in the pants.

Interludes, Narratives & Analog Xperiments

>>>>>>>Digital & Vinyl References<<<<<

-Kunda 08 Tardigrados 
/// No hay Salida (Blackoutband)
https://www.meltingpot-records.net/item/view/31907/Tardigrados---Kunda-08
-Kenopsia 04 Liminal Space
https://www.meltingpot-records.net/item/view/29829/Liminal-Space-EP---Kenopsia-04

-The Blackout band ep 01
https://theblackoutband.bandcamp.com/album/the-blackout-01

-Xtraperlo Records XXII
https://xtraperlorecords.bandcamp.com/album/catharsis-ep-xtr022

-Ketapasando 019 TheBlackout band e.p 00
 https://ketapasando.bandcamp.com/album/00

-Kenopsia 02
https://www.discogs.com/Various-Atmosphere-Of-Emptiness/release/16400955

-Somniferum 11
https://somniferumrec.bandcamp.com/album/last-agony-e-p

₴₮Ø₱ ₲Ɇ₦Ø₵łĐɆ! ₥łӾ

ΣXIƬЦM