Born in Switzerland in 1981. Moving today between experimental music, contemporary composition and scenic art with interests in art concepts that examined Models in between politics and social life.

Archive of my musical work

stefanie@egedy.com

feminisms, technology, space + time / curation, soundscapes, pirate radio + noise

Tiohti:áke / Montréal
Depuis 1996

URL:
weekly: Wednesday 11:30AM EST http://ckut.ca
https://soundcloud.com/radiockut
monthly: 2nd Friday 8:00PM EST on http://n10.as https://soundcloud.com/n10-as

CONTACT:
ffilesradio(@)gmail.com

New LP "Nonzigo" out now on Ana Ott!

Freeform-multi-group from germanies' Saar- Rhein- Spree- Areas playing a detailed surprisemusic using homemade winds, thicky strings, huffy voice and object's noise. Since 2015.

Marius Buck - drums, percussion / Philipp Hawlitschek - tubes, objects / Steph Goldbach - doublebass / Peter Strickmann - objects, feedback / Karl-Heinz Heydecke - voice-noise, viola / Flo Seefeldt - e-guitar, banjo

movements of all kind / spontaneous acts / sound interventions / group noise / joint listening / manufacture of time / domestic observations / outdoor song / sparse means

Vinyl only 
minimal/breaks/acid/trippy

Bookings via 
aljosha.wav@gmail.com

Event for Experimental Music, Sound Art & Performance based in Saarbrücken.
______________________________________

[Experi]ence:
das Hörerlebnis als akustische Erfahrung
Experi[m]ental:
das Unkonventionelle und fremd wirkende
Perform[ance]:
die vergängliche künstlerische Darbietung

Diese drei Aspekte sind der Ausgangspunkt für einen Kurztrip in den Kosmos zwischen Experimenteller Musik und Klangkunst. Wir kredenzen euch eine feine Melange aus Elektroakustischer Musik, Geräuschen, Klanglandschaften, Installativer Klangkunst und was sonst noch dazwischen liegen mag. Untypische Spielarten, Skurrile Klangerzeuger, überraschende Geräusche die musikalisch wirken, sich jedoch nicht deren Regeln beugen, ein Austesten der Grenzen zwischen Musik, Audio- oder Klangkunst.

______________________________________

https://www.youtube.com/watch?v=JRnpc1LXhjU&t=86s
DOWNLOADS AND AMBISONIC FILES
https://u.pcloud.link/publink/show?code=kZcq5KVZreplbTP1WSJBWXue0PkuJRR8S0z7

Since 2003, John Richards has been exploring the idea of ‘Dirty Electronics’ that focuses on face-to-face shared experiences, ritual, gesture, touch and social interaction. In Dirty Electronics process and performance are inseparably bound. The ‘performance’ begins on the workbench devising instruments and is extended onto the stage through playing and exploring these instruments.

www.dirtyelectronics.org

Experimance is following