Live Recording. Pascal Eugster on electric Bass.

Photo by Color Climax aka Marius Eckert

Live mit Pascal im Musigbüro

House infused groovy notes moving towards deeper trancey beats, enter the world of B Alice (@alice-brightmore)

Osmura w/ B Alice 02

Deeper mix by the underground trio Swivel, an entity comprised of a triumvirate of fraternal members domiciled in the United Kingdom, is ardently devoted to the sonorous artistry of electronic music prevalent in the bygone era of the 1990s. For any individuals demonstrating an inquisitiveness, a warm invitation is extended to delve further into Swivel's expansive domains by perusing the following hyperlinks: 
https://www.youtube.com/@swivelrecords
https://www.instagram.com/swivelrecords/
https://soundcloud.com/swivelrecords

Swivel - BMKast 55

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com

Planet Show w/ Camiflage b2b francis99 @ Kiosk Radio 21.02.2024

3 hours of Grateful Dead live recordings, compiled by Hugo Rose in March 2024.

This collection consists entirely of live recordings, gleaned from many hundreds of hours spent listening to live concert recordings of the band. A good deal of the songs are 2-track recordings taken from the Dick’s Picks series of releases, although some more hi-fi multi-track recordings, like the hallowed Europe ‘72 version of Morning Dew, are included. There’s also some other Dead-related miscellanea scattered around, including archival promotional material and podcast snippets. Full tracklist below: 

Intro & Tuning – from Pandora's Box: A Miscellany Volume One (Rarities '65-'95)
Jam – Convention Hall, San Diego, CA (August 7, 1971) 
Loser – Pershing Municipal Auditorium, Lincoln, NE (February 26, 1973) 
Bird Song – Nassau Coliseum, Uniondale, NY (March 29, 1990) 
Radio Promo – from Live/Dead (1969) 
Sugaree – Fairgrounds Arena, Oklahoma City, OK, October 19 (1973) 
They Love Each Other – Nassau Coliseum, Uniondale, NY (May 6, 1981) 
I Know You Rider – Harpur College, Binghamton, NY (May 2, 1970) 
Mountains on the Moon** – Electric Theater, Chicago, IL (April 26, 1969) 
Jam – Providence Civic Center, Providence, RI (June 26, 1974) 
China Cat Sunflower – Providence Civic Center, Providence, RI (June 26, 1974) 
Jam (with Bo Diddley) – Academy of Music, New York, NY (March 25, 1972) 
Scarlet Begonias – Lakeland Civic Center Arena, Lakeland, FA (May 21, 1977) 
Fire on the Mountain – Lakeland Civic Center Arena, Lakeland, FA (May 21, 1977) 
Stella Blue – Philadelphia Civic Center, Philadelphia, PA, (August 4-5, 1974) 
Death Don’t Have No Mercy** – from Live/Dead, Fillmore West, San Francisco (1969) 
Althea – Nassau Coliseum, Uniondale, NY (May 16, 1980) 
Candyman – Onondaga County War Memorial, Syracuse, NY (September 28, 1976) 
Baba O’Riley – Oakland Coliseum Arena, Oakland, CA (December 17, 1992) 
Tomorrow Never Knows – Oakland Coliseum Arena, Oakland, CA (December 17, 1992) 
Wharf Rat – Wembley Empire Pool, London, England (April 7, 1972) 
Row Jimmy** – Alexandra Palace, London, England (September 9, 1974) 
Morning Dew – Lyceum Theatre, London, England (May 26, 1972) 
Dark Star – from Live/Dead, Fillmore West, San Francisco (1969) 
**audio from Tetragrammaton with Rick Rubin & John Mayer

Hugo's Live Dead Tape

Lips That Taste Of Tears

Henry Ivry (16/3/24)

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

Focus & Luisterclub w/ Toewan & Jolande @ Kiosk Radio 12.04.2024

Subterranean Choir - Avant-Garde Experimental Soundscape

City Diaries
Bruno Bernard 2024
(english)
"City Diaries" is a refection on our city lives, a daily imaginary journey that invites us to
introspection. Te world of sound that surrounds us is experienced in a unique way by
each and every one of us, yet we all share it.
Each stroll is unique, each moment unique.
It's up to us to make these situations our own, to build our own dream cosmology.
Considering the creative power of what surrounds us as a tool for inner construction, as
poetry, is a response to our materialistic lives and can help us better apprehend the
modern world.
True to Gaston Bachelard, the aim here is to give free rein to daydreaming, while at the
same time giving full artistic expression to the noise of our times, an essential concept
developed by Luigi Russolo.
City Diaries was composed from sounds collected at night in my city (Chalon sur
Saône), which gave rise to an imaginary vocabulary for this acousmatic piece.
Our sound context is a refection of our times, and it's up to us to seize it and, like
modern alchemists, appropriate one of the last things that is free - noise - and transform
it into a work of art. Fortunately, it's one of the last things we have free access to.
Binaural format 24B/48Khz
(français)
« City Diaries » est une réfexion autour de nos vies citadines, un parcours imaginaire
quotidien qui nous invite à l'introspection. L'univers sonore qui nous entoure, à la fois
ressenti de manière unique par chacun d'entre nous, nous est pourtant commun, nous
l'avons en partage.
Chaque déambulation est singulière, chaque moment est unique.
C'est à nous de nous approprier ces situations afn de construire une cosmologie onirique
qui nous soit propre.
Envisager la puissance créative de ce qui nous entoure comme un outil de construction
intérieure, une poésie, est une réponse à nos vies matérialistes et peut nous aider à mieux
appréhender le monde moderne.
Fidèle à Gaston Bachelard, il s'agit ici de laisser libre cours à la rêverie et en même temps
donner toute son importance artistique au bruit de notre époque, concept essentiel
développé par Luigi Russolo.
City Diaries a été composé à partir de sons collectés de nuit dans ma ville (Chalon sur
Saône) qui ont donné naissance à un vocabulaire imaginaire permettant de construire
cette pièce acousmatique.
Notre contexte sonore est le refet de notre époque, à nous de nous en emparer pour, tels
des alchimistes modernes, s'approprier une des dernières choses qui soit gratuite -le
bruit- et le transformer en oeuvre artistique. C'est heureusement une des dernière chose
qui soit nous accessible librement.
Format binaural 24B/48Khz

9.Dark night

summer of sodomy

“This piece of music is a fragment of the story of one soul’s journey going weightless through the cosmos, lost in translation several years after the explosion of planet Earth”  Raphael’s tastes in sound spread extensively and boundlessly, continuously evolving for the joy, recreation and nourishment it gives. 

Originally heavily involved in the scene in Nantes, France, he has shifted noticeably from the club environment to more ambient spaces. The arresting sonic narrative pulls us unforgivingly into the depths of the subconscious - it is an inexorable descent into an underworld, a beguiling journey through forgotten technocratic wastelands and mutating apparitions. 

Psychosomatic polyphonies spill into the space, an amorphous field of outer-space frequencies. Vocal transmissions dictate the quiet historical drama throughout, marking the cinematic transitions that seep across this fluid backdrop.

FRAGILISTIC DIMENSIONS

Podcast Series 20 • Raphael Fragil

Experimental soundscapes and live performances draw from a wide array of disciplines, from ambient, traditional and world, to early electronic, live avant-garde and contemporary.

Subtle yet expansive, introspective yet universal, we create a space with the support of likeminded people, to both collectively and individually explore the depth and richness of infinite existence.

Podcast Series 20 • Raphael Fragil

INTRINSIC