Live Recording. Pascal Eugster on electric Bass.

Photo by Color Climax aka Marius Eckert

Live mit Pascal im Musigbüro

House infused groovy notes moving towards deeper trancey beats, enter the world of B Alice (@alice-brightmore)

Osmura w/ B Alice 02

Deeper mix by the underground trio Swivel, an entity comprised of a triumvirate of fraternal members domiciled in the United Kingdom, is ardently devoted to the sonorous artistry of electronic music prevalent in the bygone era of the 1990s. For any individuals demonstrating an inquisitiveness, a warm invitation is extended to delve further into Swivel's expansive domains by perusing the following hyperlinks: 
https://www.youtube.com/@swivelrecords
https://www.instagram.com/swivelrecords/
https://soundcloud.com/swivelrecords

Swivel - BMKast 55

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com

Planet Show w/ Camiflage b2b francis99 @ Kiosk Radio 21.02.2024

3 hours of Grateful Dead live recordings, compiled by Hugo Rose in March 2024.

This collection consists entirely of live recordings, gleaned from many hundreds of hours spent listening to live concert recordings of the band. A good deal of the songs are 2-track recordings taken from the Dick’s Picks series of releases, although some more hi-fi multi-track recordings, like the hallowed Europe ‘72 version of Morning Dew, are included. There’s also some other Dead-related miscellanea scattered around, including archival promotional material and podcast snippets. Full tracklist below: 

Intro & Tuning – from Pandora's Box: A Miscellany Volume One (Rarities '65-'95)
Jam – Convention Hall, San Diego, CA (August 7, 1971) 
Loser – Pershing Municipal Auditorium, Lincoln, NE (February 26, 1973) 
Bird Song – Nassau Coliseum, Uniondale, NY (March 29, 1990) 
Radio Promo – from Live/Dead (1969) 
Sugaree – Fairgrounds Arena, Oklahoma City, OK, October 19 (1973) 
They Love Each Other – Nassau Coliseum, Uniondale, NY (May 6, 1981) 
I Know You Rider – Harpur College, Binghamton, NY (May 2, 1970) 
Mountains on the Moon** – Electric Theater, Chicago, IL (April 26, 1969) 
Jam – Providence Civic Center, Providence, RI (June 26, 1974) 
China Cat Sunflower – Providence Civic Center, Providence, RI (June 26, 1974) 
Jam (with Bo Diddley) – Academy of Music, New York, NY (March 25, 1972) 
Scarlet Begonias – Lakeland Civic Center Arena, Lakeland, FA (May 21, 1977) 
Fire on the Mountain – Lakeland Civic Center Arena, Lakeland, FA (May 21, 1977) 
Stella Blue – Philadelphia Civic Center, Philadelphia, PA, (August 4-5, 1974) 
Death Don’t Have No Mercy** – from Live/Dead, Fillmore West, San Francisco (1969) 
Althea – Nassau Coliseum, Uniondale, NY (May 16, 1980) 
Candyman – Onondaga County War Memorial, Syracuse, NY (September 28, 1976) 
Baba O’Riley – Oakland Coliseum Arena, Oakland, CA (December 17, 1992) 
Tomorrow Never Knows – Oakland Coliseum Arena, Oakland, CA (December 17, 1992) 
Wharf Rat – Wembley Empire Pool, London, England (April 7, 1972) 
Row Jimmy** – Alexandra Palace, London, England (September 9, 1974) 
Morning Dew – Lyceum Theatre, London, England (May 26, 1972) 
Dark Star – from Live/Dead, Fillmore West, San Francisco (1969) 
**audio from Tetragrammaton with Rick Rubin & John Mayer

Hugo's Live Dead Tape

bin aural #9 w/ meanwhile 19.03.24

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

Focus & Luisterclub w/ Toewan & Jolande @ Kiosk Radio 12.04.2024

In My Head (Knockout From The Decline Mix)

A collection of fantasy inspired ambient soundtracks that set the perfect atmosphere for a post apocalyptic world infested with walking corpses only hungering for human flesh, hear the zombies moan outside as you cower in your safe zone


8 - Phat Phrog Studios - Fantasy Collection -  Zombie Apocalypse Ambience

⚠️This piece is made for ambisonic systems, and converted for headphones⚠️

For more detailed info, you can check my website:
https://cosmiccats.neocities.org/FarSites/FFG/tunnels.html

Acousmatic music from the MSC487 class serves as the fifth project among five total projects. [Electroacoustic Experiments 5/5]

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Tunnels (2025) is a piece about shifting realities and spaces. Its story involves an entangled mixture of real and dream-like events.

The piece/story has 2 layers. The first layer is a fictional story about an exploration trip to the underground. After various events (Burried Forest), the main character loses its light source in dark tunnels and blindly navigates to the unknown. He crosses lakes, sees crystal geodes, and hears earthquakes and collapsation. As he tries to find any light source, he finds himself in weirder situations. The physicality of the piece; elemental usage (water, earth, glass...), frequency usage, reverberation, etc is gathered around this reality.

The second layer is about my journey through this semester. The story contains important events from my life, thoughts, feelings, and such. It functions as a diary to me. This personal reality decides my sound material (car, train, sea), musicality (mood), dynamics, and pace, alongside some scenery connected with the story layer.

2 layers have their accented, dedicated sections in the form/structure of the piece. For example, a train sound is ultimately connected with the real life. However, they morph into each other continuously (for example it turns into a rumble, a quake). Thus, they create a unique and alternative story we can call a 3rd layer; the Masking layer. A layer that has petrified as audio, lost its composer's heritage and merged with the listener's story. Enjoy.

Tunnels (Binaural Stereo) (Listen With Headphones)

“This piece of music is a fragment of the story of one soul’s journey going weightless through the cosmos, lost in translation several years after the explosion of planet Earth”  Raphael’s tastes in sound spread extensively and boundlessly, continuously evolving for the joy, recreation and nourishment it gives. 

Originally heavily involved in the scene in Nantes, France, he has shifted noticeably from the club environment to more ambient spaces. The arresting sonic narrative pulls us unforgivingly into the depths of the subconscious - it is an inexorable descent into an underworld, a beguiling journey through forgotten technocratic wastelands and mutating apparitions. 

Psychosomatic polyphonies spill into the space, an amorphous field of outer-space frequencies. Vocal transmissions dictate the quiet historical drama throughout, marking the cinematic transitions that seep across this fluid backdrop.

FRAGILISTIC DIMENSIONS

Podcast Series 20 • Raphael Fragil

Experimental soundscapes and live performances draw from a wide array of disciplines, from ambient, traditional and world, to early electronic, live avant-garde and contemporary.

Subtle yet expansive, introspective yet universal, we create a space with the support of likeminded people, to both collectively and individually explore the depth and richness of infinite existence.

Podcast Series 20 • Raphael Fragil

INTRINSIC