Having started off as a drummer in a PopRock Coverband, passing through the eXPerimental & psychedelic stages of music of the 1970s, arrived in the New Millennium as a percussionist in the Berlin Band "Los Multikultis", privileged to play alongside brilliant musicians like Colin Bass of the Band "CAMEL", I now mainly produce WorldFusion music in my home studio in Berlin, Germany   
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I'm a Hobby Musician (various drums, sitar, guitar, vox, plus now VST's & loops), Sound- & ComputerEngineer from Berlin/Germany.
Initially having been somewhat forced to "enjoy" a musical education of sorts as a child (playing sheet music on a recorder) I really started enjoying music with the appearance of The Beatles. So I started off my "career" as a drummer in the mid - 1960s here:

http://soundcloud.com/blackbirds-berlin/sets/the-blackbirds-live-on-stage/
 
After the Band dissolved, and inspired by the upcoming of psychedelic & electronic music I got into SoundExperiments together with the BassMan of our group. Of course, there is no way these can compare to the intricate "symphonies" being created nowadays in the age of computer music.

http://soundcloud.com/experimentator/sets/experimental-sounds-of-the-1960s/

Further following the path of The Beatles, esp. George Harrison, I travelled to India in 1971, getting myself a Sitar there, and upon my return trying to teach myself to play on it:

http://soundcloud.com/experimentator/sets/sitar-music

Later I found out that I also was able to sing, and so I also learned some Guitar playing

http://soundcloud.com/experimentator/sets/vocals-28/

In the mid-1990's I met my friend the BassMan again who had moved to Bavaria and joined another Band. The "Bavarian Power Jam" Session came about very spontaneously around 1995. Credits for anything but drumming go to http://www.dbusk.de

http://soundcloud.com/experimentator/sets/bavarian-power-jam/

Now, having seen the vast possibilities at hand, I have got into "it" again...and with a little help from my newly found and amazingly lovely SoundCloud & FaceBook friends I feel I could succeed...

http://soundcloud.com/experimentator/sets/new-stuff-2011-3/

白い仏像
tantric autism
deleuzian astrology
one of our pylons is missing
Idiosynchronicity
Dictating Psi
Drexel Mall
Kalachakra Machine
deconstructicon
connective unconscious

https://whitebuddha-viii.tumblr.com/

Joshua Louis - PROGRAMMING, VOX, LIVE SYNTH/KEYS
Joe Garcia - PROGRAMMING, BACKING VOX, LIVE SYNTH/KEYS, ART 

Rising from a hotbed of a rich rock and country past that produced such artists as Janis Joplin, The Big Bopper, and ZZ Top among others, The Evertronic have successfully established themselves as the premier electronic act of the Gulf coast. Formed in 2007, the group set out to put emotion and seduction back into a genre mostly known for its cold and monotonous past. Call it what you will (synthpop, indiepop, etc.), but classifying The Evertronic as a novelty retro act is simply impossible. “Classic songwriting is timeless. “, says lead singer and frontman Joshua Louis. “That’s why it is hard for many to categorize us down to just one genre. The instrumentation recalls the great electronic artists of the past, but the songs and presentation are as modern as it gets.” The group strive to make every show unique and special to everyone involved. “We want to make people dance. But we also love writing songs that get stuck in people’s heads.” says Joe Garcia, programming guru and live synth co-captain. “With our instrumentation and music philosophy, the possibilities are endless.” And many have taken note. The Evertronic sound caught the ear of Steven Seibold(Hate Dept. Americlone) who was promptly enlisted for engineer/co-producer duties, and Ronnie Martin(Joy Electric, Foxglove Hunt, The Bros. Martin) as collaborator

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Quint Baker is following