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UNKNOWN ARTIST - MACARENA

Canadian multi-instrumentalist Jex Opolis lays out a jubilant, latin house take on Ali X and Mafara's Mi Dios Mi Amor.

Be it through cassettes in the 90s, as part of Electro duo DVAS in the 00's, through hardware performance or through remixing the likes of Peggy Gou and Lenny Kraviz for XL in 2023 - Jex has stuck to his guns and expressed himself in singular fashion. His sound has remained celebratory, vibrant and floor focused and his revision of Mi Dios Mi Amor is right in line with his canon.

A tight, bossy groove kicks things off as a deep-set organ rebounds off ecstasy drenched stabs and a firm, bouncing kick drum. Vocals slap in, percussion keeps hustling and while a classy string is gently draped in overhead. A playful mid-section opens out allowing space for warped, fanged bass licks and some chorus vocals.

Feverish sequencing keeps the energy right up as short breakdowns kick back quick right until the finals bars. A radio edit and a dub provide functional variety to an already potent recording that harnesses all of the picante verve of the original.

Artist: Ali X
Release: Mi Dios Mi Amor Feat. Mafara (Jex Opolis Remix)
Label: Exploited Club
LC: 96788
Cat: EXP161
Beatport Pre-order: 11.07.25

Release Date Streaming/Beatport: 18.07.25
Release Date Global Download: 01.08.25

Mi Dios Mi Amor Feat. Mafara (Jex Opolis Remix)

Mi Dios Mi Amor Feat. Mafara (Jex Opolis Dub)

Buy / Stream

Ali X – Mi Dios Mi Amor Feat. Mafara (Jex Opolis Dub) (Exploited Club)

Credit to Evelyn King for the disco sample from "If You Want My Lovin" (1981).

Mastered by Nick at Bro Mastering.

I Feel Like Dancing

Jus’ Mirage kicks off with Viva – a playful, driving house cut from Menta Sauce, built for smoky dancefloors.

With early support from Peggy Gou, Roi Perez, Chloe Caillet, Matisa, The Trip & more, this one’s already found its way into some heavy rotation.

BUY:
https://jusmirage.bandcamp.com/album/viva

PREMIERE: MENTA SAUCE - VIVA [JUS' MIRAGE]

Two taches intertwine. An EP born out of Demi’s visit to Melbourne during his AU tour, and Luke’s easily accessible studio based above an inviting pub, naturally the vibes were high after a couple of schooners in the summer sun.’

Life & Death welcomes a standout collaboration from Demi Riquísimo and Luke Alessi with the release of their new EP ‘Yes Bby’ landing 29 August 2025. Setting themselves the brief of, “upbeat rollers and a little bit of naughtiness,” the two producers blend their sonic identities on this club-ready two tracker, formed of ‘Basement Trash’ and title track ‘Yes Bby’.

“Basement Trash was actually the first track we wrote. A funky, fun, hypnotic groover that locks you in on the d floor, made for those late nights (or early mornings) in the “basement” of a grungy club.

For ‘Yes Bby’ we wanted something that worked on a bigger scale. We dialled up the French rave synths, bigger builds, more drive in the groove and added a cheeky classic vocal chop for the hook.”
– Demi Riquísimo & Luke Alessi

Known for his genre-blending productions and distinctive edits, Semi Delicious head honcho Demi has steadily carved out his space in the scene, a respected tastemaker and Ibiza mainstay, while Luke Alessi has continued to establish a global profile over the last 12 months with major European and US gigs, plus releases on Shall Not Fade, SMiiLE records and of course Life & Death, making this pairing a natural fit.

Already receiving support from the likes of Chloé Caillet, Call Super, Moxie and more, ‘Yes Bby’ marks an exciting moment in both artists’ trajectories. For Demi, this EP also serves as the first in a new chapter, one that places him at the centre of a more collaborative space, setting the tone for
landmark projects to follow on his own imprint later this year.

As one of dance music’s most respected tastemakers, Life & Death continues to shape the global underground through its diverse output, with ‘Yes Bby’ slotting seamlessly into the label’s catalogue of playful, sexy and forward-thinking club music.

Yes Bby

Novaj 新し Sensations & feelings


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- Link soon 

Listen on Youtube
https://youtu.be/Zdp9LPpXfv4

"Utrecht-based artist M-High is a multi-instrumentalist, DJ, and producer, part of a new wave of house producers bringing fresh influences while traversing the worlds of tech, deep, and minimal. His sounds have been featured on the likes of Pilot, Hot Creations, Berg Audio, You&Me, Koltrax and F93 and have taken him to landmark clubs and events such as fabric, Shelter, Awakenings, Audio Obscura, Club Space, Koko, UNVRS. Here he joins CARISTA’s United Identities label for the first time. Says the artist, "Releasing on United Identities means a lot. I’ve spent plenty of nights on dancefloors where CARISTA was behind the decks. I respect her open-minded approach and how she creates space for club music that doesn’t follow the obvious route. With this record, I wanted to tap into that spirit, something warm, groovy, mysterious and unpolished, but still dancefloor-driven. No pressure, just vibes.""

M-High 
https://linktr.ee/Mhigh

United Identities
https://linktr.ee/unitedidentities

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PREMIERE: M-High - The Saw That Broke The Camels Back

La La x Ilario Alicante - Patched Up (Extended Mix)

Luke Alessi - Bubble Yum

Buy on Bandcamp

Scoubi - Horizon (Long Play)

Stroef La Chord

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Nico Leites - Diclub (Original Mix)

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)