Mave

Future Memories

Deenara has been casting imaginative sets in Europe and beyond, including a residency at Kyiv's CHI.  Eager to translate her connection with the dancefloor and affinity for electronic sounds into her own productions, the gifted artist joins MoBlack Records. "The Empress" starts off with vigorous beats and mystical resonance, undulating on a lush groove. Ushering in transcendent instrumentals, perceptive electronic cadences and permeating harmonies, the original commands with depthness, rapture and persuasion through finish.  Complementing Deenara's craft with a decorous touch, MoBlack lets gravity run its course in his own reinterpretation. Pulling "The Empress" earthbound with provocative house rhythms, this remix sustains the original's melodies and lets them wander, satiating the space between sensation and imagination with sound and belonging. MoBlack rounds out the trio with a Melodic rendition. Fueled by stimulating synth-laced rhythms and cumbersome beats, this finale unfolds into a cinematic melodic orchestration that lets the versatile sorceress, "The Empress" shine infinitely in her majestic glory.
Press by Marie J Floro
Mastering by Giulio Abbattista (Pitagora Studio)

MBR476 - Deenara - The Empress (Original Mix)

For our 24th release, we are thrilled to propound the artistry of two Iranian talents, Hamoon and Nina Shamar, who join inspiration and skills to sign a masterfully crafted EP, also featuring on virtuoso remix duties UK-based Venezuelan wizard Joone and Argentinian astounding soundshaper Agustin Giri.

First up and naming the record, “Before the End” combines a deft and sensitive array of lofty resonating drum patterns with an awesome enthralling melodic main theme. Punctuated by suggestive spiraling synth lines and magnified by two spellbinding crescendo rising breaks, the tune manages the perfect and subtle balance between a solid beat-triggering manifesto and a dreamy cinematic state of mind.

Joone’s remix expands on the themes and sonic palette of the original piece through a sturdy and full reinterpretation scheme encompassing much of what his sophisticated signature is about, while staying true to its primary emotional aura. Built on a deeper flaming tempo and intense organic bassline enhanced by flamboyant razoring and ascensional synth waves, it further unveils the haunting immersive melodic original core and emphasises its suggestive majesty with a bewitching breakdown section that has a fierce mystical appeal.

On a darker pounding note, “Burned Wire” by Hamoon and Nina Shamar, whose spectral overture already says it all, harnesses a pin-sharp techno approach, also inspired by synth wave or industrial spirited flavors. Irradiated by subliminal flashes of lightness, the tune further awakens our inner self before leading us to the boiling force of a staunch hypnotic groovy bassline merged with magnetic swirling synth effects that produce a both cavernous and electrifying climax.

Finishing off the voyage in a brilliant refashioning manner, Agustin Giri revisits “Burned Wire” to transmit his own singular musical vision without losing the essence of the original statement. A fluid and compelling combination of slick rhythmic and percussive drum layers, undulating melodic synth arrangements, and a dissemination throughout the whole soundscape of the evocative spoken words to increase the timeless impact of their “Wake up” spell.

Four weapons of masterly massive attraction, defying with a captivating elegance the standard etiquette of electronic dance musicality, speaking to the mind of knowledgeable music lovers and tasteful nightbirds.

Press: Nicola Giovannini.

Before The End

Hamoon, Nima Sarshar - Before The End (Joone Remix)

https://linktr.ee/hobinrude
https://www.beatport.com/release/first-breath/5501132

Rude Resonance launches with its debut release - a two-track EP featuring First Breath and Second Breath by the label owner, Hobin Rude. Showcasing a refined, melancholic, and nostalgic sound, this EP captures the artistic essence of the label and sets a strong foundation for Rude Resonance's vision, which is timeless, emotive, and deeply rooted in progressive house music. Available on all major platforms from October 31st.

Premiere: Hobin Rude - Second Breath [Rude Resonance]

Rain Operator [Marginalia]

“Golden Frequencies” is an afro deep house journey blending progressive energy, warm pianos, and shimmering synths into a soundscape of light, love, and movement.
Written in C major, it celebrates pure connection and the beauty of growth, where every layer expands like energy itself. 

Bright, fluid, and alive. “Golden Frequencies” is an ode to love, energy, and evolution. A sonic reflection of how two souls can rise together, resonating through every frequency.

Golden Frequencies

Tim Engelhardt, Leonard Bywa - Trabant [GR22]

Here we go again! 2018 is a colorful year in our label’s life, we released many kind of good music and we will keep doing it in the future too. We are happy to present Arina Mur on Truesounds Music. She is a super talented Russian producer and djane. Her productions are really impressive and this sound is exactly what we are looking for, for the summer. On the EP you can find three pleasant deep house tracks 2 originals and 1 remix from an upcoming duo Anturage & Stereoteric.
These tracks can be your good friends in the summer next to your favorite cold drinks I guess.

Arina Mur - Pearl Wings EP / TSM 024

01. Arina Mur - Pearl Wings (Original Mix)
02. Arina Mur - Pearl Wings (Anturage & Stereoteric Remix)
03. Arina Mur - Spirituality (Original Mix)

Designed by : Skillzone.Hu 
Mastered by : Rob Small Mastering

Beatport

Arina Mur - Pearl Wings (Original Mix)

https://spoti.fi/2IVZJhC

https://apple.co/36QoVP7

www.instagram.com/nicone_allez.allez

www.instagram.com/johan_mila

www.instagram.com/mate.0000

Strange Love / DTZ130

Johan Mila & Mate 0000 - Strange Love - DTZ130

Buy / Stream: https://ffm.to/flashes

AIKON returns to Exploited with an EP of dark moods and sensual melody.

The title track is a dark slice of Italo disco / electro, with taut snares cutting through the droning bass and hypnotic synth arpeggiation. Building imperceptibly through subtle atmospheric touches, the track reaches a spine-tingling peak in the spacious breakdown, where synths soar and the acidic bass gets a moment in the spotlight. A voice breathes the word ‘acid’ as the beat kicks back into life, completing the tripped out feel of this moody chugger.

‘Galaxy’ is driven along by a hefty bassline throb, soon bolstered by monotone acid tones and infectious cowbell rhythm. Blasts of synths tease as we head towards the heavenly breakdown, where beautiful sampled guitar melody rubs up against floaty, ambient pad sounds. The contrast between the guitar and the moody bass sounds when the beat drops back in is magical, channeling some of that ‘90s dreamhouse energy as gated, shimmering chords add another sumptuous motif.

‘Heroes’ is a little more on the melodic techno tip but keeps the textures and themes of the EP running through it. Moving at a languid tempo, the track focuses around a simple, blissed-out, ecstasy-imbued hook and a chugging bass rhythm. The switch from a 4/4 thump to a breakbeat rhythm halfway through shifts the mood brilliantly, and throughout subtle changes eke out more beauty from this heads-down affair.

Early Feedback:
Rampa: Thanks. Will check. 
Sandrino:Thanks for the music.
Kendal: Love these 3 tracks. This is huge. Congrats AIKON!
Sobek: Really nice tunes. 
Tsugi Mag: Heroes for me.
Upercent: Nice.
Alinka: Very nice.
Kendal: Love these 3 tracks. This is huge. Congrats!
Made in TVL: Good job. Like it.
Tommie Sunshine: Love this whole EP.

Artist: AIKON
Release: Flashes
Label: Exploited Ghetto
Cat: EXP104
LC: 48629
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport & Streaming: 01.10.2021
Releasedate Global Download: 15.10.21

Flashes

Buy / Stream

AIKON - Flashes I Exploited Ghetto

out on nein
https://neinrecords.bandcamp.com/album/venamy

mastered by k-effect

MMYYLO - Venamy

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)