Buy / Stream: https://ffm.to/imagination-remixes

Aiwaska's slamming collaboration with LA electro legend The Egyptian Lover ‘Imagination’ gets two hot and fittingly freaky remixes on Exploited from two big ballers.

Ed Banger Records legend Feadz steps up first, teasing us with snatches of the sultry vocal before unleashing one mother one a squiggly acid line and snappy, authentic electro breakbeat. Slipping by turns into a muted 4/4 rhythm, the track delights with phat snare rolls and endless acidic modulation, while the wide panning on the vocal makes it jump out the speakers. String stab chords add a tense undertone, and the acid line gets sprinkled with a distorted synth mirroring its every twist and turn. This will sound HUGE in the club.

Who else to take things up another notch but Detroit booty bass legend DJ Assault? He goes blow-to-blow with Egyptian Lover, adding his own filthy verses and doubling up on the chorus over one of his trademark stripped back bouncing electro beats. Hilarious vocal sound effects / ad libs add to the madness, and his salacious lyrics take the track into a new level of naughtiness. Topping it all off with a mellifluous G-funk style synth line at the end, he’s delivered as only he can.

Artist: Aiwaska Feat. The Egyptian Lover
Release: Imagination Remixes
Label: Exploited Club
Cat: EXP112
LC: 96788
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 06.05.2022
Releasedate Beatport & Streaming: 13.05.2022
Releasedate Global Download: 27.05.2022

Buy / Stream

Aiwaska Feat. The Egyptian Lover - Imagination Remixes I Exploited Club

Get Closer - Oct 22

Aiwaska Released Tracks

Imagination Remixes

Imagination

Aiwaska Feat. The Egyptian Lover - Imagination (Feadz Dub)| Exploited Club

Buy / Stream: https://ffm.to/imagination-remixes 

Aiwaska's slamming collaboration with LA electro legend The Egyptian Lover ‘Imagination’ gets two hot and fittingly freaky remixes on Exploited from two big ballers.

Ed Banger Records legend Feadz steps up first, teasing us with snatches of the sultry vocal before unleashing one mother one a squiggly acid line and snappy, authentic electro breakbeat. Slipping by turns into a muted 4/4 rhythm, the track delights with phat snare rolls and endless acidic modulation, while the wide panning on the vocal makes it jump out the speakers. String stab chords add a tense undertone, and the acid line gets sprinkled with a distorted synth mirroring its every twist and turn. This will sound HUGE in the club.

Who else to take things up another notch but Detroit booty bass legend DJ Assault? He goes blow-to-blow with Egyptian Lover, adding his own filthy verses and doubling up on the chorus over one of his trademark stripped back bouncing electro beats. Hilarious vocal sound effects / ad libs add to the madness, and his salacious lyrics take the track into a new level of naughtiness. Topping it all off with a mellifluous G-funk style synth line at the end, he’s delivered as only he can.

Artist: Aiwaska Feat. The Egyptian Lover
Release: Imagination Remixes
Label: Exploited Club
Cat: EXP112
LC: 96788
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 06.05.2022
Releasedate Beatport & Streaming: 13.05.2022
Releasedate Global Download: 27.05.2022

Aiwaska Feat. The Egyptian Lover - Imagination (Feadz Remix)| Exploited Club

Aiwaska Feat. The Egyptian Lover - Imagination (DJ Assault Remix) | Exploited Club

Aiwaska Feat. The Egyptian Lover - Imagination (DJ Assault Dub) | Exploited Club

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* Read more: https://boltingbits.com/lb-aka-labat-feel-the-beat-partiboi69-remix-poumpet-records
* Watch on YouTube: https://youtu.be/mKj--12avWE
* Pre-order: ttps://fanlink.to/poumpet001

Lyon, France’s LB aka LABAT inaugurates his new imprint Poumpet Records this February with its first single, ‘Feel The Beat’, backed by a remix from Australia’s partiboi69.

Over the past seven years Strasbourg-born now Lyon-based, DJ, Producer and Live Act LB aka LABAT has been soul drenched, dusty House, Techno, Electro and Downtempo grooves via the likes of Wolf Music, Steel City Dance Discs, Groovedge Records and course his own Alélah Records run alongside Polow with a focus on cassette and vinyl releases. Here though we see LB aka LABAT open a new chapter in his career with the launch of his new imprint Poumpet Records which will be dropping a single every month throughout 2022 alongside remixes from some kindred spirits along the way.

To set the tone of Poumpet Records, LABAT launches with debut single ‘Feel The Beat’, a dynamic rave-tinged groove fuelled by hip-house vocal chants, crunchy, organic drums and an amalgamation of jazzy keys, wandering strings and airy atmospherics throughout its near eight-minute duration.

Mutual Pleasure and Unprotected Records artist partiboi69 also steps in on remix duties to kick things off, upping the energy levels even more with a robust, broken rhythm and snaking arpeggio bass hooks ebbing and flowing amongst fragments of the original’s vocal lines and ethereal pads.

LB aka LABAT - Feel The Beat (Incl. partiboi69 Remix)

PREMIERE: LB aka LABAT - Feel the Beat (Partiboi69 Remix)

No Place Like Home

CLEARING

Breaking Ground

Buy/stream: https://kompakt.fm/releases/the_tiger_ep

With The Tiger, Matias Aguayo returns to Kompakt with his first EP for the label since 2014’s Legende. Since then, he’s been busy with all manner of experiments and explorations – a monthly radio show on Worldwide FM, 2019’s Support Alien Invasion; the essential El Rudo Del House series; an album on Crammed Discs with his group The Desdemonas; collaborations with Sano and Gladkazuka (as Rionegro), DJ Spoko, Mujaji, Julianna, a new trio with DJs Pareja, named MDM Factory, and the latest offering on his Cómeme imprint, El Cameron featuring Ricardo Villalobos. But something special happens when Aguayo returns to the mothership, as though he’s reconnecting with something essential: “pop melancholy is just right there,” he says.

On The Tiger, Aguayo is in touch with the core of the flame, the music that’s at the centre of his being. While most of the music may have originated “in the foggy Mexican forest,” he’s sure that the EP is “still a Cologne record,” something you can hear as soon as the prowling bass, shuffling rhythms and ghostly voices of the title track lope stealthily into earshot. The titular character is caught up in the sensuous tangle of the night, that space between dusk’s delirium and dawn’s dreaming. Aguayo sings, “Do you see the same I see? Are we having the same dream?” – here, he’s picturing an after-hours revelation, “on a warm muggy night with all sorts of background noise from various nightwalking animals – but at the same time, I was a city dweller stranded in the jungle, who still dressed like he was about to go to the disco.”

The ascending, ever-circling bass of “Nightshift, The Red” tells another story, a spiralling mantra that’s hypnotically psychedelic, yet elegant, refined, filled with sonic textures you can almost reach out and touch, like knotted twists of exotic fabric. “The lyrics are very associative and somewhere between urban and jungle nightlife,” Aguayo mentions, “fireflies shine, but also the reflections of the disco ball.” “Show Me What You’re Feeling” takes us back to the 1990s, with Aguayo re-working some vocal and lyrical fragments from three decades ago, its beautiful uncertainty remarkable in what Aguayo calls its “extremely emotional openness”. Dappled with melancholy, it’s a lover’s hymn to intimacy and vulnerability.

Aguayo signs off The Tiger with “El Propio Propio”, a celebratory ending to an EP that’s rich and complex, full of lovely musical moments – the tender melodies woven through “Show Me What You’re Feeling”; the warping, pliable, plastic textures that Aguayo crumples and crinkles through “El Propio Propio”. Like much of Aguayo’s music, The Tiger highlights the senses, to advance a new sensibility, one that inhabits a fever-dream of hints and clues, a mystery that’s solved by the deep, dark sensuality of the rhythms here, fully in love with the nightlife. It finds its exoticism in unexpected moments, sideways glances, surprising twists and turns. After all, as Aguayo says, “moths are far more glamorous and mysterious than butterflies.”

The Tiger EP

The Tiger

Ariel Zetina-Cyclorama released by Local Action 20 of October

Cyclorama

Slab Of Meat

Heith - X, wheel
Label: PAN
Cat.No. PAN 119 
Format: LP / DL
Release Date: 07 October 2022
Purchase: https://pan.lnk.to/Xwheel

Heith’s devout interest in the notion of reality started long before he recorded his latest album. The Italian musician, producer and artist probed the spiritual aspects of sound and its cosmogonic potential already in his previous works released on his own Haunter Records label.
Exploring the textures of consciousness through research into the ritual animism, he kept an omnivorous and universalist approach to cultural and sonic influence. This is central to X, wheel, Heith’s debut album and first release on PAN. It’s a deep dive into his creative and spiritual practice, one where art and life are inextricable.

Written and recorded across different studios in Milan, Rome and Florence between March, 2019, and January, 2020, eleven tracks cycle through a world of stylistic references—from psychedelia, psytrance and freak folk to stoner metal, noise and early electronic music—while remaining firmly a part of a singular vision.

Album opener “Letter 4” staggers along collaborator Leonardo Rubboli’s winding guitar melody, while second track “Dero” cycles into layers of assorted sine wave lines and tonal systems outside of the Western diatonic scales. X, wheel sits calmly at the centre of its own vortex of dissonance and diversity, moving through a spectrum of ideas, moods, and emotional states with uncanny ease. A glimpse of contributor Jesse Osborne- Lanthier’s synth melody briefly surfaces from a cacophonous flood of reverb and distortion on “Stoned Witch”. Aase Nielsen’s lonely saxophone wanders around the nostalgic hypnagogic noir of “Ensemble For Somnambulists”.

Heith draws together an array of philosophies and fictions together into a sonic tableau that exists outside of linear time. As the titular wheel spins, it does not bring about repetition, rather constant change and movement, spiralling into infinity.

The hypnotic nature of the release is translated in the album’s liner notes. It’s a collage of sorts, constructed from Heith’s own diary entries using the non-phonetic alphabet and linguistic experiment called “Angel’s Hair” developed with artist Pietro Agostoni. Together with contributions from ZU drummer Jacopo Battaglia and didgeridoo player Fabio Goldaniga, X, wheel is an exercise in creating new forms of meaning through sound, turning spectral vibration into conscious awareness.

2 Dero - Heith (PAN 119)

Bad Things

White Lines

Flora Fauna

Panic Attack (Aiwaska Raw Mix)

Love to Hate

Ivory

Hier ein TrashTape...

Holy Modee kommt und wird Mörder.

Holy Modee - FÜRIMMER

Holy Modee - Dewit

Eminem - infinite (1996 album).

Infinite was the very first official song on the first studio album of Eminem. The albums name is also "infinite" and a very nice rap song.


1. Eminem - Infinite

Eminem - W.E.G.O (interlude)

This is the second (song) of the infinite album of Eminem (1996). This is not really a song but an interlude but still part of the album.

2. Eminem - W.E.G.O (Interlude)

Trouble Deluxe Edition

Bananza (Belly Dancer)

Lil Peep Part One

lil peep - High School

BBB (FREE DL)

Cop - https://childrenatplay.bandcamp.com/album/i-n-2-d-e-e-p

Follow me on insta pls - https://www.instagram.com/franck_carouse/

and on TikTok too - https://www.tiktok.com/@franck_music?lang=en

vigile - kreepin kut

Makaya McCraven, one of Chicago’s most versatile and in-demand drummers, performed at Le Guess Who? 2019 in Utrecht, The Netherlands.

About:
Makaya McCraven moves between genres like jazz, hip-hop and funk at lightning speed. Unquestionably respected as a jazz artist, he believes that a receptiveness to other styles is what truly makes a good jazz player. Ceaselessly inventive and productive, McCraven worked with an impressive array of world class musicians, including Archie Shepp, Yusef Lateef, Bernie Worrell, Soulive, Charles Neville, Marcus Strickland, and Shabaka Hutchings.

Performers: Makaya McCraven – drums; Junius Paul – bass; Greg Spero – piano; Marquis Hill – trumpet; Irvin Pierce – saxophone. 

In These Times composed by Makaya McCraven
Atlantic Black composed by Makaya McCraven, Junius Paul, Tomeka Reid, Shabaka Hutchings
Songs Of The Forest Bugaboo composed by Steve McCraven
This Place, That Place composed by Makaya McCraven
The Bounce composed by Makaya McCraven, Theon Cross, Joe-Armon Jones, Nubya Garcia

Captured on Saturday, 9 November 2019, at TivoliVredenburg's Grote Zaal during Le Guess Who? 2019.
Recorded and mixed by Marc Broer & Martijn van Waveren.

https://www.leguesswho.nl

Makaya McCraven - In These Times

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)