why don't you keep your style anymore? you do common techhouse bs lately.. your best tracks like this one and "Lost" are all uniquely meodic and thats your style but they are all from the past

Doy gracias por esta clase de música, se nota mucho cuando algo tiene alma

Honestly fucking incredible ❤️ what a journey!! 🔥

'German house talents Monkey Safari serve up another single from their forthcoming Body Language Vol. 24 mix later this year...'

Read More: https://whenwedip.com/2022/03/premiere-monkey-safari-hi-low/

Follow: @monkeysafari // @get-physical-music

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Hi & Low

Premiere: Monkey Safari - Hi & Low [Get Physical]

Post Post B

Layer by layer, the artfully crafted Olander rework blooms into a sultry, emotion-driven reinvention of the original 'Letters'.

http://mixmag.net/read/sailor-i-and-eekkoo-jeremy-olander-remix-premieres

Out now: https://www.beatport.com/track/letters-capital-jeremy-olander-remix/8223521

LETTERS Remixes

Premiere: Sailor & I and Eekkoo 'Letters' (Jeremy Olander Remix)

Underworld

Underworld (Tom Demac Remix)

Edu Imbernon & Duologue - Underworld (Tom Demac Remix)

Tom Demac - Serenade (PZILIO Bootleg)

Buy/Stream: https://Anjunadeep.lnk.to/DMIPso
Follow Anjunadeep New Releases on Spotify: Anjunadeep.lnk.to/NewReleasesYo/spotifyso

Dee Montero had a breakthrough year in 2017, with his single ‘Halcyon’ on Diynamic being named Pete Tong’s #1 track of 2017 and topping the Beatport Deep House chart. Dee now makes his Anjunadeep debut with a pair of melodic weapons in double header ‘In The Wild / Polaris’. 
‘In The Wild’ blends the soaring vocals of Malaysian singer-songwriter Meliha with an infectious piano line, whilst peak time cut ‘Polaris’ provides a dark dancefloor moment.

Buy on Beatport

Dee Montero - Polaris

Nautique

Nautique (Petar Dundov Extended Remix)

Beatport: https://www.beatport.com/release/the-end/2690872
iTunes: https://music.apple.com/album/the-end-single/1481942205
Spotify: https://open.spotify.com/album/14SPwjeJXH0UJUdsttrzUk

Dutch prodigy Budakid returns to Exploited for his third mesmerising EP on the label, with two fresh new opuses for your delectation. 

The End is one of his typically cinematic tracks, reminiscent of 90s melodic breakbeat types Hybrid. Hovering, Reese-toned bass looms subtly over intricate, light broken beats and gently enveloping string progressions. Crisp and spacious, the arrangement is honed to perfection. Muted, gated stabs echo the ghost of 90s trance in the breakdown, fusing beautifully with the breaks when the beat drops back in. Soft cymbal rides splash across the surface as the elements fuse back together for a restrained crescendo. Perfect for the afterhours or a spot of deep meditation.

Linguistic sees Budakid in more of a deep house / melodic techno mood. Subtle synth licks waft across the stereo field as live percussion forms a groove and wildlife sounds create a heady atmosphere deep in the distance. A plodding groovy bassline drives its way into the foreground, while minimialist layers of electronics build the mood. The brain-twisting breakdown makes more great use of noise gating as a dizzying lead soars and pulses. Its a great piece of work that centres more on mood and texture than melody, and in doing so recalls classic progressive house sounds.

The End

Budakid - The End | Exploited

There is a certain kind of hit and run that doesn't make you feel chased at all. Mees Salomé crawls out in the open and faces the sky - his Ton Töpferei debut "Nameless" is the handshake after an exciting game hunt.

Mees Salomé - The Border

| ∆ Thanks for listening, if you enjoy what you hear make sure to hit the ↻ Repost l

| Follow the Label |
| ∆ Soundcloud: @hommageofficial |
| ∆ Facebook: www.facebook.com/welcometotma/ |

| ∆ Follow the artists |
| ∆ @tma-official |
| ∆ @monkeysafari |

| Follow Aplethora Music |
| ∆ @AplethoraMusic |

| If you are interested in a Premiere with us, please fill out our form located in our About Me section of our Soundcloud page. |

| RELEASE DETAILS |
| Friends and bandmates since they were 15 there’s a bond between T.M.A (AKA Steven Szpielmann and
Patrick Steppons) that means they have an intuitive understanding of one another. In the studio this has led to
the production of spellbinding collection of music, full of emotional depth and dynamic rhythms. The pair play
live organic instruments, guitars and drums, which they merge with an electronic setup to produce a warm,
human sound. This is evident across all three tracks on their latest EP for Hommage, Aitne.

Kicking off with the title track, we’re immediately confronted with the duo’s instinctive use of melody and
rhythm to cultivate the kind of atmosphere that envelops you from the off. A wistful, impish vocal clips drifts in
and out of the background occasionally, coaxing you into a trance-like state, while the beats keep your body
moving. Tension, drama and simmering emotion make this one a fantastic start to the EP.

Next up is ‘Eirene’, a more punchy cut with razor sharp snares and hats, combined with a dense low end
designed to pump the dance floor full of irresistible energy. The track’s blackened sheen is juxtaposed by the
lively breakdown, which lifts the mood and carries us into the vibrant second half.

Lastly, label owners Monkey Safari step up for a remix of ‘Aitne’. They add a dreamlike atmosphere to the cut,
increasing its emotional appeal. This is one for the lovers out there, who’ll be wrapped in each others’ arms on
the dance floor, as the romantic, thought-provoking melody sends them into the throes of ecstasy. |

| PREMIERE: T.M.A - Aitne (Monkey Safari Remix) [HOMMAGE] |

'The tenth release see's label and Anjunadeep artist Westseven deliver his first of the year on the label alongside fellow British singer-songwriter, Angus Powell. The pair locked horns in the studio in West London at the end of the summer to create this nostalgic number.

The Club Edit see's a dreamy percussive driven energy, punchy undertones and rich chords spill over Angus' picturesque top line. The Original Edit intensifies the mood with more pace, luscious pianos, utopian synths and the incredibly insatiable vocal.'

Follow: @westseven // @anguspowellmusic // @souldeanima

Westseven feat Angus Powell - Go Right Through

Premiere: Westseven - Go Right Through ft. Angus Powell [Soul De Anima]

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)

Budakid - The End | Exploited

Exploited

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