Across a string of well received records on Seth Troxler's Play It Say It, 20/20 Vision and Moan Recordings, The Mekanism has honed a refreshingly uninhibited sound - one that pops with joyful expression and works to serve the sort of free-flowing parties he regularly plays across the US and Mexico.

Here, he delivers his trademark sound with 'Do The Disco' - a rapturous cut that features percussion from Grammy Award-winning percussionist Jorge Bezerra and an alt sax replaying of 'Do It At The Disco' by Gary's Gang by Tom Barford with a gracious nod from Nervous and Uni Disc.

The taught skins of Bezerra's drums rattle out of the blocks and get things off to an electrifying start. Pattered into dexterous of polyrhythms, they carry that certain energy that drives a marrow-deep motivation to move while a straight 4/4 kick maintains a solid boom throughout.

Jorge Bezerra is a Grammy Award-winning Musician and Percussionist who has worked alongside many great artists throughout his career, notably on Ludovic Navarre’s St Germain project, on stage with the wonderful Melody Gardot and as an integral member of the Joe Zawinul Syndicate that allowed him to share the stage with other greats, such as Herbie Hancock, Bebel Gilberto, Hitonari Tsuji, Cheick Tidiane and Bobby McFerrin. 

Barford's sax is steadily filtered in while a bossy bass line walks up and down and the mood begins to bubble. Drums, sax and bass take turns to grab centre stage and the resultant vibe is feverish, balmy and jammed full of fun.

Artist: The Mekanism
Release: Do The Disco Feat. Jorge Bezerra
Label: Exploited
LC: 15799
Cat: EXPDIGITAL265
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 12.09.25
https://www.beatport.com/de/release/do-the-disco-feat-jorge-bezerra/5149919
Release Date Streaming/Beatport: 19.09.25
Release Date Global Download: 03.10.25

Do The Disco Feat. Jorge Bezerra

Do The Disco Feat. Jorge Bezerra (Radio Edit)

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The Mekanism - Do The Disco Feat. Jorge Bezerra (Radio Edit) (Exploited)

Fátima has blurred sonic palettes for crowds in Berlin, CDMX, Miami, New York, San Francisco + Wash. D.C. Her playful sets bridge deep and hypnotic with high-impact.
Born in Mexico and based in the U.S., she creates dynamic dance floor narratives and tracks that move body and soul, referencing her Latina roots. As the founder of Sisters in Sound, she’s more than a selector—she’s a force for community, equity, and cross-border connection in music culture.

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)