Beatport: https://www.beatport.com/release/the-knowledge/2464493
iTunes: https://itunes.apple.com/album/the-knowledge-single/1455229413
Spotify: https://open.spotify.com/album/0SInZwuevytTZaUqUjra69

Early support by Crazy P, Agoria, Whomadewho, Audiofly, Tensnake, Red Axes, AME, Tone Of Arc, Maxxi Soundsystem, Till Von Sein. 

Man of mystery Enduro Disco received plenty of plaudits for his first three releases on Exploited Ghetto. Something tells us that this new contribution to Exploited (originally released on Vinyl Only on Shir Khan's helmed Black Jukebox series) will set plenty of pulses racing, too. Check first the dreamy and loved-up roll of opener "The Knowledge", which sounds like a house remake of a lesser-celebrated 1980s Miami synth-pop cut, before sinking your teeth into the swirling, piano-sporting late night house bliss of "Believe". 
"The Knowledge" introduces the EP through a slow and steady climb, wobbly bass shards and a suspended pad holding our attention as the excitement levels rise. "Believe" sees the first proper rush of endorphins burst off the wax, as a scintillating synthetic soundbed ripples and fizzes through our core in a exquisite display of blissed-out prowess.

Early Feedback:
Crazy P: This is great. 
Agoria: Yes. Very good one. 
Thomas Barford (Whomadewho): I believe in Believe.
Audiofly: The Knowledge is wicked. 
Tensnake: The Knowledge is cool. 
Red Axes: Thanks. 
AME: Thanks.
Tone Of Arc: Killer.
Maxi Soundsystem: Wicked. 
Till Von Sein: Cool EP.

Artist: Enduro Disco 
Release: The Knowledge
Label: Exploited 
Cat: EXPDIGITAL181
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport/Spotify: 08.04.19
Releasedate I-Tunes: 22.04.19

The Knowledge

Believe

Enduro Disco - Believe | Exploited

c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v n e w y o r k e l e c t r o l u v p a r i s e l e c t r o l u v j a p a n e l e c t r o l u v b e r l i n e l e c t r o l u v i t a l y e l e c t r o l u v m u n i c h e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r g a i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v h o r e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u vc a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v c a p e t o w n e l e c t r o l u v b e r l i n e l e c t r o l u v

Producer Dj Productor Radio Locutor Mega Puquen Arena Fenix Fm Argentina 

Young boy question the relation between music and mathematical modulation of sound. at the age of 14 he met a local DJ that is when he decided to amalgamated himself with the craft of turntablism, deep toddler was born.

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)