Buy / Stream: https://ffm.to/welt-am-draht-2023

Shir Khan Presents Welt Am Draht - a collection of Exploited dancefloor gold from 2023!
Shubostar’s colorful update on cosmic disco fits perfectly with the charms of Budakid’s ’Milestones’, with a bouncing off-beat bass line driving under heavily reverbed kicks and snares and a flurry of ascending arpeggios.
Brazil’s Renato Cohen is a perfect match for Sandhog’s ‘Accent’, bringing his new school electro/Italo touch to the proceedings with a knowing nod to New Order’s monumental classic ‘Blue Monday’.
‘Alte Liebe’ by Berlin’s Micropacer will send you over the edge. An absolutely stunning melodic progression underpins the undulating bass and relentless piano stomp of this one, recalling classic Italo / piano house with its jubilant feel and soaring pads.
AIKON from Kyiv reworks Claptone's classic 'United' from 2014 and gives it a heavy update for the dancefloor.
Joyce Muniz delivers dark Italo slammer 'Balin Bali', produced alongside rising Mexican star, Theus Mago.
‘Building Up’ by Enduro Disco is built on a solid foundation of nu disco texture but with a chunkier house edge.
On ‘High Energy’ by Mexican producer Levantine, distorted kicks suck at a tense synth arpeggio while in the distance a dramatic melody plays amidst a church-like reverb.
Barcelona’s Baldo revisits the gorgeously colorful ‘Dream Of You’ from Istanbul’s rising talent Zeynep Erbay, taking it on one hell of a trip.
NEAT’s ‘DYR’ is a beautiful, delicate, unhurried gem of a track, dripping in sensuality. Shimmering percussion and delayed claps lay a foundation atop sorrowful sustained organ-esque pads.
‘Fantasia’ by Kadosh builds slowly through a dramatic minor key bass line and shimmering metallic fuzz to suddenly explode into life with a stunning, sorrowful main riff that rocks a distorted 8-bit electro vibe.
Madrid duo Depaart rock the slick, acidic cut ’And You’ with a real air of sophistication about it.
Studio Barnhus affiliates Måns Glaeser (from swedish Off The Meds) and Basement Space team up for ‘Hollywood Cole’ - a cute breakbeat track peppered with old skool rap & diva vocals, shimmering electric piano chords and a thick, undulating bassline.
Marvin & Guy up the tempo for Joyce Muniz & Theus Mago’s track ’Balin Bali’ to a pacey house bounce and lay on some gentle electro textures.
London duo Make A Dance go deeper on their rework for Budakid’s ‘Milestones’, building through gated snips of the vocal, pulsing pads, Latin snare patterns and subtle bleep riffs and delays to reach a heady, hypnotic place.
Fabrizio Mammarella does the damage on his version of ‘Nechama’ by Sandhog, teasing us slowly with ticking techno percussion that ebbs and flows, he gradually reveals the synth chords amidst giant snare hits and pulsing cymbal rides.
Atlanta-based Sejva closes the compilation with ‘We Only Want To Be Bad’, flexing Hi-NRG muscle with its off-beat bassline, snazzy melodies and campy vocals. A masterclass in retro revivalism.
All in all this is a great eclectic dance compilation.

Artist: Various Artists
Release: Shir Khan Presents Welt Am Draht 2023
Label: Exploited
LC: 15799
Cat: EXPDIGITAL249
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 05.01.24
Release Date Streaming/Global Download: 12.01.24

Shir Khan Presents Welt Am Draht 2023

Building Up

Buy / Stream

Enduro Disco - Building Up | Exploited

B2 Recordings keeps it classy with another new deep house offering from label head Bengoa. It comes hot on the heels of his last outing here in December but this time all three tracks are straight-up solo cuts with no featured guests. 'Hustler's Convention' is an emotionally intense humid, steamy cut even though the grooves are warm and hypnotic. 'Apollo' has more raw percussion and scratchy drum textures overlaid with trippy vocals and last of all is 'Fanatic,' which pairs leggy bass and drums with more swirling vocal samples and interesting broken beat patterns. Another fine outing from Bengoa then.

BUY:
https://www.phonicarecords.com/product/bengoa-meowfia-ep-pre-order-b2-recordings/192890
https://www.juno.co.uk/products/bengoa-meowfia-ep-vinyl/981499-01/
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https://www.decks.de/track/bengoa-meowfia_ep/cm0-1k

PREMIERE: Bengoa - Hustler's Convention [B2 Recordings]

Oxy - Lost In Sound [WDREP028]

Unofficial remix for the track Sunchaser from Gearmaster

Download for free: https://subliime.bandcamp.com/track/gearmaster-sunchaser-subliime-rmx?search_item_id=2351210793&search_item_type=t&search_match_part=%3F&search_page_id=3449855025&search_page_no=0&search_rank=1&logged_in_mobile_menubar=true

Gearmaster - Sunchaser (Subliime rmx)

Acid Cats - Bus Wankers

Talented Italian Producer Gianni Junior returns to CATELE RECORDINGS with an additional 2024 Reload mix of his joint Shake Your Head released last year; pure House Music treat that is guaranteed to be one of your favourites over the summer and more.
Written and produced by Gianni Junior
Rhythm track & Keys by Gianni Junior
Guitar: Jamy Caruso
Mastered at Gigi s Mama Studio, Rome –Italy
2023 CATELE RECORDINGS

Gianni Junior - Shake Your Head (2024 Reload)

rybin,  Sander Zhukov -Thundra (Original Mix)

High-energy Afro / Tribal House mit sun-soaked Percussion, rolling Sub/Reese-Bass und chant-style Hooks – gebaut als Festival- und Party-Starter.

Asphalt Reliquary

NEON PULSE IN A VELVET LOOP

Malin Genie - Redskap

► Subscribe for daily house music: soundcloud.com/hmwl/

Fine moody house with Delano Smith remixing Trus`Me:s track "No Harm" for Groovement records. Only the finest atmosphere to expect from these two legendary producers making this a relevant track. Building on decades of experience in the heart of the underground this is one of those tracks: future classic, genre defining and very much on point. 

Trus´Me - No Harm EP
Release date March 29th, 2019
label Groovement
catalog no GR033

Tracklist:
A1 No Harm
B1 Someone New
B2 Ho Harm (Delano Smith remix) 



 One of the most vital figures in contemporary house music for more than a decade now, Prime Numbers founder Trus’me makes his debut on Groovement with the ‘No Harm’ EP, featuring two new tracks that make good on his heritage.

‘No Harm’ is a bubbling, seductive roller that reveals itself slowly and surely as a punchy number, squarely aimed at sophisticated dancefloors, an ecstatic choir rising from beneath it’s interlocking rhythms. Meanwhile, ‘Someone New’ starts deep and burrows only further, making sensual and psychedelic use of trippy effects and a powerful, throbbing bassline to create maximum pressure.

Midwestern legend Delano Smith contributes a similarly confident, winningly understated remix of ‘No Harm’, one that takes the original track in an equally heady, techno-tinted direction, peppered with timeless Detroit touches.

With his love for music tracing way back to an early age by dabbling with various instruments and then moving on to develop a passion for record collecting, Trus’me found his calling after learning the art of mixing and sample digging. Surrounded by the heads of Manchester and its deep rooted music scene, one couldn’t deny that it was an effortless task to be exposed to good music from all genres, thus explaining his constantly evolving tastes as evident in his eclectic DJ sets as well as in his uniquely, diverse productions. “Like bookends some 12’s will work with both the beginning and the end of the night, such is the classy sampling from Trus’me” (Peter Nicholson, XLR8R). 

The much reputed CD sampler “Nards” that was responsible for initialing releases on Chicago’s Still Music label, inevitably sparked off Trus’me’s promising musical career. Seeing support from respected names such as Ashley Beedle, Juan Atkins, Mad Matts, Gilles Peterson and Chez Damier plus his productions selling out at record stores from Manchester to Tokyo, led to the highly successful release of his debut album, “Working Nights”, on Fat City Recordings, that’s hailed by most to be a timeless album, still finding devotees to this day. 

Not one to rest on his laurels, the label Prime Numbers was set up and quickly gained an unfaltering reputation for highly collectable and exceptional music from artistes such as Move D, Actress, Linkwood, Fudge Fingas, Motorcity Drum Ensemble; all artistes that fit the ethos and style that Trus’me continues to carry a torch for. In 2009, his highly anticipated follow-up album, “In The Red” that featured the likes of Chez, Damier, Amp Fiddler and Dam Funk further cemented his place in the House scene and set off a flurry remixes for acts such as LCD Soundsystem, Motor City Drum Ensemble, Alton Miller, Anthony Shake Shakir and more, including non-stop touring to clubs and festivals alike in Asia, Australia, Canada, Europe, North America, South America and of course, in his backyard, the city of Manchester where it all began.



https://soundcloud.com/groovement
https://facebook.com/groovementpt
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ttp://www.facebook.com/trusme

No Harm EP [Groovement]

Premiere: Trus´Me - No Harm (Delano Smith remix) [House/Groovement]

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)