made a summer track today, as i feel like it....

What A Day [Babiczstyle:004]

BETWEEN HOURS

Midnight Pulse

Buy On Bandcamp

Kazamayé - Kalimba (Long Play)

ELECTRONIC POP DANCE 2025

The 9th EP from Manjumasi comes from San Francisco talent Jose Vizcaino. A producer with plenty of releases to his name, the Recoding Desires EP offers a beautiful medley of sensual and cerebral tracks. The title tune draws you right in - it is mysterious and lush, built around a strong pad hook with gentle vocal effects. “Tough Placement” follows up with an absolutely hypnotic groove, trippy and mesmerizing arpeggios layered throughout. The third original is “Clever Moves,” a proper deep house stomper that showcases Jose’s understanding of the dance floor and his taste for a proper kick-and-bass groove.

The first remix comes from legendary Barcelona producer Pablo Bolivar. His remake of Recoding Desires is simply irresistible, massaging the track’s theme into an even deeper form, with percussive synth stabs and shuffly percussion pushing the sex appeal of this raw groove to the next level.

Last up is a killer remix from London stalwart Jay Shepheard, who turns in a lovely late-night version of Tough Placement. His stripped-down interpretation highlights a trippy and techy sensibility, with a stabby acid riff weaving its way over a delectable bedrock of rhythm and pads.

Follow: @josevizcainosf @pablo-bolivar @jay-shepheard
Like: www.facebook.com/manjumasimusic
Cover art by Nathan Kanner: www.instagram.com/nkanny/

Recoding Desires EP

Jose Vizcaino - Recoding Desires (Pablo Bolivar Remake)

PURE* SENSES - SELECTED SOULFOOD

Âme

DEJAGO - ÂME (2014 VERSION)

https://getphysicalmusic.lnk.to/GPM553

Pezzner’s entry into the esteemed Body Language series lands in early 2020, and before that we’re treated to a series of tracks from it.

American James Curd began DJing in Chicago aged just 15. He went on to make his production mark on the Classic label, had music licensed for Grand Theft Auto 4 and has topped Juno sales charts. Here ‘Getting Into It’ is a fantastic disco licked house groover with feel good chords and hip-swinging claps that will warm through the club. Chick Iverson is a tech talent whose standout ‘Alright’ is a stripped back affair with dry hits and sci-fi effects that take you on a roller coaster ride through whirring atmospherics and synthetic sounds.

Switching up the mood again are Homero Espinosa, Cris Herrera & Tokita with ‘Spanish Joint’, a fresh acid jam with lush, swaying drums that build to a peak then pull back before building again, making for a real dance floor journey. Last of all, Beats in Space and Compost associate Tomasz Guiddo links with frequent collaborators Piro and Arnold Kasar for a soulful house cut with warm synths and spoken word vocals that lend the track an intimate, funky, romantic feel.

As well as these fine offerings, Pezzner’s forthcoming mix features four brand new exclusives of his own, meaning Body Language Vol. 22 will be special indeed.

www.getphysicalmusic.com

When The Night Comes

Tomasz Guiddo & Piro Feat. Arnold Kasar - When The Night Comes (Snippet)

https://getphysicalmusic.lnk.to/GPM569

After first appearing on the ‘India Gets Physical album’, Arnold From Mumbai's 'Roots' now gets a standalone single release with remixes from Pezzner, Alexander Robotnik and PALMFooD.

High energy and infectious enthusiasm are some of the adjectives that are synonymous with the name Arnold Misquitta, who is fondly known as Arnold from Mumbai and is a key player in his local scene, now making global moves.

In original form, 'Roots' is a perfect warm deep house cut. Organic guitar licks brush up next to finger clicks and late-night chords that are smooth and sumptuous. It's feelgood and groovy and a surefire floor-filler thanks to the subtle string samples.

First to remix is Alexander Robotnick, the legendary Italian producer who excels at anything from Italo-disco to electro and gets played by the likes of Gerd Janson, Dixon and Peggy Gou. His version layers in cosmic arps that really take you on a trip and grow ever more acidic and loose limbed.

After his Bogogan EP on this label at the end of January, Vienna based PALMFooD returns with a fresh remix. It is a magical rework that shows off PALMFooD's mastery of his synths - they ring out to the heavens in celestial fashion as the slick groove rolls below.

Last of all, long-time associate and master sonic craftsman Pezzner serves up the remix he compilation with. It is slow-burning to start with but transforms into a lush, jazz laced and dreamy bit of melodic deep house.

These are four varied remixes that bring plenty of great perspectives to the heartwarming original.

www.getphysicalmusic.com

Roots

Arnold From Mumbai - Roots (Snippet)

Beatport: https://www.beatport.com/release/missing-point-remix/2923800
iTunes: https://music.apple.com/album/missing-point-remix-single/1508197653
Spotify: https://open.spotify.com/track/2jnCRu3gwg35upCvhpL6DS

Premiered by Danny Howard at BBC:
https://www.bbc.co.uk/programmes/m000jhtl

Premiered by Sinchi Collective:
https://www.sinchi-collective.com/premiere-k-e-e-n-e-missing-point-kiwi-remix-exploited-ghetto/

'K.E.E.N.E. - Missing Point. Kiwi on the remix. Thats a world exclusive right here on Radio 1. Big fan of Kiwi. Super versatile producer from London. First came across him like 7 years ago when he used to release on Duke Dumonts label Blazay Boys Club. Still doing his thing. Still making incredible electronic music. We love this! ' (Danny Howard)

Featured by rave legend Adamski:
https://www.mixcloud.com/mihouseradio/adamski-mi-house-radio-fri-3pm-5pm-29-05-2020/

K.E.E.N.E.’S vocal anthem ‘Missing Point’ was one of their most impressive tracks to date. The haunting track was a departure from their afro house flavours towards a more melodic techno sound, and now a new remix from London’s talented Kiwi brings another flavour to the track entirely.
Indulging his love for old skool house and acid, Kiwi’s remix makes good use of those pianos, sampling the chords and creating a ravey feel with the resulting pattern. 303 squelches punctuate. Linn drum machine snares hammer away in all the right places. Rubbery analog bass twangs and throbs, bolstering the piano chord progression. Hi-hats tick incessantly. He uses just a snatch of the vocal to add to the dramatic feel, helping to cook up a very cool, moody rework that should reach a whole new audience.
Kiwi is the man behind hugely popular sex-positive London party and label Crossbreed. He has released on labels like Futureboogie, Optimo Music, 17 Steps, Disco Halal, Cin Cin and Needwant Recordings and has provided remixes for artists ranging from Wankelmut to Moon Boots to Breakbot to Duke Dumont.

Early feedback:
Claptone: Thx!
Adamski: The kind of bassline I like. Will play. 
Hyenah: Party alarm. Love it.
Jennifer Touch: Great!
Sasha: Dirty Piano coolness.
Treasure Fingers: Super nice tune.
Horse Meat Disco: Great vibe.
Joyce Muniz: Sweet.
Mat Joe: Dope. 

Artist: K.E.E.N.E.
Release: Missing Point Remix
Label: Exploited Ghetto
Cat: EXP81
LC: 48629
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport/Spotify: 03.07.20
Releasedate I-Tunes: 17.07.20

Missing Point Remix

Missing Point (Kiwi Remix)

K.E.E.N.E. - Missing Point (Kiwi Remix) I Exploited Ghetto

Beatport: https://www.beatport.com/release/coast-2-coast/2923801
iTunes: https://music.apple.com/album/coast-2-coast-single/1508143493
Spotify: https://open.spotify.com/album/16x8e1XeyLhDxsuVct6tTR

Premiered by Deliceuse Musique:
https://soundcloud.com/delicieuse-musique/premiere-enduro-disco-coast-2-coast-exploited-records

The mysterious Enduro Disco returns to Exploited for another two-track excursion, filled with subtle majesty and interesting touches.
The title track is a quirky groove that displays all the unusual character commonly found in an Enduro Disco track. A wiggling groove is built through filtered stab delays, high-pitched vocal snippets and shakers. Disco string fills signal a shift in mood as languid live bass slides drop in along with dreamy, pleasingly chorused vocal harmonies that have a hint of classic samba to them. The mysterious melodic feel is punctured by a stripped-down section filled with squelchy synths and a tight rhythm as the track reaches its culmination.
‘Try A Little Harder’ rocks a spacey disco groove where descending, detuned bass notes tumble over delayed string hits and hypnotic motifs. A euphoric chord progression is teased in the brooding breakdown before filtering back down. Gorgeous female vocals drift in and out as the electro-house flavoured lead synth bashes out a groove. Pulsing pads provide a melodic counterbalance, as does a cute FM-style arpeggio. As ever from this talented producer, it’s a masterclass in graceful arrangement and compelling matching of textures.

Early Feedback:
The Magician: I love Coast 2 Coast.
AME: Thanks.
Tone Of Arc: This one is fun.
Riva Starr: Nice.
Till Von Sein: Coast 2 Coast is dope. 
ED quality as usual.

Artist: Enduro Disco
Release: Coast 2 Coast
Label: Exploited 
Cat: EXPDIGITAL204
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport/Spotify: 17.07.20
Releasedate I-Tunes: 31.07.20

Coast 2 Coast

Enduro Disco - Coast 2 Coast I Exploited

Pitto is not one to flood the scene with new music considering he’s only released two ep’s in the last three years. He takes the time to let ideas evolve and it’s clearly noticeable on last year’s EP on ‘Something Happening Somewhere’ sublabel ‘Ooshaa’, where his feel for an almost poppy hook is perfectly combined with his love for darker electronics. On the ‘Baila Baila EP’ –his return to Heist after his last ep in 2018- he explores this path further. The EP is filled with live percussion, a dark and rolling acid line, chopped beats and catchy piano riffs. The three originals are accompanied by a remix courtesy of Pete Herbert that has ‘summer’ written all over it. 

Opening track ‘Sammie’ has a beautiful sense of melancholy to it, where an emotional piano riff is combined with some 80’s tinged vocals and loads of live percussive elements for a smile inducing experience.

‘Discko’ takes a darker approach with a deep and ‘dubby’ low end and a guitar riff that wouldn’t be out of place on a Caribou track. The horn section and synth lead give it a real crossover appeal and it’s the kind of track you imagine working just as well on a summer festival as in a dark basement. 

On the flip, there’s the title track ‘Baila’, a proto inspired acid stomper with a nice wink to early 90’s dance music vocals. An acid line gives the track its backbone, but it’s the combination of Pitto’s chords and instrumentation that give this track it’s unique edge. 

The EP finishes off with Pete Herbert’s remix of ‘Sammie’. Pete’s version has that full-on summer appeal with his recognizable style of modern day island disco. He adds a bit of drama to the track with some big breakdowns, changeovers in the piano riff and turns the Balearic vibe up a notch with an added dreamy solo.

We’re happy to have Pitto back on Heist and this unique and diverse EP is one we hope will create a lot of smiles on the dance floor in the coming months.

 Yours Sincerely,  

Maarten & Lars

Exclusive pre-sale

Pitto - Discko | preview

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)