He who controls the sauce controls the universe

https://www.facebook.com/pages/Marcus-Marr/109914285713122

Marcus Marr - Brown Sauce (full length)

Leng’s San Francisco connection has long been strong, with the 40 Thieves collective – and their friend Cole Odin – providing some of the label’s most memorable releases of the last decade.

That Bay Area connection comes to the fore once more on the imprint’s latest release, which sees Odin join forces with fellow San Francisco resident Marshall Watson, a long-serving producer, engineer and live performer known globally for his Balearic-minded productions.

‘Voyager’, the pair’s second collaborative single, is a genuine meeting of minds. It combines Odin’s love of low-slung dub disco, dancefloor psychedelia and low-tempo cosmic house with Watson’s picturesque Balearic synths, sparkling piano riffs and immersive sound design. It’s this blend that dominates on the EP-opening Original Mix, an infectious workout that gets progressively more blissed-out and saucer-eyed as it progresses. Listen carefully and you’ll hear some suitably psychedelic guitar solos nestling amongst the heady washes of sound, sun-bright piano riffs and weighty bass.

Those languid, stretched-out guitar parts naturally take a more prominent role on the Extended Guitar Mix. On this alternative take, the pair deliver a lightly tweaked take on the original groove, stretching it out while overlaying eyes-closed guitar solos, pots-and-pans percussion and a more DJ-friendly outro. It’s effectively an extended club mix – the club in question being a Bay Area basement at 5am.

To round off the EP, Odin and Watson dust off their dancing shoes and pay tribute to San Francisco great Patrick Cowley. On the appropriately titled Cosmic Rave Mix, the pair swap their bass guitar for a pulsating sequenced bassline, trance-inducing synth sounds, and locked-in electronic loops designed to take you to a higher state of consciousness. By the time the track’s familiar piano refrain drops midway through, you’ll be reaching for the lasers in no time at all.

LENG SHOP

Marshall Watson & Cole Odin - Voyager (Extended Guitar Mix)

*BANDCAMP: https://spaindisco.bandcamp.com
*TRAXSOURCE: www.traxsource.com/label/21694/spa-in-disco
*JUNO DOWNLOAD: www.junodownload.com/labels/Spa+In+Disco/releases/
*BEATPORT: www.beatport.com/label/spa-in-disco/44846
*FACEBOOK PAGE: www.facebook.com/spaindisco/
*INSTAGRAM: www.instagram.com/spaindisco/
*TWITTER: www.twitter.com/Spa_In_Disco
*MIXCLOUD: www.mixcloud.com/SpaInDisco/
*YOUTUBE: www.youtube.com/@spa-in-disco // @Boite-music // @spa-in-disco-club

Buy On Traxsource

[SPA366] DJ ROCCA - Buddy Money

Dessous Recordings presents another classic!
 Vinyls & more: https://dessousrecordings.bandcamp.com/merch 
Dive into our timeless classics catalog: https://on.soundcloud.com/frbLqkFe3ke2GRD57

Sleaze Factor

7 grand housing auth - love's got me high

“King Of Africa” es puro poder rítmico, una mezcla de la fuerza que transmite una percusión ceremonial y el groove Amapiano con alma ancestral. El tema abre entre congas y shakers muy enérgicos, contagiando su magia desde el primer momento... pero a medida que avanza el tema, un bajo potentísimo y contundente marca el compás de manera brutal!! 
Una voz masculina se eleva como un canto tribal que celebra la vida, la danza y el liderazgo. Cada golpe del tambor es una proclamación de realeza y poder. Es uno de los temas más potentes del álbum que literalmente "te hará levantar de la silla".

Savannah

King Of Africa

Late Check-Out is a warm, late-night deep house track where old-school grooves meet chilled, lo-fi textures. Smooth rhythms, soft colors, and a relaxed pulse — made for after hours when time slows down and the night lingers.

👉 Promo: 

Support

Late Check-Out

Bonar Bradberry - "You Were Away" Space Ranger Remix / Needwant

Permvac 080-1. Pollyester Concierge D' Amour / Voices Rmxs. 
out Feb. 10th 

Pollyester - Voices  ( Pional Remix )

Download here: http://www.exploitedghetto.de/homework_lenny.html

Homework - unlike their lower case counterpart that serves as the agony of school kids everywhere - are responsible for shaking up house music in a big way in 2010. Calling their “Fissa Tune” EP on Exploited Records a “breakout record” might be an exaggeration because it’s hardly the duo’s debut. However, the title track showed a comfort and skill for transforming a Romanian traditional oboe song into a full body shakedown jacking house track adorned with guttural yelps, and “I Got One (You’re It)” loops a warm soul diva vocal into the kind of siren song that could seduce any kind of dance floor. It was one of those EPs where you couldn’t even choose a favorite because they’re all so good. Following it up with an equally heralded EP on Made to Play and a big, wild, often unexpected remix package on Exploited, Homework (comprised of Zip &amp; Tom) succeed in something many other people haven’t lately; making dance music that’s equally satisfying for your feet and brain. With a full schedule of international gigs (including Berlin's Panoramabar) and top remixes in the pipeline (Round Table Knights a.o.), Homework provide a unique and diverse sound and guarantee serious business behind the decks. As a teaser for their next EP on Exploited, to be released in February 2011, we present you with "Lenny", which takes Lenny Kravitz’ seminal track “I Belong To You” and turns it into something infectiously catchy. Whether its "true revision" or “the ’stick a kick drum on it!’ philosophy”, Homework have taken a commercial hit and turned it into something so lush that maybe even Larry Levan might have played it out. They took those 90's sentiments and rearranged them to be retrofitted in this era; pure revisionist nostalgia. Although in the end, it’s all about the way it makes you move.

Already roadtested by DJ SNEAK (Magnetic/Oomph Recordings), SOUL CLAP (Wolf&amp;Lamb), JAZZANOVA (Sonarkollektiv), JESSE ROSE (Made to Play), EROL ALKAN (Phantasy), DJ T (Get Physical), CATZNDOGS (Mothership/Dirty Bird), DJ GREGORY (Defected) and a bunch of other cool cats.

DJ SNEAK (Magnetic/Oomph Recordings): "Very cool remix."
SOUL CLAP (Wolf&amp;Lamb): "Edit is super nice."
CATZNDOGS (Mothership/Dirty Bird): "Yeah!!!!!"
JESSE ROSE (Made to Play): "Proper Summer Anthem (Well its summer in Australia!)."
JAZZANOVA (Sonarkollektiv): "Funny tune here. Thanx."
DJ GREGORY (Defected): "Cool!"
MANO LE TOUGH (Mirau): "Cool. Will try it out. Thanks."
ND BAUMECKER (Berghain/Panoramabar): "Disco I hear ya!"
BRETT JOHNSON (Cynosure Recordings): "This is nice. It killed this weekend bigtime. Played it at weetamix but the people at fabric seemed to know the words. Was seeing a few girls with heads back, eyes closed singing the words! was cool..."
PEZZNER (Freerange): "I love this!"
LEE JONES (Aus, Liebe * Detail, My My, Playhouse, Watergate): "Great! Will play."
PHIL WEEKS (Robsoul): "Nice!!"
CROOKERS (Southern Fried): "x + x = y" 
DJ MAG UK: "Big Tune. Instant killer. Cant believe how massive this is!"
IDJ MAG UK: "Homework have the golden touch right now. Another supurb release!" 
XLR8R USA: "Cool Edit."
TSUGIMAG FRANCE: "Nice."
ONLY FOR DJS MAG FRANCE: "A Proof that all kinds of music can be melt together! Pure class!"
ALTSOUNDS UK: "Its 90's dance pop with an edge."
MICHAEL REINBOTH (Compost): "Nice one. Good. Will play it."
CHRISTIAN PROMMER (Compost): "Cool version. Thanks."
WAREIKA (Tartelet): "Always loved Lenny Kravitz's original. Great version to play on the dancefloor from Homework!"
TOMAS BARFORD (Mirau): "Funny."
CAMEL (Deadfish): "Nice one! Full support from me! Thanks!"
GARY MARTIN (Teknotika Records): "This is f..n sweet!! gary martin."
MELON (Ratio?/Platzhirsch): "Will test."
ADAM PORT (Keinemusik/Souvenir): "Cool edit and one of my fav tunes from Lenny Kravitz."
SPOEK (BBE): "Been waiting a decade for thissssss."
TEKI LATEX (Sound Pellegrino): "Pretty pretty nice."
JOYCE MUNIZ (Exploited): "This is great. Love this remix! Can see all the girls getting crazy on the dancefloor!"
MARCO SÖNKE (Cocoon): "Homework is one of the hottest Acts right now. Great gift, sureplayer in the next weeks."
PLAYMODE (Exploited): "Smooooooth and silky. I'm glad this belongs to meeee now.....thank you, you :)"
YOLANDA BE COOL (Sweat it out!): "Love it...love homewok!!!"
DCUP (Sweat it out!): "Thank you so so much. I've been playing the mixtape rip. I love it. I love you guys."
TOMMIE SUNSHINE (Brooklyn Fire): "This is fucking quality! Nice work."
JET PROJECT (Get Physical/Snatch!): "Super funky workout. Sure to get the ladies on the floor."
BENI (Kitsune): "Yeah."
MUMDANCE (Mad Decent/Grecoroman): "Love this."
STEREO MCs: "Love the Build up full of funk. This is effortless."
JOOST VAN BELLEN (Rauw): "As you say: It's a great dj tool. Very well made, brilliantly balanced, could work in many sets, from warm ups to the more cosmic disco ones. Love the balearic feel to it. Will surely play it."
KAROTTE (Cocoon): "Love it!!"
GINA TURNER (Sound Pellegrino): "Loving this! Full support! I can see myself playing this in all my sets! I was just saying, "MAN I LOVE EXPLOITED" and, then hit play, and of course i am not disappointed... ever!! thanks!"
NICK CATCHDUBS (Fools Gold): "Remember the story about Lenny Kravitz' overflowing penthouse toilet ruining the apartment underneath? I only bring it up because this remix is also THE SHIT, really subtle and awesome."



Homework - Lenny

Exclusive: Alan Dixon - Edge Of Forever (Prins Thomas Diskomiks ft. Bugge Wesseltoft)

After its annual summer break Correspodant around label-head Jennifer Cardini is back and starts the new season with a four tracker from Alan Dixon. His Edge of Forever EP comes with three originals and a Diskomiks from the maestro of the genre Prins Thomas ft. Bugge Wesseltoft for the title track. The rework from Thomas M. Hermansen, Prins Thomas' real name, and pianist Bugge Wesseltoft is a groovey homage to summer season, to a better time, to hope and freedom, to music and the joy and the lust of life it evokes in people. Dramatically perfectly arranged the Diskomiks comes with a crunchy housey beat which is shortly enriched with a funky bass line melody that, in the course of the track, sets the base for the piano. The latter holds several tonal arrays switching between lower and higher ranges that are stretched over 10 minutes and 20 seconds. But those are a dramatically and musically a symphony over several octaves, split in multiple chapters and held together by the combined genius of these two artists. 

Alan Dixon's EP Edge of Forever will be released on Correspondant on September 25th, 2020.

Buy the EP
Beatport: https://beatport.com/release/edge-of-forever/3115844

Artist & label information
Alan Dixon: www.facebook.com/AlanDixonMusic // @alandixonmusic // www.instagram.com/alan_dixon_music
Prins Thomas: www.facebook.com/Prins-Thomas-66565233112 // @prinsthomas // www.instagram.com/prinsthomas
Bugge Wesseltoft: www.facebook.com/buggewesseltoft // @bugge-wesseltoft // www.instagram.com/buggewesseltoft
Correspondant: www.facebook.com/correspondant.records // @correspondant // www.instagram.com/correspondantrec

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Alan Dixon - Edge Of Forever (incl. Prins Thomas & Bugge Wesseltoft Remix)

Alan Dixon - Edge Of Forever (Prins Thomas Diskomiks ft. Bugge Wesseltoft)

Buy here

EXCLUSIVE: Alan Dixon - Edge Of Forever (Prins Thomas Diskomiks ft. B. Wesseltoft) [Correspondant]

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)