Ruben Coslada - Discoteca Suburbana (Original Mix)

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Gary Davis - No Mercy (A.S.O.M & LEMITZ HEADONISM Short Edit)

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Credits:
Artist: Shapov, Swanky Tunes
Title: Flipdat
Label: TalkTalk Records (https://talktalk.lnk.to/home )
Release: 25.09.2025
Cat. No: TALK032
Label Code: LC-19112
Release Type: Single
Medium: digital
Territory: ww
Artwork: Svenja Limke
Mastering: Aleksandr Shapovalov, Dmitry Burykin, Vadim Shpak

Tracklist:
Shapov, Swanky Tunes - Flipdat

TalkTalk Records proudly welcomes two established names in the global dance scene for their label debut: Shapov and Swanky Tunes. With decades of combined experience and tracks that have shaped clubs and festivals worldwide, their collaboration on 'Flipdat' marks an exciting moment for the label.

'Flipdat' is a high-energy Indie Dance track that fuses raw groove with modern edge. Punchy drums, distorted synths, and bold rhythmic shifts drive the track forward, blending both artists' strengths into one sharp, club-ready production.

Flipdat

Kolombo - Handz up (Dub Pepper Remix) HEADONISM 094]

@kotoekk @anna-almani @iorie

Pre-order: https://va.lnk.to/Anna-Iorie-Kotoe-Beijo-StilvorTalent

Anna Almani, Iorie and Kotoe unite on Stil vor Talent with Beijo, an EP full of sass, funk and fearless energy.

The title track Beijo finds Berlin’s Fun-House-Queen Anna Almani teaming up with Japanese-Brazilian explorer Kotoe and producer Iorie. Driven by a playful funk carioca twist, the track is both cheeky and liberating, celebrating desire and self-acceptance with unapologetic flair.

Artist: Anna Almani, Iorie, Kotoe
Title: Beijo
Label: Stil vor Talent
Catalogue No.: SVT402
Release Date: 2025-09-26
Genre: Tech House 

1. Anna Almani, Iorie, Kotoe - Beijo
2. Anna Almani, Kotoe - Cat Twist

On the B-side, Anna Almani and Kotoe return with Cat Twist — a mischievous house cut that bounces with attitude, pushing their shared taste for bold, genre-bending grooves even further.
Together, the two tracks reflect the artists’ collective spirit: diverse, uncompromising and designed for dancefloors where freedom and expression reign.

Anna Almani, Iorie, Kotoe – Beijo [Snippet]

Out now: https://orcd.co/REKIDS273

German-Romanian duo Frankey & Sandrino come back to Rekids with the Please EP, landing 10th October 2025 alongside a remix from Echonomist. They follow their 2022 Brainscan EP on Radio Slave’s label, as well as a remix for Denney in 2023.

With an irresistible bassline, smooth melody, and a nostalgia-fuelled vocal, Please is the kind of track you hear as you walk into a busy tent at a festival—hands in the air, energy abundant. Frankey & Sandrino are masters at crafting emotional dancefloor bangers, going a little deeper on the progressive Genie, building up to busy stabs and mind-melting, futuristic sound design.

Completing the EP, the pair call in Greek DJ and producer Echonomist to remix Please. The Innervisions and Exit Strategy artist strips the original back, transforming it into a dark, hypnotic groover built for smoke-lit dance floors.

"The original had this beautiful Depeche Mode 80s vibe, but for the remix I wanted to take it into a different space, closer to the Detroit sound I love, a bit like Carl Craig’s approach. Something more hypnotic and club-focused, but still keeping the emotion of Frankey & Sandrino’s track." – Echonomist

Frankey & Sandrino are a German duo that has been shaping dance floors since 2009 with their distinct, trend-defying sound. With releases on Kompakt, Diynamic, and their own Sum Over Histories, and regular appearances at clubs like fabric and Stereo, they now return to Rekids with the Please EP.

Founded in 2006, Radio Slave’s Rekids has since launched the techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for house and adjacent sounds, recently featuring names such as Harry Romero, Tal Fussman, Spencer Parker, The Hacker, and more.

Frankey & Sandrino - Please - Rekids

Faffa Bruwer & DKON - I Like To Party

Da Club

F.A.R, Luciano Scalioni, Benesh - Da Club

Yam Nor - Business 25 (No Hopes Mix)

F.A.R, Luciano Scalioni, Benesh - Da Club [HEADONISM 096]

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

Disco Fool

James Curd - Disco Fool | Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)