Soul Clap: "James Curd does it again!"
Munk: "Is JS the Frank Zappa of house? I hear them all: B52s, James Chance, Boney M, Todd Terje, Masters At Work. Great Full Pop."

In the last 2 and a half years James Curd has become a regular contributor to the label Exploited. He has released outstanding original material as well as collaborations with Morgan Phalen (their project is called Favored Nations and Morgan also wrote and sang on two singles for the Justice album 'Audio, Video, Disco'), Luke Million (from The Swiss), JDub (from Chicago) and Fred Everything (their project is called Jimmy & Fred which already had a massive dance chart topper with Diynamic act Karmon on the remix for "I See Lights" and one from Locked Groove of Life&Death, Hotflush, and Permanent Vacation fame). Now he is back on Exploited with 5 (thats already a mini-album) new tracks featuring incredible talent such as the sax player Jonty Hall or rapper Jdub. James Curd in his own words about the 5 songs:

1. James Curd - Forever My Friend
"After spending a couple months scoring a feature film I wanted to blow off some steam and make something I would like to play in a club. I love throwing curve balls into songs and try to imagine what a crowded club will do when a 16 bar rhodes solo comes out of nowhere. It's my version of a build up and drop with out the soft synths."

2. James Curd - Jack Be Nimble
"I made this song during a late night studio session right after a night out. It's a homage to my hometown classic Chicago house tracks of JACK. It's an inebriated lyrical session that captures how much fun I was having in the studio that night."

3. James Curd - Tornado In The Basement feat. JDub
"This was written in my old Chicago basement studio with JDub. All the kids in my neighbourhood were around the same age and growing up together. They all graduated from riding bikes and playing in the fire hydrant to an all out EGG war. Every house on my street was getting hit with eggs! Tornado In The Basement is a product of trying to record vocals inbetween the loud bangs of eggs hitting the front windows of my building."

4. James Curd - Everybody Knows feat. Jonty Hall
"This song is a culmanation of a few ideas that where not working as individual songs but came together great as a mosaic piece of music. I chopped up all my favorite parts from a few songs and combined them to create "Everybody Knows". A great horn player from Australias capital city Canberra was in town visiting and he dropped by and did a few takes for me to finish off the song."

5. James Curd - Caught Again feat. JDub
"This is inspired by old French funk songs from the 70's. I wanted a mix of funk with light and dark elements. The bass is funk, the guitar and synths are light and JDub's vocals are dark and a bit intimidating." 

Jack Be Nimble

Forever Your Friend

James Curd - Jack Be Nimble (Preview) | Exploited

W h a t   y o u   s e e k,    i s   s e e k i n g  y o u...

Retro Sci-Fi adventure dub rock

SF冒険歌謡

Melómano empedernido. Sibarita de la Música en los géneros de buen gusto.
Vocalista en tiempos libres. Botánico de profesión. Catador de enteógenos naturales.

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collabs, features / anything. just contact me

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)