It's hard to believe DC Salas has yet to appear on Pets. A kindred spirit of Catz 'n Dogz, their paths have crossed many times and their sounds have crossed even more. Sharing a similar vision for deep, explorative, exciting and innovative house and techno, a release like this was only a matter of time.

Following big releases on Slowciety and Correspondant, Salas eases us into 2021 with four more wide-ranging cuts. 'Le Réveil' rings the alarm and wakes us up. An electrified maze of melodic layers and arpeggios, there's a great sense of mid 90s German house sounds that would eventually spill into the trance diaspora. Majestic, playful and crystal clean.

'Her Smile' takes us even deeper down the rabbit hole as acidic entrails weave in and out of the beats while more cosmic leads layer over the top. Reaching a great melodic crescendo mid-way, it's yet another great storytelling tune. And it's backed by two more late night delights: 'Another Chapter' takes us deeper and darker into the mix with a soaking wet, jelly-like bassline and big pads and chords that are reminiscent of Justin Martin or Ben Watt before 'The Morning Dance' brings us back home. Broken drums, clipped horn leads, a jacking spirit and an acid breakdown you could cook your breakfast eggs on. Good morning, good afternoon, good evening and goodnight. A release like this can be played at any time of day.

Le Réveil

The Morning Dance

Buy / Stream: https://ffm.to/keep-moving

T.U.R.F. return to Exploited following a fine run of form that has seen them release on legendary Parisian house producer Phil Week’s esteemed Robsoul label and on Slothboogie’s ‘Dancing With Friends Vol. 2’ compilation. They’ve also provided a remix for Tensnake’s album, found a lot of love on Traxsource and continue their show on Amsterdam’s Lovelee Radio. They’re back here with two no-nonsense tracks to fire up the dancefloor.

A typically chunky, galloping T.U.R.F. beat lays the foundation for looping disco bass and emotive strings to build the tension on ‘Keep Moving’, slowly teasing us with their full groove. A romantic string motif unfolds, bringing a bittersweet touch to this thumping disco house groover. Typically tasteful stuff from this talented duo.

‘Let The People Know’ takes a more heads-down route, with hard-funkin’ bass at the centre of this dancefloor bomb. Urgent vocal samples and sirens are drafted into the mix to keep things energetic, with driving percussion pushing the track along with a gentle sort of power.

Artist: T.U.R.F.
Release: Keep Moving
Label: Exploited
Cat: EXPDIGITAL229
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 22.04.2022
Releasedate Beatport & Streaming: 29.04.2022
Releasedate Global Download: 13.05.2022

Keep Moving

Let The People Know

Buy / Stream

T.U.R.F. - Let The People Know | Exploited

Buy / Stream: https://ffm.to/dancing-you-and-me

NEAT return to Exploited with what might just be their strongest EP to date.

The title track features Swedish talent Storken, who has released on Running Back, and channels beautiful ‘80s Balearic vibes into its skippy house template. ‘80s electro bass funk leads the charge while wonky tape delays massage guitar chords and female vocal cuts into the distance. Bubbling synths subtly augment the central pillars of the track. The blissed-out breakdown makes for a stunning ambient / chillout interlude, allowing this glorious track to breathe and stretch out its arms.

‘What’s Up D?’ continues the retro theme, with diva house vocals cut up and set by turns against jaunty chime chords and a warped, nagging, pitch-bending synth hook. The ‘90s house percussion shuffles away with tinges of techno in its clap patterns and soft ride cymbals, while rubbery bass pulsates beneath. It’s a lean, punchy workout that flits between euphoria and heads-down intensity.

‘You Know What My Love’ rounds off the EP in beautiful style. The most gentle of the three tracks, its combination of stuttering vocal cut-ups, spine-tingling chord delays and succinct yet driving beat make for a dreamy experience. The breakdown is a stunning affair, where soaring pads float atop sensual melody and hypnotic FX, sunsets and lapping waves invoked by its heavenly sounds.

Artist: NEAT
Release: Dancing You And Me
Label: Exploited
Cat: EXPDIGITAL233
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 29.07.2022
Releasedate Beatport & Streaming: 05.08.2022
Releasedate Global Download: 19.08.2022

Dancing You And Me

NEAT Feat. Storken - Dancing You And Me | Exploited

Cosmo Vitelli - Party Day (Akufen Honey Moon Remix)

Sound Support - This Is Not A Test

Part 5 of the various artists series is at it again with 5 tracks by 5 different producers and a mixture of feel good party time music and contemplative music. You will hear familiar Running Back names like Storken (this time together with JStaaf) refining their comic tropes (or imagine Foreigner doing house music) next to newcomers like Archie Ward. His Pizza Girl puts musical toppings on a pounding underbelly that wouldn’t be out of place in any warehouse, while Moritz and Amount dial it back a bit. Their respective tracks are gleaming with a special kind of elegant end-of-night euphoria that is hard to come by – and all the nicer if it happens. Remember: trance is a state of mind! Last but not least, Australia’s Jonus Eric delivers an IDM-leaning piece of outsider dance. Hot soup, hot swallow!

A1. Moritz - Flying Saucer

Neville Attree
The Ghosts of Askers Motel (Act Two)
GLOB009
Globuli

Summoning the early rave day spirits once again, veteran British producer and DJ @neville-attree returns to Globuli with the second act of his two part LP, ’The Ghosts of Askers Motel’

Completing the narrative after the glistening first act, Neville explores ecstatic acid house, baggy electronic dub and writhing electro - heavily laden with this own vocodered vocals and signature synth melodies, soundbites, samples. 

A fully balanced and well extracted blend of early 90s basement vibes and bittersweet contemporary pop-house, Act Two wraps up a huge body of work, consolidating 20 years of friendship and collaboration between Attree and Globuli label creator Ed Davenport, who helped compile, mix and master the LP.

Blasting off with a purpose, ‘One Day’ is a crisp moment of piano-house bliss. Heavy sub basslines and breakbeats come alive amongst a bubbling, emotional club burner. That's followed by the cavernous electro of ‘Save My Soul (Again)’, carrying a poignant message at its arpeggiating, robotic heart.

Classic acid house references and dubbed out piano stabs feature heavily throughout Act Two, elevating the listener to heightened states - both the dusty vinyl apparitions of ‘Xtro AAcid’ and the chugging, Weatherall indebted daydream of ‘Inner-space’ come on in a synthetic rush of multicolour waves.

Capturing multiple snapshots in time spent on the dance floor, in the DJ booth, the after-hours on the beach and the long journey home, Neville’s skills in sonic storytelling really shine in this accomplished and honest portrait of a true acid house convert, now in his fifth decade and going stronger than ever.

As Neville’s ghostly female accomplice remarks on the fuzzy electro-pop throb of (the perhaps autobiographical) ‘Capture my Imagination’:

“…it’s safe to say the life we chose is not for everyone!”

//

Written & Produced by Neville Attree
Additional Production, Mixing & Mastering by Ed Davenport
Artwork by Leen Horsford

Neville Attree - The Ghosts of Askers Motel (Act Two) GLOBULI009 preview

“Balance” captures the essence of futuristic club sound: mysterious, and deeply human — designed for late-night sessions, dark rooms, and deep listeners who seek motion within minimalism.
“Balance represents harmony between simplicity and evolution.
It’s the feeling of finding calm in motion — the beauty of control within chaos.”
— Supraze

Supraze - Balance


Gaboom is a journey through rhythm, pulse, and deep emotion — where tribal roots meet modern electronic textures.
Built around hypnotic grooves, warm percussion, and cinematic synths, the album connects the organic and the digital — like a ritual translated into sound.

Each track evolves slowly, guided by tension and release, echoing the raw soul of Afro House with a refined, underground identity.
It’s not just about movement — it’s about presence, connection, and the energy that rises when rhythm becomes language.

Gaboom is not a name — it’s a vibration.

Free Download

Ape Rev

'PillowTalk valiantly returns with their second album, “All People” a cumulation of twelve fine-tuned songs written and compiled over the lifespan of the band whilst traveling around the world creating in remote studios with friends and fellow musicians...'

Read More : http://whenwedip.com/2018/06/premiere-pillowtalk/

Follow: @pillow-talk-1

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: PillowTalk - Safety [PillowTalk Music]

Buy / Stream: https://ffm.to/takenallthistime

Early feedback in by Catz N Dogz, Perel, Terr, Osunlade, Mixmag, Danny Howard/BBC Radio 1, Claptone, Art Of Tones, Alinka...

The title track from prolific producer James Curd’s debut album ‘Taking All This Time’ is a marker of the quality of the 14-track collection, and one of the new tracks set amongst some of his finest moments to date.
A looping jazz-funk b-line and key sample cut pumps round and round as splashy hi-hats and tense synth whirrs build the mood, before the sweet male vocal refrain is unleashed over a pleasingly mellow melodic progression. The vocal by Shyam P reveals itself more, laying on a honeyed R&B / soul feel to the proceedings before we’re dropped back into that relentless disco groove. Snatches of biting electric pianos intersperse the rhythm, and drawn out sax samples provides a moment of juxtaposition in the break. The overall feel is that of a melancholy summer jam that bridges the gap between multiple genres, concisely reflecting Curd’s tastes in the process.
Alan Dixon (Running Back) ditches the soulful feel for an acid/electro/Italo fusion on his bold remix, setting bubbling acid lines against early '90s piano chords that joyously take centre stage midway through the track.

Early feedback:
Catz N Dogz: Such a good song.
Perel: Thank you!
Terr: Beautiful work of all! Alan Dixon for my sets!
Osunlade: Love this!
Mixmag: The original is so strong and then the Alan Dixon mix takes it to my youth and I am wearing a shell suit at the roller disco.
Danny Howard/BBC Radio 1: I like the Alan Dixon remix

Taken All This Time

Taken All This Time feat. Shyam P. (Alan Dixon Love Attack Dub)

James Curd - Taken All This Time feat. Shyam P. (Alan Dixon Love Attack Dub) I Exploited

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)