sampled house

Prépa mix

HOT DAMN ! ! !

Now out on 7" Single! Just one pressing of 200 copies! That´s it! No repressing!!!

Terrence Parker - Love's Got Me High (Marc Romboy´s Systematic Rhodes Version)

Support - https://fanlink.to/CLIPP225
Follow Illusions - https://soundcloud.com/illusionsss

Viennese artists Illusions first appeared on our Sounds Like A Good Time volume IV compilation with a Bukem-esque stomper titled “Tonight”, now his debut EP for clipp.art get an extended treatment with a romping mix of 3 additional bangers, featuring moderatly hard house, rave sirens and more 140+ techno thrillers!

Title track “H Block” (148 BPM) energises a flip of the same name by Canadian artist Rubba, reinterpreting the dreamy ambience of that well placed and understated but totally adored riff (a quote “blend of technology and nature”) with the dynamics of a power pumping 4/4 beat and Rubba’s own lo-fi bars slicing deep. It wouldn’t be a stretch to think anyone familiar with the ethereal underlying cut could listen to this one on repeat for 10 hours. Absolute banger. “feelin g00d felin fine” (143 BPM), doesn’t let up the paces, combining hard house aesthetics with dub techno ambience via a Tokyo drift. Coming in as the “slowest” (aka less fast) tune on the EP, “Kinkshaming” (135 BPM) is a midnight arcade rave vehicle: Dark piano stabs, clanging beats and screaming sirens that find the sweet spot between pulse racing exhilaration and ecstatic abandon on the dancefloor. Clocking in at almost 6 and half minutes (the longest track on the release) “Séxualitë” (140 BPM) takes the corners in all the right spots and is a chuggy sweat soaked triumph of techno vitality. Illusions has a Joie de vivre for this type of retro hardstyle - vivace dance music that sparks all kinds of passions inside the enthusiastic rave aficionado. On the extended mix, fans of a distorted bassline will know what’s up with “Turn Up” (141 BPM), and what’s not to love about a track where the instructions come printed on the box?! This one has been a personal fav around our big speakers for some time and is a joy to release into the wild. “Monday Blues” (145 BPM) should scare the cobwebs away from your weekend with a groove that is both gnarly and funky and slamming and jackin’ and really if that’s not enough for you then you probably wouldn’t have even made it to this point. “Move On Up” (141 BPM) closes out this extended edition with pure adrenalized mayhem: rave sirens leading a horde of broken lemming robots to the edge of the rave-core cliff. You have made it to the end of the journey and stand on the precipice of your own destiny after taking a herculean dose of bangin’ music. R U OK? What is beyond? Take a step!

Illusions - Move On Up

The Roundup Part II marks the end of the 2nd year of Heist Recordings and stays true to it’s original format: Put the names of your releasing artists together in a bowl, and let the luck of the draw decide who gets to remix who. 

The result is this amazing 12” + 10” heavyweight vinyl combo. The vinyl comes in an inside out sleeve with handmade special artwork by Baster.

Buy EP

Fouk – Lefty’s bar (Brame & Hamo remix)

Out 15/02/2017 : https://www.discogs.com/release/9524309

LISTEN ON YOUTUBE

Les Yeux Orange - Pacifico

For those that know me, know that I am a lover of all kinds of music.
I am a big fan of The Eagles, so when the stems for this awesome track fell into my computer I just could resist... I had to rework it.

1 Of These Nites [LNTG Remix]

Future Disco: Poolside Sounds Vol. 10

Back In The Days

Munich duo @coeo joins the https://soundcloud.com/razor-n-tape family with a pack of reworks destined for dance floor greatness! Heretofore known for deep house goodness on Let's Play House and Toy Tonics, the boys flex their edit muscles on these 4 tracks which range from the soulfully sublime 'Like It Is,' to the disco house fury of 'Long Night Ahead,' to the best damn Fela edit we've ever heard.

COEO
https://www.facebook.com/COEO-144561512327172/
https://www.youtube.com/channel/UCVLFoBrnA0asu8clTzJCeAw

Razor'n'Tape
https://soundcloud.com/razor-n-tape
https://www.facebook.com/RazorNTape
https://twitter.com/RazorNTape

PREMIERE : COEO - Like It Is [Razor-n-Tape Reserve]

Read More: http://bit.ly/2lAQHIJ
Watch on YouTube: http://bit.ly/2lhHHWq

Brooklyn-based label @razor-n-tape have maintained a certain prolificness over the last few years that has raised them to royalty status in the disco game. The imprint's formula is simple: straight-up, party-rocking edits for their RnT Edits line, and more house-leaning deep grooves for their Reserve sublabel. In the latest entry in the Edits series, we have a tasty little EP from Ron Bacardi, which is the disco and house alias of London-based techno hotshot @ben-sims.

On the flip comes our premiere for today, "Let The Music Play". Again, Mr. Bacardi brings the uptempo disco feel.  The edit focuses in on the more mesmerizing aspects of the original; with repeating funky riffs, a big time bassline, and a soaring synthesizer looping and layering to great effect.

RNT024

PREMIERE : Ron Bacardi - Let The Music Play

Fantastic Four - Disco Pool Blues (MV Edit) free

In the Night

Best of Joss Moog

That Old Feeling

All Back To: Jungle

Masterpiece

Music Sounds Better with You

Didn't I

Didn't I (Dave Allison Rework)

Wildfires

Buy / Stream: https://ffm.to/takenallthistime

Early feedback in by Catz N Dogz, Perel, Terr, Osunlade, Mixmag, Danny Howard/BBC Radio 1, Claptone, Art Of Tones, Alinka...

The title track from prolific producer James Curd’s debut album ‘Taking All This Time’ is a marker of the quality of the 14-track collection, and one of the new tracks set amongst some of his finest moments to date.
A looping jazz-funk b-line and key sample cut pumps round and round as splashy hi-hats and tense synth whirrs build the mood, before the sweet male vocal refrain is unleashed over a pleasingly mellow melodic progression. The vocal by Shyam P reveals itself more, laying on a honeyed R&B / soul feel to the proceedings before we’re dropped back into that relentless disco groove. Snatches of biting electric pianos intersperse the rhythm, and drawn out sax samples provides a moment of juxtaposition in the break. The overall feel is that of a melancholy summer jam that bridges the gap between multiple genres, concisely reflecting Curd’s tastes in the process.
Alan Dixon (Running Back) ditches the soulful feel for an acid/electro/Italo fusion on his bold remix, setting bubbling acid lines against early '90s piano chords that joyously take centre stage midway through the track.

Early feedback:
Catz N Dogz: Such a good song.
Perel: Thank you!
Terr: Beautiful work of all! Alan Dixon for my sets!
Osunlade: Love this!
Mixmag: The original is so strong and then the Alan Dixon mix takes it to my youth and I am wearing a shell suit at the roller disco.
Danny Howard/BBC Radio 1: I like the Alan Dixon remix

Taken All This Time

Taken All This Time feat. Shyam P. (Instrumental)

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James Curd - Taken All This Time feat. Shyam P. (Instrumental) I Exploited

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)