Beatport: https://www.beatport.com/release/shir-khan-presents-exploited-2019-ffwd-rwd/2734795
iTunes: https://music.apple.com/album/shir-khan-presents-exploited-2019-ffwd-rwd/1486167281
Spotify: https://open.spotify.com/album/0IygTZbdOJ5n104Dz84kPh

2019 closes with a selection of 14 Exploited tracks that went down like a storm. 
There is Dutch youngster Budakid who impressed with 3 releases for Exploited this year in the form of Adieu X, No Strings Attached and The End, label longstay Joyce Muniz who teamed up with Little Boots on Strange Girl in the remix treatment by Black Loops, Swedish newcomers NEAT who stand out with a sound all of its own that you’d be hard pressed to pin down, disco and house newbies T.U.R.F., old friend The Mekanism with a gentle summer jam, James Curd with 2 outstanding dancefloor bombs in the remix by Sandboards (Feel My Bicep) and Bas Roos, producer legend Arthur Baker and not to forget Enduro Disco with three tracks that vibrantly manifest his modern disco desires.
All in all this is a great eclectic dreamy dance compilation by one of the leading deephouse labels out there.  

Artist: Various Artists
Release: Shir Khan Presents Exploited 2019 FFWD RWD
Label: Exploited 
Cat: EXPDIGITAL192
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Releasedate Beatport/Spotify/Itunes: 06.12.19

Shir Khan Presents Exploited 2019 Ffwd Rwd

Strange Girl feat. Little Boots(Black Loops Remix)

Joyce Muniz - Strange Girl feat. Little Boots (Black Loops Remix) | Exploited

Contact/promos:
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Releases in:
PRISMA TECHNO
TEIA RECORDS
INDUSTRIAL TECHNO UNITED 
UNDER DIVISION
SCREW RECORDS
OMENTALIX
SINDEX
CONCRETO 
ALGORITMO
DEAD END

Dj/Artist
Melodic & Ethnic 
Deep House/ Organic House
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Jo grew up in Herzogenrath, a town in Germany near the imperial city of Aachen, where he still lives and works.

He started DJing at parties while he was still at school. Despite the fact that it remained mostly private events, even here as a DJ he felt this energy that developed between him and the audience as he pushed the dancers on and on and thus gave them joy. And it was exactly this joy that you feel when you dance for hours through the night to house music that was the reason for him to start producing his own tracks.

In the middle of the 90s, he started to buy the necessary equipment to be able to make music himself. At that time, it was a Roland R8-MKII drum machine, a Korg DW-8000 synthesizer and an Atari 1040 STE. With the help of a borrowed 8-track mixer he was able to record his first and at that time only house track 'NYC' in 1996, but he never released it. 

Although he enjoys listening to music from other genres and certainly counts some of them among his influences, house music is the genre he feels most comfortable with. It's simply where he feels the most of that same energy and joy of life.

Jo is a big fan of the Roland TR-909 and loves it when the kick drum is slightly distorted. The whole thing paired with groovy arrangements of some other TR-909 sounds as well as various other percussion elements round off his beat. He also loves the sound of the Korg M1. Many of the classics from the 90s already used these sounds and for him they are simply timeless and contribute a lot to the above mentioned energy.

Having grown up with Depeche Mode and Kraftwerk in his childhood, there was a phase towards the end of his Sturm und Drang period, in the early 90s, with a focus on electronic body music. Musically, the band Nitzer Ebb set the tone for him during this phase. This period was seamlessly followed by a short acid techno phase, which then led to house music in the mid-90s, where he has located his musical home ever since.

In the second half of the 90s, Jo began his professional training, after which he started his career. From then on, he only played occasionally at private events, but did not produce any music of his own. It wasn't until 20 years later, in 2020, that he started again.

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)