♬ Click for more ☞ http://trndmusik.de 

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2  

Get @an_on_bast and @douglasgreed's EP on @kioskid here: 
➟ Bandcamp: https://kioskid.bandcamp.com

There are not many things that can give you that warm and overexciting feeling as if you had to much black tea: a good song, a renewed friendship and well too much black tea. And here we have all three of them. 

An On Bast and Douglas Greed met over ten years ago on the other side of the world and always wanted to join forces. But upon till now they failed. Not in way that would suggest a big story filled with tragedy behind it. It was rather a string of missed chances and unexpectedly fast passing years.

But now we got two tracks that couldn’t be more different. "I'm right outside if you need me" is sweet as baclava and as sad as the Friday news at the same time. While "Night Time" is a nice little rolling monster, haunting you on the dance floor - if you let it.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man 2021): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn 2021: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

An On Bast & Douglas Greed - Night Tape [Kiosk I.D.]

Click for more ♬

Buy / Stream: https://ffm.to/joycemuniz-machine-talk

Early feedback by Terr, Maceo Plex, Panthera Krause, Fabrizio Mammarella, Digitalism, Super Flu, Damon Jee, Emerald Rose Lewis, Danny Howard/BBC Radio 1, Joris Biesmans, Anja Schneider…

BBC Radio 1 Danny Howard Premiere:
https://www.bbc.co.uk/programmes/m0014w0q

Brazilian producer Joyce Muniz continues her electro fascination on her new release for Exploited, serving up two slick dancefloor monsters that are both full of her inimitable energy and charisma.

‘Machine Talk’ is electro with a lightness of touch, the lead arpeggio perfectly tuned and EQed to be naggingly infectious without being overbearing. Propelling the track forward, it’s supported by deft, spacious percussion and some nice moments of melodic friction. The breakdown brings on a dreamy feel with thick delays and glistening chime hits, a haunting melody woven deep into the mix as the track progresses. Well-deployed FX hits punctuate just when needed, and each element feels perfectly placed in the mix.

‘Liberdade’ (which means 'Freedom' in portuguese) was the first song written after lockdown when Joyce was able to play for an audience again. This one is a more intense beast, with acidic bubbling teasing in the distance as thumping kicks and snares trade blows. A menacing bassline snarl stutters and pulses with sinister intent as a variety of percussive loops form an unusual rhythmic groove. More cowbell! The bassline also hints at resonant acidic squelchiness, lashing out like a scorpion’s tail as breathy vocals and electric guitar hits further enhance the groove. The heady breakdown lets swirling pads soar around the vocals, allowing for a potent drop when everything kicks back in.

Artist: Joyce Muniz
Release: Machine Talk
Label: Exploited
Cat: EXPDIGITAL226
LC: 15799 
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 18.02.2022
Releasedate Global Download: 08.04.2022

Machine Talk

Liberdade

Buy / Stream

Joyce Muniz - Liberdade I Exploited

PRE-ORDER:
https://blaqnumbers.bandcamp.com/album/real-velour-spaceship-in-tokyo-ep-donald-dust-panthera-krause-remixes

A1. Spaceship In Tokyo
A2. People Make Me Wanna Scream
A3. My Kyoto Girl
B1. Spaceship In Tokyo (Donald Dust Remix)
B2. People Make Me Wanna Scream (Panthera Krause Remix)

Real Velour's debut EP on Blaq Numbers comes to us from an unknown source in the early eighties. Its playful melodies and disco drum machines could be from mainland Europe, it's strange synth textures could be Japanese whilst its sardonic vocals could be from a post-industrial town in Thatcher's Britain; we just don't know. 

What we do know is that in spite of its retro sound pallete, each track sounds fresh on any 21st century dancefloor. There is something indefinably new about these tracks; similar perhaps to the indefinable "Britishness" of 10cc in spite of their American accents and West Coast influences or the way Billy Childish somehow managed to make rock n roll sound alive again without changing it in any observable way.

Simply put: these are yesterday's sounds, tomorrow.

And who better to hold Real Velour's hand as he tries to navigate this strange retro-future than his two favourite sexy disco daddies, Donald Dust and Panthera Krause? Donald Dust's remagining of the title track on Spaceship In Tokyo puts us in New York territory, rendering it less angular, less Teutonic. There are shades of LCD Soundsystem, the Peech Boys and other artists from the Mutant Disco/No Wave scene whilst Panthera Krause's wild reinterpretation of the single, People Make Me Wanna Scream, is a fruity cocktail of freaky contradictions. Metallic and industrial rhythms blend perfectly with haunting synth pop textures. Panthera Krause finds the ghost in the machine and makes it dance!

The whole EP throbs with uninhibited glee. There is no coyness to be found here toward those genres that sometimes find themselves locked outside the fortress of "serious" dance music. While some techno bros gingerly dabble with Italo, Hi-NRG or J-Pop textures in some restrained, tasteful way as if to say "I like it... but I'm straight!", Real Velour jumps in with both feet. 

This music is elegant without being aloof, playful without being ephemeral and it never abandons its primary objective - to make you dance!

Real Velour - Spaceship In Tokyo EP (+ Donald Dust & Panthera Krause Remixes)

Interrogation Grid

Buy on bandcamp

Blaise Amoussou - Ancêtres (Kazamayé)

“A powerful and emotional Afro House remake of Bob Sinclar’s timeless anthem — ‘Love Generation (Lipy & TOTTI’s Remix)’. Full of groove, soul, and positive energy. 🌞💃🏽”

Free Download:
https://hypeddit.com/lipytottis/lovegeneration

TOTTI's Socials: 
https://www.instagram.com/marcellototti 
https://www.instagram.com/rafaeltotti_
https://www.instagram.com/tottismusic

https://open.spotify.com/intl-pt/artist/3tgyiXUPRLFPlumNId4Zer?si=kpUolL5CQhmjc2-7JhHKvw

https://www.youtube.com/watch?v=xhLgWybwuEk&list=PLsmcDjPoPJzVemE7xaoZlPFvVvD_Op_4b&ab_channel=TOTTI%27s

Lipy Socials:
https://open.spotify.com/intl-pt/artist/7CJv7WY6tstm74B4yKLgJ9?si=jpQRzNVsQ52VuvIRjeR1gA

https://soundcloud.com/user-lipy

https://instagram.com/lipymusik

#housemusic #afrohouse #deephouse #organicvibes #tribalhouse #melodichouse #clubvibes #djmix #electronicmusic #undergroundhouse #newrelease #remix #banger #musicproducer #afrobeats #dancevibes

Free Download

Bob Sinclair, Masaka Kids Africana - Love Generation (Lipy & TOTTI's Remix)

DkA & Exon Bacon feat. Maya - After Calling

Lonely Stars In Open Skies (Luca Bacchetti Endless Remix)

Having had the best year to date for Damian Lazarus's Crosstown Rebels label, we compile an exclusive playlist for i-D magazine of some of our favourite tracks of of 2011. Forthcoming for 2012 are albums from Amirali, Jamie Jones, Fur Coat, Maceo Plex, Art Dept and Deniz Kurtel plus check the new Rebel Rave 2 compilation out now.

Pick up your copy here: http://www.beatport.com/label/crosstown-rebels/1328

Mathew Jonson - Dayz

Hamburg Elektronisch Vol. 1 - Von House zu House

Do Little

♫ Read More ♫:
http://www.deephouseamsterdam.com/premiere-sharif-laffrey-villainous-original-mix

"Opium of the People" is available 27 April on Le Temps Perdu

https://soundcloud.com/shariflaffrey
https://soundcloud.com/letempsperduonline

Opium Of The People

♫ MORE ♫

Premiere: Sharif Laffrey - Villainous (Original Mix) [Le Temps Perdu]

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)