jame

Get it here >>>
https://fanlink.to/exploitedfwdrwd2018

2018 closes with a selection of 14 Exploited tracks that went down like a storm.

There is dreamy indie-dance styled vocals cuts and melodic techno from GHEIST…

Kyodai channeling the spirit of African Rhythm with uplifting female vocals soaring over muted, plucked instrumentation and tuned percussive hits…

Joyce Muniz’s electro-infused techno production, where jagged synth arpeggios rub up against her sharp snappy percussion and bass hovers menacingly below…

T.U.R.F.’s disco-house sample invasion…

James Curd’s dirty Chicago Loft Party…

Ossie’s pumping house workout, flexing with weighty garage bass…

Yarni & Javi’s orchestral sounds, field recordings and balearic tropical house…

and many more great tunes keeping things eclectic !

Artist: Various Artists  
Release: Shir Khan Presents Exploited 2018 FFWD RWD
Label: Exploited
Cat: EXPDIGITAL174
Publisher: Exploited Ghetto Music Publishing  
Releasedate ALL STORES (Beatport, I-Tunes, Spotify): 26.11.18

Shir Khan Presents Exploited 2018 FFWD RWD | Exploited

PAMPA022 ! Released exclusivity on Beatport on June 20, 2014. Vinyl comes on June 23, 2014

Stimming - China Tree feat Piper Davis

produced by stimming 
vocals by lazarusman 
additional programming by pezzner 

this is dec, 24th from stimming's advent calendar. my christmas gift 2014. 

enjoy!


https://www.facebook.com/pages/Stimming/131563776854335
https://www.facebook.com/TheLazarusMan
https://www.facebook.com/pezzner

Stimming - Stay The Same (feat. lazarusman & pezzner)

"Loving this release! Played "Criticize" on this weeks radio show: http://www.beatsinspace.net/playlists/548

(Also featured on BIS Best of 2010 show)

- Tim Sweeney / Beats In Space

"Love the buildup on Criticize, plenty of dips and enough feel good in there for me. I'll be playing this one!"
- Jacques Renault / DFA

"Absolute BOMB, huge tip on this remix/edit of former SOS Band member Alexander O Neal’s classic- droppin very soon on the might of Kojak Giant Sounds! It rips the cheese out of the original and tuns it into a nasty house jam, if this remix was done back then it would have been a house classic. Amazing flourishes added on top with dubby synths and old school perc keep it fitting the 87′ vibe. Maxxi Soundsystem have been around for 10 years rocking dancefloors around their home town of Brighton; re-editing at least half the tracks they play and are only now releasing their own material! watch out!"

- feelmybicep.com

"Criticize" is a killer...don't have words to say how much I love it.
- Nicholas / No More Hits

"Lead track Criticize is an absolute corker. The more astute of you may have realised that its a edit of the monster Alexander O’Neal club jam of the same name, but dragged kicking and screaming up in to a 21st century disco, complete with a throbbing 80s power bassline, housey keys and punctuated by those trademark soulful vocals. We’re so into this it hurts."
- Contort Yourself

"Brighton's Maxxi Soundystem ensemble drop their debut 12" on Kojak, Finland's finest. We were sent this a few weeks ago and it didn't quite fit in the bunch of moody midtempo sets we were doing for a few blogs etc, so I almost forgot about this release. It's quite a departure from the usual fare we cover on these pages, as we're dealing with peaktime disco fodder here, drawing heavily on cheeky 90s tunes (think wailing diva, electronic tom drums and euro synths). As bad as that might sound, Maxxi Soundsystems' deep and heavy rub of Alexander O'Neal's Critize works a real treat. While the original track is a genuine slice of late 80s cheeze (check out the original video here, it's awesome in a very twisted way) the rerub is a cool piece of modern boogie. The flip is cool too, but it's all about this track for me. Excellent record by one the coolest and most forward thinking labels around."
- Sleazy Beats Recordings

"Love both tracks. "His Hat Was His Home" has been a favourite in my sets of late."
- Damon Martin / Disco Bloodbath

"Yeah - I rocked this at Bar25 over the summer, it went down well!"
- The Runners / Dirt Crew Recordings & Welt Recordings

"Loving the Alexander O'neil cover version.... defo done it justice. Great stuff, will support also really feelin the Papa Was A Rolling Stone joint too - great release!" Keep em coming and keep me posted. RSPKT"
- Tristan da Cunha / 2020 Recordings

"A serious refix... Just works so well!"
- Nathan 'Detroit' Thursting / Southern Fried Records)

"DOPE SHIT!!!!! Criticize is the tune for me. 100% playing that tune in my show and on every dancefloor."
- Shaddy / Soul Industries

"Keep on churning out good releases & I'll keep on playing them!"
- Leftside Wobble

"His Hat.." takes Papa Was A Rolling Stone and aims it straight at the dancefloor. Lovely track, will def play."
- Pablo Contraband

Criticize

Beatport: https://www.beatport.com/release/shir-khan-presents-exploited-2018-ffwd-rwd/2397828
Spotify: https://open.spotify.com/album/1uaQUELuOKKiqEndh9dgnp
iTunes: https://itunes.apple.com/album/shir-khan-presents-exploited-2018-ffwd-rwd/1437384075

2018 closes with a selection of 14 Exploited tracks that went down like a storm.  

There is dreamy indie-dance styled vocals cuts and melodic techno from GHEIST…

Kyodai channeling the spirit of African Rhythm with uplifting female vocals soaring over muted, plucked instrumentation and tuned percussive hits…

Joyce Muniz’s electro-infused techno production, where jagged synth arpeggios rub up against her sharp snappy percussion and bass hovers menacingly below…

T.U.R.F.’s disco-house sample invasion…

James Curd’s dirty Chicago Loft Party…

Ossie’s pumping house workout, flexing with weighty garage bass…

Yarni & Javi’s orchestral sounds, field recordings and balearic tropical house…

and many more great tunes keeping things eclectic !   

Artist: Various Artists  
Release: Shir Khan Presents Exploited 2018 FFWD RWD
Label: Exploited
Cat: EXPDIGITAL174
Publisher: Exploited Ghetto Music Publishing  
Releasedate ALL STORES (Beatport, I-Tunes, Spotify): 26.11.18

Shir Khan Presents Exploited 2018 FFWD RWD

Neverending Now (dubspeeka Remix)

Kiki & Alessio Pagliaroli - Neverending Now (dubspeeka Remix) | Exploited

Closest Ever (Radio Edit)

GHEIST - Closest Ever (Radio Edit) | Exploited

1982 (Ed Ed's Bluemoon Mix)

Ed Ed feat. Lunapark - 1982 (Ed Ed's Bluemoon Mix) | Exploited

Complicated

Zoo Brazil - Complicated | Exploited

Melancholia

Kyodai - Melancholia | Exploited

Reggie Fox

T.U.R.F. - Reggie Fox | Exploited

The Hypercolour train picks up yet more steam with their next release, a double A side from Maxxi Soundsystem Featuring Name One on vocal duties and legendary sonic inventor Matthew Herbert in the remix role. Brighton based beatsmith Maxxi Soundsystem has risen to the top of the pile in recent months with heartfelt jams for Needwant and Futureboogie all fusing uplifting melodies with melancholic beats. 

And it’s a similar MO on this unassumingly anthemic new track, ‘Regrets We Have No Use For.’ Characterised by a wavy, frayed synth line that grows louder then quieter in the mix, soft shakers bring some wiggle whilst the breathy voice of Name One floats up above. It’s charming and sultry, slowly working its way under your skin at the same time as making you dance all under pinned by a monstrous, all consuming and grumbling bass line that makes your chest throb and head bob. 

Found sound innovator and general all round music chief Matthew Herbert goes for a much less soupy sound on his remix. The beats here are less smooth and more splintered, propping up the now distant, filtered vocal that drifts in and out of focus. Of course, the background synth are now much more unhinged and trippy in Herbert’s hands, with the resulting effect one suited to darkened back rooms in the dead of night. 

As ever, an unpredictable release from Hypercolour but that sounds as unique as anything the label has offered up in the past.

Maxxi Soundsystem - Regrets We Have No Use For (w/ Matthew Herbert remix)

my remix for maxxi. out now on wax. digital out very soon too!

Maxxi Soundsystem - Stella's Way (Huxley Remix) [Ellum Audio]

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)