Buy / Stream: ffm.to/something-cool

Returning to Exploited for another bite of the cherry, Italian duo gizA djs are back.
‘Something Cool’ blends elements of indie dance and nu disco in its loose, warm feel, with a dash of Italo disco attitude to boot. ‘80s synth pulses set the tone over live percussion and subtle bass, before a sultry male vocal adds more retro feel to the proceedings. Classic disco hi-hats drop in as the vocal switches from English to seductive Italian and big synth chords filter into focus. A sweet arpeggiated lead line thrusts into play as a Daft Punk-esque electric bassline funks away below. An unexpectedly wonky breakdown builds tension, setting us up for a colourful finale where the key elements morph and modulate in a beautiful fusion.

‘Rogue One’ is more of a brooding, atmospheric house affair, but one that comes with dashes of funk. Tribal percussion intersperses a turgid bass groove as mystical trumpet loops tease in and out of the mix. A discofied guitar lick bolsters an infectious, mysterious plucked melody, and imperceptibly the track builds intensity to a crescendo with eerie pads, heady reverbs, ride cymbals, urgent vocal chants and judicious use of FX.

Artist: gizA djs
Release: Something Cool
Label: Exploited Club
Cat: EXP118
LC: 96788
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 22.07.2022
Releasedate Beatport & Streaming: 29.07.2022
Releasedate Global Download: 12.08.2022

Something Cool

gizA djs - Something Cool (Instrumental Mix) | Exploited Club

Waldmeister (MOLØ Remix)

Buy / Stream: ffm.to/take-me-back

Mancunian musician, DJ and artist Danny Ward dons his 'Moodymanc' hat to work vocals he recorded with legendary vocalist and old friend Diane Charlemagne (Goldie, Moby, High Contrast, London Elektricity) to produce a poignant EP of retro futurist deep and soulful music. In his own words:
"I had always known Diane as one of the 'older' musicians and artists we all looked up to when growing up in Manchester. We became fast friends and partners in mischief when working and touring together with Urban Cookie Collective when 'The Key The Secret' became an accidental hit (a semi guilty secret!). When I started my solo production career as 'Dubble D' Di was always a mentor and collaborator, taking time out from working with the likes of Goldie (Inner City Life) and touring and recording with Moby to record with me and also to work on our 2020 Soundsystem project, singing live and recording our cover and homage to the timeless Frankie Knuckles anthem 'Your Love'. We remained close up to her untimely loss in 2015 which, for me as so many, hit really hard.
It was on the tail end of one of these sessions that we recorded the vocals for 'Take Me Back' over some beats I had been working on at the time. They had been sitting on a hard drive, being revisited from time to time without anything solid coming together until lockdown, when the spirit and sentiment of the lyrics seemed to resonate so much on both a personal and global level, and inspiration hit in a big way!
The original mix harks back to soulful breaks and broken beat times but (hopefully) with a forward thinking and futuristic outlook. I revisited the vocal once more when I'd done this to do some deeper versions, with a little more space. It's a release that has a lot of personal meaning and emotion for me. I sincerely hope that you enjoy it."

Artist: Moodymanc
Release: Take Me Back
Label: Exploited
Cat: EXPDIGITAL236
LC: 15799
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 16.9.22
Releasedate Beatport & Streaming: 23.09.22
Releasedate Global Download: 07.10.2

Take Me Back

Buy / Stream

Moodymanc Feat. Diane Charlemagne - Take Me Back | Exploited

https://soundcloud.com/eddiemerced
https://soundcloud.com/r4808nrecordings

> Follow  Eddie Merced
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Release info.

Premiere: Eddie Merced - Plant 42 - R4808n Recordings

Out September 26th.
Pre-order: https://lnk.to/WATERGATE28_EP1

@biesmans / https://soundcloud.com/shubostar / https://soundcloud.com/zombiesinmiami / https://soundcloud.com/alex-medina

A generous DJ/party-friendly 6-pack from Biesmans’ brilliant, intense contribution to Watergate’s revered mix LP series, selecting from the 17-track LP collaborations with Shubostar, Zombies in Miami, Alex Medina, and Vandesande, plus two solo from the Belgian Indie dance maestro, who binned booze for the challenging 3 month studio window.
 
‘Across the Universe’ opens the EP, a wavy ‘80s inspired collab with South Korean artist Shubostar, after they bonded recently in Tulum over a shared love of cosmic synths. 
 
‘Smooth Monday’, with Permanent Vacation-backed Zombies in Miami, is a synth symphony of twanging nu-disco and bass arps with a melodic dreamy top layer.
 
‘All Day Every Day’ is Biesmans’ slice of breakbeat euphoria with a reverb-rich bass riff. 
‘Hola y Bienvenido’ with Alex Medina is a fast, hi-energy piece with an 80s drumbeat.
‘March for Peace’ is a laid-back but danceable multi-layered upbeat synth fest.
‘Away’ with Vandesande (half of dOP), a portentous Blade Runner-esque contemplation
closes the EP, but opens the album.

Biesmans & Vandesande - Away

'CRUISE is a Moscow-based night that focuses on 90s finest — old school hip-hop, garage house, breakbeat hardcore and jungle. Every once in a while local vinyl enthusiasts, artists and radio hosts from Wax Ninja crew (Artem Xio, Foxxylove and MB4) and Tiger Balms crew (Skye, Fine) gather nostalgic music lovers so that they can cruise through different BPMs and genres in a home-like atmosphere.

This release is the essence of CRUISE captured on tape: 15 tracks from the crème de la crème of the Russian underground scene. A full-scale journey into the sound of drum machines, analog synths, obscure samples and what not; a heart-warming homage to music from New York, New Jersey, Chicago, Detroit, London, Manchester, Essex, Bristol and different cities across Italy.

N-Tone, Maxi Skratch and Luge are there with their beats and scratches; HI TOP and Osipenko Bus Stop (Ant To Be when he makes jungle) deliver some proper UKG; Keroz and DJ 0000 (DJ 1985’s alter ego) are going deep and melodic; Cream Soda, BRTS, Scruscru & S.Timoshenko and Heavy Blunt fill this tape with house bangers; Artem Xio, Mix Master Kutyma, FTRRLT alongside Amsterdam native Reactor Grits do breakbeat and drum’n’bass. And don’t forget about the funny skits that turn this compilation into an 90s style album that tells a story.

To make your CRUISE even more real — this tape release was enriched with an olfactory dimension: look out for a scented scratch & sniff card inside your box!'

Follow: @waxninja

Premiere: Heavy Blunt - Read My Lips [Cruise Records]

Out September 30th.
Pre-order: https://lnk.to/WATERGATE28_EP2

@biesmans / https://soundcloud.com/mathew-jonson / https://soundcloud.com/johannesalbert / https://soundcloud.com/kidsimius https://soundcloud.com/joy-wellboy

The final sixer from ‘Watergate 28’ LP mixed by Biesmans inside 3 months, a testament to his talent and intense focus. Featuring collabs with Mathew Jonson, Johannes Albert, Kid Simius and Joy Adegoke, and two solo cuts from the Belgian producer’s 17 original tracks for W28, arguably the label’s most ambitious to date. And this EP’s a banger. 
 
‘Quantum Computing’ with Biesmans’ hero Mathew Jonson - a visit to his studio birthed the pumping piano-laden, growly bass driven houser. ‘Luft’ with Johannes Albert is a synthtastic, frantic-fast feast of builds, breaks and hooks. 
 
‘Me Gusta Acid’ with Kid Simius – a funky nu-disco gem catching Kid’s vocals in one take. ‘Hipster Paradise’ a lively Biesmans solo of scattergun percussion and jazzy synths. ‘Macrodosing’ is like the steroid-crazed love-child of Moroder bass and Kraftwerk melody – in the best way. The second Biesmans solo effort on the EP.
 
‘Vanishing Flowers’ with Joy Adegoke closes the release – a change of pace to a breathy, sweetly sinister song with Adegoke’s vocals, disturbing lyrics, and heavy synth support.

Biesmans - Hipster Paradise

Biesmans & Johannes Albert - Luft

'Ever since he remixed Abimaro & The Free’s ‘Mark’ back in 2014, NuNorthern Soul boss Phil Cooper has kept in touch with Daniel Stenger, the producer and self-taught multi-instrumentalist behind the Flashbaxx project. Cooper was always convinced that Sanger would be capable of crafting a very special release for the label but was willing to give him time to come up with something special.

With Take Care My Friend, a mini-album inspired by the German producer’s deeply rooted love of jazz-funk, Stenger has repaid the faith shown in him. He’s delivered a collection of quality cuts marked out by audible warmth, effortless musicality and memorable, sun-soaked songs.

We’re biased of course, but there’s no denying that Stenger’s creative choices have resulted in a superb set of tracks. While the restricted kit list provided focus during the music-making process, there’s still plenty of musical variety across the six tracks that make up the set. 

For proof, check the slow-motion soul brilliance of ‘Strangers’, where Kathryn Kempf’s evocative and poignant lead vocals rise above a sumptuous downtempo groove and heart-aching piano lines.

And we thrown in an ever impressive Atjazz remix. Fans will recognise that the Atjazz sound is very personal and that he puts a part of himself into every track he writes or remixes.'

Follow: @atjazz // @flashbaxx // @NuNorthern Soul

Take Care My Friend Remixes 2

Premiere: Flashbaxx - Strangers ft. Kathrin Kempf (Atjazz Remix) [NuNorthern Soul]

Exclusive: Charles Webster - I Wonder Why (Charles Webster's 'Still Wondering' Mix)

Two years after the release of Charles Webster's album Decision Time, which was praised equally by critics and musicians, the British artist delivers three new mixes for one of the album's stand-out tracks I Wonder Why. Besides Atjazz taking on remix duties, and a musical approach from Nowism, Charles himself reworked the track to give it an even darker note accentuating the track's message by going without a continuous bass line and emphasizing on sounds, which perfectly go with the spoken vocals. Webster proves once again that you can create House music without its ordinary features and basically approves what the press already said: "There's almost no House music here, though it still runs as a hidden pulse through the record." 

Charles Webster's I Wonder Why Mixes are out on Miso Records.

Buy the EP: https://charleswebster.bandcamp.com/album/charles-webster-feat-sipho-hotstix-mabuse-i-wonder-why-remixes

Artist & label information
Charles Webster: https://facebook.com/charleswebsterofficial // @charleswebster // https://instagram.com/djcharleswebster

Visit & follow Torture the Artist at:
https://torturetheartist.net​
https://facebook.com/torturetheartist​ 
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https://instagram.com/torture_the_artist​ 
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https://youtube.com/torturetheartist​
https://tiktok.com/@torturetheartist

I Wonder Why (Remixes)

Buy here

EXCLUSIVE: Charles Webster - I Wonder Why (Charles Webster's 'Still Wondering' Mix) [Miso Records]

Buy link: https://fanlink.to/LeapsClose

https://soundcloud.com/leaps_uk
https://soundcloud.com/headroomrecords

> Follow Leaps 
https://instagram.com/leaps_uk

> Follow Headroom Records
https://instagram.com/headroom.records/
https://instagram.com/unity.group

Electronic Groove promotes the latest music, artists, brands, and worldwide festivals.
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Premiere: Leaps - Close - Headroom Records

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)