Buy / Stream: https://ffm.to/neat-dyr

We’ve got Stockholm syndrome right now. This might just be the formidable NEAT’s best work to date.
‘DYR’ is a beautiful, delicate, unhurried gem of a track, dripping in sensuality. Shimmering percussion and delayed claps lay a foundation atop sorrowful sustained organ-esque pads. Subtle bass throbs sorrowfully in tandem with the yearning, melancholic chord progression. Deft stabs and flutters of heavenly melody flicker across the stereo field, while sweet electronic piano motifs tug at the heart strings. Deceptively powerful, this is a truly glorious moment in time, topped off by emotive vocal samples used sparingly but potently.
‘Purple Brain’ is an entirely different but equally delightful kettle of proverbial fish. Tumbling soul breakbeats echo tightly while dubby keys and vocal cuts tickle the surface of the track. Jazzy organ thrusts punctuate the groove as bass rumbles deep beneath. Reminiscent of classic late nineties / early naughties downtempo grooves a la Kid Loco, Aim et al, it’s a light and dreamy piece of work that hypnotises you into a state of willing submission.

Artist: NEAT
Release: DYR
Label: Exploited
LC: 15799
Cat: EXPDIGITAL244
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 30.06.23
Release Date Streaming/Beatport: 07.07.23
Release Date Global Download: 21.07.23

Purple Brain

Buy / Stream

NEAT - Purple Brain | Exploited

Buy / Stream: ffm.to/aikon_sobek-halftrue

Ukraine’s AIKON meets Sobek in this masterful collaboration. A thumping breakbeat rhythm forms the backbone of this haunting track, where clanking chimes meander amidst shrill, bitcrushed, pitch-bending synth lines. A mystical breakdown lays down mellifluous flute motifs, brooding, buzzing bass and a mosquito of a synth hook that are all smashed into the ether when the pummeling rhythm kicks back into life. Play this loud, close your eyes, and you’ll be transported into another dimension.
Adrian Roman gets brutal on his heavy remix, drafting in huge tribal drum hits that are reminiscent of the Japanese taiko, contrasting their off-kilter rhythm with a solid deep techno backbone and really amping up the atmospheric melodic elements to potent effect. ID_UA takes things deeper on their remix, into more hypnotic territory where bleepy riffs and throbbing bass pummel you into submission, while Buba rounds off the reworks with a slick breaks version with a sci-fi edge that pushes the original into the depths of outer space.

Artist: AIKON & Sobek
Release: Half True
Label: Exploited Club
LC: 96788
Cat: EXP129
Publishing: Exploited Ghetto Music Publishing/Sony ATV
Beatport Pre-order: 07.07.23
Release Date Streaming/Beatport: 14.07.23
Release Date Global Download: 28.07.23

Half True

AIKON & Sobek - Half True | Exploited Club

Don't Worry Psy Happy

Sebra Cruz – Don't Worry Psy Happy

Silicone Soul’s Darkroom Dubs continues its celebratory 20th season with a return to the label for Factor City duo, Undo & Casiowaves. Together we strap in for another voyage into the unknown as the Catalonian duo deliver a trademark selection of audio wonderment on their Moviment EP.

Here We Are sets the tone. Melodic synths, metronomic kick-drum and a bass-heavy pulse fires the listener into orbit. With its effortlessly flowing and progressive build, the track wraps us in warming atmospherics as we embark on the voyage.

Moviment delivers a delicate touch, with cascading harmonies and an irresistible hook garnishing a bassline that simmers away beneath the beauty.

Artefacto brings the EP to close with a bang. Sporting oscillating basslines and sharp snares, this cosmic closer is a ferocious ride and the perfect finale to Undo & Casiowaves latest cinematic excursion.

Mastered by Conor Dalton at Glowcast Audio.
Art by Elena Galkina.
Design by made.by.andy
https://darkroomdubs.bandcamp.com
https://www.darkroomdubs.com
@undo @casiowaves

Moviment

Here We Are

Bandcamp

Undo & Casiowaves - Here We Are (Clip)

https://getphysicalmusic.lnk.to/GPM711

Tel-Aviv-based artist Niv Ast debuts on Get Physical with a new single featuring M Love that gets remixed by Deer Jade.

Niv is inspired by the psychedelic waves of acid, the attitude of punk-rock and the lightheaded groove of disco. He combines these in his mesmeric live show, playing around Europe with distorted guitars, ecstatic percussion and hypnotizing vocals wowing crowds. He has released on Duro, Correspondant and La Dame Noir and plays fabric the week before this single is released.

'Behind The Grace' is a broody mix of dark synths and deep rolling drums lit up by fluttering flute melodies. They bring hope, energy and light as well as the feeling of a new day dawning in spring while the drums keep you locked below.

Swiss-born, Berlin-based remixer Deer Jade is all about the hypnotic melodic. She is an emerging artist on the electronic scene currently touring the world at some of the most important festivals and clubs. Her version is beautifully organic, with loose wooden hits, instrumental rhythms and cosmic synths all adding up to something that warms the heart and brings joy.

This is a cultured two-track package perfectly primed for summer.

www.getphysicalmusic.com

Niv Ast - Behind The Grace Feat. M Love (Snippet)

Available here: https://lnk.to/SKATMAN_SAVEME

Skatman - I Can't Take It

Skatman - Save Me

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "AMAS  - FACE II EP (AMAS)". Out August 18th 2023. Buy here : https://amas-studio.bandcamp.com

The EP FACE II is a continuation of the Faces EP series, of which the first EP was released in october 2022. The basis here is also a literary fixpoint with KAFKAS VERWANDLUNG. the examination of the urban modern man has its origin in the album JAHRE and is now explored in more detail here. What happens to us in a time of digital transparency as a glass human of the city and night. It starts with THE VOID, which was originally intended as a poem about being lost. We go out into the night, some to search, some to forget and some to never come back as the same again. On our journey we often take substances that we expect to make this journey easier and faster. the escape from ourselves and from our relationships to the environment and humans can‘t just be skipped. a fast way is always a dangerous way and often leads to an even bigger EMPTINESS.
In THE GHOST something appears to us late at night, it is like a shadow of the previous hours, something that has followed us on the streets and accompanied us undiscovered until we reached our home. We wake up and at first it is unclear whether we are dreaming. In half-sleep the dimensions blur together and the whole polyvalence of the different existences gapes open. We blink into the DARKNESS and try to recognize something, the light remains far away and yet we hear this piercing sound, which in the end leaves us only with ourselves. we are the spirit of the night, trapped on an old tape in the chest of nothing.
The next section THE MOON shows us the light in the darkness. The shadows and ghosts give way for a moment and the light flows through our veins and molecules.
The poem describes our unspoken longing to follow the light, in the light our fears disappear and everything blurs into an unknown familiarity. We stagger back and forget the encounters with our inner DAWN. In the light the ghosts disappear like childhood memories left behind.
The last chapter is written by THE DAWN, a stanza from the poem of the same name as a spoken reconciliation with the world. In spite of everything, we seek harmony and connectedness. No one wants to become an exile, even if we can‘t always bring it about ourselves. We love LIFE and we hear and feel everything around us, if we let ourselves ...

Artist and label social media :

https://www.instagram.com/amas_studio
https://www.amas-studio.de

FACE II 

The Void

PREMIERE : AMAS - The Void (AMAS)

Locked Up - La Marmaille - Master

La La Land

Guess Who's Beck

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)