Buy / Stream: ffm.to/oishii-remix

Tel Aviv’s Middle Sky Boom has impressed with previous output for the likes of Diynamic, and his remix of ‘Oishii’ for Sandhog doesn’t disappoint. He strips things back a little and uses warped pitched and stuttered effects on the vocals to add another rhythm element that compliments the bassline well. With a swagger in its step, it’s a great alternative mix.

Artist: Sandhog
Release: Oishii Remix
Label: Exploited Club
Cat: EXP114
LC: 96788
Publisher: Exploited Ghetto Music Publishing
Beatport Pre-order: 20.05.2022
Releasedate Beatport & Streaming: 03.06.2022
Releasedate Global Download: 17.06.2022

Oishii Remix

Oishii

Buy / Stream

Sandhog - Oishii (Middle Sky Boom Remix)| Exploited Club

A keen traveller whose mindset and musical vision has been shaped by her experiences visiting different destinations around the globe, Robinson’s releases as Tigerbalm thrillingly combine her roots in dance music – Robinson has been DJing around her home city of London and much further afield for well over a decade – with rhythms, sounds and instrumentation inspired by all manner of indigenous musical cultures from around the world.

This trademark sound is sonically kaleidoscopic, unflinchingly percussive and undeniably infectious, though attempts to accurately describe it are likely doomed to failure. While confounding those employed to review music not Robinson’s aim – she was much more interested in fusing her eclectic global musical influences and showcasing great female vocalists – her brilliant debut album, International Love Affair, will surprise as much as it delights – and all for the right reasons.

It arrives on the back of a string of celebrated singles and was created with the help of a large archive of recordings of jam sessions with musician friends, and contributions from a talented pool of female singers Robinson has met on her travels around the world. It’s those travels that shaped the sound of International Love Affair, with every track being a personal response to the musical cultures of places she’s visited. Combine these vivid experiences with nods to dancefloor-focused styles she loves – think organic house, nu-disco, Afro-house, dub disco, Afro-disco and Brazilian club cuts – and you have a debut solo album that’s as imaginative and entertaining as they come.

For proof, check the album’s two Bali-influenced tracks:  album opener ‘Kete’, where Joy Tyson’s stylish vocals ride a heady, low-slung midtempo groove wrapped in Indonesian instrumentation, and the extra-percussive, tech-house influenced dancefloor voodoo of ‘La Brisa’ (a cut named in honour of the Bali-based club of the same name). Or for that matter the two tracks inspired by Robinson’s experiences in Berlin, the Joy Tyson-voiced strut of ‘Tokyo Business’ – a dense, squelchy, dark-room ready blend of heavy grooves, punk-funk inspired vocals and ‘80s freestyle synth sounds – and the irresistible peak-time heaviness of ‘Cocktail D’Amore’, a track made in tribute to the legendary LGBTQIA+ party of the same name that sits somewhere between Afro-house, tribal house, dubbed-out late-night hedonism and the most mind-altering of organic percussion workouts.

Robinson’s positive experiences on Waiheke Island in New Zealand, the location of the legendary Flamingo Pier festival, are explored on two tracks, too – superb recent single ‘Waiheke’ and the inspired ‘Cosmic Camel’ – an impeccable, breathlessly brilliant re-imagining of the mid-80s proto-house sound of Paul Simpson and Boyd Jarvis (amongst others) blessed with cut-up Maori vocal samples and the kind of hazy, dubbed-out horn licks that have long been a feature of records by New Zealand outfit Fat Freddy’s Drop.

Such is the quality across the set, attempting to pick highlights is a futile gesture. Some may cite the breezy, Brazil-inspired samba-house/funky nu-disco of ‘Bahia Escapista’ (this features a very special ‘secret guest’ vocalist, whose identity will no doubt promote debate online), or Robinson’s response to visiting Morocco, ‘Riad De Lister’ – a squelchy chunk of 21st century P-funk that’s as heady and intoxicating as it is addictively dancefloor-focused. An instrumental version of that track is also featured on the album, alongside a handful of other vocal-free alternative takes.

Taken as a whole, International Love Affair more than lives up to the promise of its title, marking out Robinson as one of electronic music’s most inventive and on-point global fusionists.

Tigerbalm - Cosmic Camel <Gouranga Premiere>

my next single remixed by French producer Damon Jee....already getting much love from some big DJ's 
coming soon on Nein Records 

Tronik Youth - Bell Common Tunnel (Damon Jee Remix)

Since the first time I entered a studio to produce music La Tour has been a constant inspiration.

From time to time in over 30 years I’ve been looking back to his seminal composition “Blue” to find inspiration on the atmospheres and to the extremely creative melodic and rhythm solutions inside what I consider one of my favorite track of all time in electronic music. 

Today I’m releasing my own cover version of another outstanding tune by La Tour, “People Are Still Having Sex”. Have been dreaming for so long to realize it but it took a while to build the confidence to measure myself with such a masterpiece. 

I hope you will find it nice and for those who don’t know the original maybe a chance to discover a piece of our history.

“People Are Still Having Sex” is taken from my upcoming “In Da House” Ep on Future Disco

Official released date 05.04.2024

In Da House

People Are Still Having Sex

KNOW -(Remix) - LARRY_3512 - Nick Drake

Follow UP UP UP -  19:96

Chilean born and Berlin based Dinky has forged a solid and illustrious career over the past decade. ‘Casa’ announces her new album set for release on Damian Lazarus’s Crosstown Rebels this Autumn, with remixes from Axel Boman and Satori.

A trained classical guitarist, singer and keyboard player that has held a DJ residency at Berlin’s infamous Panorama Bar since 2004, Dinky’s sixth album, also titled ‘Casa’ will be the first since the birth of her two children. “Casa is an acid vocal love song. It translates as house in spanish, not because it’s a house album but because it was recorded in my house in Berlin whilst I was pregnant with my second son. I had to stay home (mainly in bed) for months due to a medical risk. Those where very scary times for me and my family as we were told we could lose him. It was a such difficult journey but I decided not to get down, but to channel my energy into writing music.’

Dinky’s delicate vocal on ‘Casa’ is both uptempo and spacious, with infusions of acid, leftfield and electronica in its veins. Axel Boman delivers a stunning, emotive and epic nine and a half minute dub version, overlaid with spoken word samples referring to lost experiences. The Swedish born producer is much-lauded for his releases on DJ Koze’s Pampa, Permanent Vacation and his own imprint, Studio Barnhus, formed with Kornel Kovacs and Petter of Border Community. While the hedonistic take from Satori takes ‘Casa’ up beyond the horizon. A future Crosstown Rebels artist, Satori has released on 8Bit, Under Your Skin and Bla Bla records.

“For me it’s a very honest project and Damian loved it so I was more than happy to work with him again,’ Dinky enthuses on the long friendship that they have shared. ‘After taking a few years of intense touring, I felt ready to tour again and release my sixth album. Many of the songs were written for my sons, my husband, motherhood, love and also things that were happening in the world at the time.”

‘Casa’ sees a return to form for Dinky and a welcome return to the Crosstown imprint, after previously releasing a single and a mix album for the pioneering label.

TRACKLIST

A1 Casa
A2 Casa (Satori Remix)
B1 Casa (Axel Boman Dub Mix)

Casa

Dinky - Casa (Axel Boman Dub Mix)

Pete's splendid remix of the lead track from our EP. Will be out in October backing our remix of Les Crocodiles 'La Nuit Des Tropiques'.

Field Of Dreams Recordings

Pourquoi? (Pete Herbert Remix)

Artists: https://soundcloud.com/motel-77 
Release: 26th Feb 2018 

On the way to nowhere, where the sun never sleeps, where your tears turn into sweat, where your mind forgets your body and your body does not mind, where you feel like being born again but you're just dying while laughing, on this dusty road you've never been but still can recall, stands a place with enough room for your nights, 
MOTEL77.

Early Media & Dj Support: 
Dj Mag UK, Nemone’s Electric Ladyland, The Ransome Note, Trax Magazine…
Chloe, Zimmer, My Favorite Robot, Arthur Johnson, Justin Robertson, Sean Johnston, Did Virgo, The Hacker, Johnathan Kusuma, Duncan Gray, Grer Bratley, Sonns, Amevicious, Golden Bug, Yan Wagner, Damon Jee, Matt Walsh, Inigo Vontier, Thomas Jackson, Tronik Youth, Scratch Massive, Dorfmeister, Bottin…

MOTEL77 - Dirty_Dancer_(NOZZ_remix)

Lauer - Trainmann (Tensnake Franceman Mix)

Life And Death’s next album project finds label boss DJ Tennis work with Israeli duo Red Axes to express themselves with total freedom and explore the similarities and differences between their respective sounds. Entitled Redrago and due for release as a 2 x 12” on October 11th, the adventurous and subversive full length is preceded by one two track single release and will will also be taken on the road for a series of unique live shows. 

DJ Tennis and the Red Axes duo were first introduced to each other by The Pachanga Boys at a festival in Corsica. “Their faces, their expressions and their attitude—gentle, smart, loving and funny—impressed me at first sight“ remembers Tennis. That was many years ago, and since then they have deepened their personal and musical connections, but “always by chance” says Tennis.  Around a year ago, they were having a discussions and decided they should attempt to combine their “love of psy and mediterranean influences” and scheduled a week of recording sessions together. 

After making at 9am and having a proper Israeli breakfast, the artists went to a studio on top of a decadent old shopping mall in the Centre of Tel Aviv. Each of them then set up in one corner of the studio with their own instrument (including Tennis’s Pearl Syncussion, a small modular setup, a Juno and bunch of guitar pedals, while Niv and Dori “used their usual weird cheap instruments including bass and guitars”) and they began playing, experimenting and jamming, recording everything they did then swapping stations and repeating the process. “It was a friendly and loving experience” say Red Axes, who add that they then took all the recordings into various editing sessions and finalised the adventurous, multi-genre exploration that is Redrago. 

“The aim was to find a kind of Italian-Israeli connection in our musical approach, “ explain Red Axes. “So the album journeys from psychedelic Italo disco to Israeli trance rock with a lot of rave elements. We call it falafel disco mixed with a 1/4 of spaghetti sauce.”

The album opens with the freaky synths and punchy drums of ‘Rave ’N Roll’, which has layers of exotic instrumentation and beguiling sound design. ‘Redrago’ is a Balearic track with expansive pads and sun kissed melodies washing over you like breaking waves, while ‘Il Veliero’ is a complexly woven tapestry of intoxicating leads and drunken tabla drum sounds with a psyched-out vibe. 

The soft rock licks and conversational synths of ‘The Kohlrabi Session’ make for a chugging disco groover while ‘Plastelina’ is a deep and late night cosmic exploration that continues through the star gazing ambiance and long legged drums of ‘Shalom Alanation.’ Acid squiggles and tropical vocals make ‘Ventilo’ another fantastically fresh track while ‘Phantom Rag’ closes out with a flurry of wild synth patterns, techno drums and intergalactic feels that round things out in intense fashion. 

This is a freeform album that knows no musical boundaries and will appeal to lovers of everything from kosmische to ambient, techno to Balearic.

Redrago - Il Veliero (Club Mix)

Send demos here: https://www.tstack.link/exploited-GBaXdMGvJLHubDbFJtn9O
Exploited Rec promises to strip the wallpaper from the walls of your home stereo.
Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)