Buy on bandcamp

DJ Eef - Coucher De Soleil (DOR Projects)

Coucher De Soleil (DOR Projects )

DJ Eef - Coucher De Soleil (DOR Projects )

Every drop is different. Every beat is the same.
Long Coffee is an album to experience, not just listen to. Infinite love for electronic music 👽👽👽

Long Coffee (Decaf Dream)

Label: @woodworkrecordings
Productor: @jaytripwire

Que gustazo sacar de nuevo a la palestra a los productores que tiempos atrás nos deleitaron con sus grandes producciones las cuales solo podíamos conseguir en Vinilo... Jay Tripwire es uno de ellos, con referencias en sellos de la talla de Household Recordings, Tango Recordings o con lanzamientos mas actuales como Superfreq o Moteur ville Musique no deleita con un tema de electro super actual y pistero. 

¡Disfruten de lo clásico renovado!

PREMIERE: Jay Tripwire - Pole Reversal [Woodwork Recordings]

Pau Pelo - Cucayo (Original Mix)

Submit your track, mix for repost or premiere? ➩promo@8day.ca
Stream our Playlist on Spotify: bit.ly/8daymtl ♩ ♪ ♫ ∞ ♥

RELEASE DATE 2020-06-19
Buy link: 👉 https://www.junodownload.com/products/lanowa-coloured-squares/4593703-02/   👈

☁️ ☁️ Follow the record label > @citizensofvice
http://nightnoisemusic.com/
https://www.beatport.com/label/citizens-of-vice/73552
https://www.junodownload.com/products/awitw-childhood-memories/3982905-02/

☁️ ☁️ ☁️ ☁️ Follow Lanowa > @user-668517702
https://lnk.to/Twenty20

Release info:
"Citizens Of Vice returns in lockdown mode with release number 17. Lanowa was heard earlier this year on our Twenty Twenty label sampler and he now delivers his first EP of Balearic beats for your aural pleasure. Lanowa is a UK based musician and producer who started his musical career aged 16 with Simon Mills of 'Bent/Somethin' Sanctified'. Lanowa has said "Circle of life and all that - started a band with Simon when we were 16, he carries on and has a fantastic musical career, decades later convinces me to move to Ableton and do some house music and now i've got an EP coming out that he mastered!" Musically the EP is full of Downtempo house and Uptempo Balearica and is perfect musical fodder for these most strange times. We love this EP and hope you do too. "


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Stream our Playlist on Spotify:
https://open.spotify.com/playlist/57UdhTA6odRVJhqCIvDyDt

All 8day premieres:
https://soundcloud.com/8day-montreal/sets/premieres
All 8day podcasts:
https://soundcloud.com/8day-montreal/sets/8daysets
All GrrreatCasts:
https://soundcloud.com/8day-montreal/sets/grrreatcasts
All Free Download:
https://soundcloud.com/8day-montreal/sets/free-download

Releases Out now on 8day's imprint!
https://www.beatport.com/label/8day/63082

PREMIERE: Lanowa - Green Wave  (Original Mix) [Citizens Of Vice]

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”

Lake Turner - Outland

Beatport: https://www.beatport.com/release/shir-khan-presents-welt-am-draht-2020/3191471
iTunes: h t t p s : / / m u s i c . a p p l e . c o m  / a l b u m / s h i r - k h a n - p r e s e n t s - w e l t - a m - d r a h t - 2 0 2 0 / 1 5 3 7 7 6 1 6 4 1 
Spotify: https://open.spotify.com/album/5gHfwNIHAt2NoHP19bTzQU

Dutch duo Tunnelvisions strip things back with a hypnotic bassline on Budakid’s WALKMAN Remix.
Gerd Janson dips ZEUS by the wonderfully wordly Swiss collective Sirens Of Lesbos into his cauldron of ‘80s Italo disco synth wizardry (licensed via Sirens Of Lesbos).
Panthera Krause transforms THE AMERICAN by french artists O.N.O &  Jabberwocky into a high-enery, italy-disco dancefloor weapon. 
Biesmans pushes the button marked ‘Full Italo’ and sets the feel-good dial to ‘11’ on his spunky remix of CIAO by Enduro Disco, pitching wiggling bass arpeggios against triumphant chords, deft ‘80s drums and spine-tingling melody. 
Osunlade’s Yoruba Soul mix of HIGH TOWER by James Curd is typically classy, stripping things back down to a soulful lilt with shimmering synth arps and tumbling bongos decking out a succinct, warm, beautiful arrangement.
Enduro Disco’s LUV ME MORE balances tumbling percussive elements with a sexy bass throb and a bouncing, delicate synth line to beautiful effect.
Original Panoramabar resident, Robert Johnson and Permanent Vacation recording artist Masssimilano Pagliara provides a masterful rework of STREET VIOLENCE by swedish artist NEAT, cooking up a flurry of melodic beauty.
French dance music royalty Yuksek amps up the bass funk on his remix of MODERN DANCE by O.N.O, slides in some gentle acid tones and generally pumps the whole thing up. 
GOOD TIMES ROLL by dutch duo T.U.R.F. builds a foundation of chunky beats around some sweet jazz-funk vibes, with dashes of sax and clavinet interpersing the piledriver bassline.
IT IS U by NEAT echoes the deepest of classic progressive house with its plaintive feel, building through bobbing arpeggios and crystalline chimes while a chugging Italo disco-esque groove pushes it forward.   
TRY A LITTLE HARDER by Enduro Disco rocks a spacey disco groove where descending, detuned bass notes tumble over delayed string hits and hypnotic motifs.
GET READY by Phonk D teases with warped piano before unleashing a loose funk b-line and dubby vocal snippets.
DANCING IN HONG KONG by Romain FX provides a madcap end to the EP, a cute little ‘80s electro-funk jam where jaunty keys, organ bass and a little city pop vibe rub up against each other.
All in all this is a great eclectic dance compilation by one of the top deephouse labels out there. Too bad you could not enjoy the music in the club.

Label: Exploited
LC: 15799
Artist: Various Artists
Title: Shir Khan Presents Welt Am Draht 2020
Releasedate all stores: 10.12.2020

Shir Khan Presents Welt Am Draht 2020

Get Ready

Phonk D - Get Ready I Exploited

Beatport: https://www.beatport.com/release/shir-khan-presents-welt-am-draht-2020/3191471
iTunes: https://music.apple.com/album/shir-khan-presents-welt-am-draht-2020/1537761641
Spotify: https://open.spotify.com/album/5gHfwNIHAt2NoHP19bTzQU

Dutch duo Tunnelvisions strip things back with a hypnotic bassline on Budakid’s WALKMAN Remix.
Gerd Janson dips ZEUS by the wonderfully wordly Swiss collective Sirens Of Lesbos into his cauldron of ‘80s Italo disco synth wizardry (licensed via Sirens Of Lesbos).
Panthera Krause transforms THE AMERICAN by french artists O.N.O &  Jabberwocky into a high-enery, italy-disco dancefloor weapon. 
Biesmans pushes the button marked ‘Full Italo’ and sets the feel-good dial to ‘11’ on his spunky remix of CIAO by Enduro Disco, pitching wiggling bass arpeggios against triumphant chords, deft ‘80s drums and spine-tingling melody. 
Osunlade’s Yoruba Soul mix of HIGH TOWER by James Curd is typically classy, stripping things back down to a soulful lilt with shimmering synth arps and tumbling bongos decking out a succinct, warm, beautiful arrangement.
Enduro Disco’s LUV ME MORE balances tumbling percussive elements with a sexy bass throb and a bouncing, delicate synth line to beautiful effect.
Original Panoramabar resident, Robert Johnson and Permanent Vacation recording artist Masssimilano Pagliara provides a masterful rework of STREET VIOLENCE by swedish artist NEAT, cooking up a flurry of melodic beauty.
French dance music royalty Yuksek amps up the bass funk on his remix of MODERN DANCE by O.N.O, slides in some gentle acid tones and generally pumps the whole thing up. 
GOOD TIMES ROLL by dutch duo T.U.R.F. builds a foundation of chunky beats around some sweet jazz-funk vibes, with dashes of sax and clavinet interpersing the piledriver bassline.
IT IS U by NEAT echoes the deepest of classic progressive house with its plaintive feel, building through bobbing arpeggios and crystalline chimes while a chugging Italo disco-esque groove pushes it forward.   
TRY A LITTLE HARDER by Enduro Disco rocks a spacey disco groove where descending, detuned bass notes tumble over delayed string hits and hypnotic motifs.
GET READY by Phonk D teases with warped piano before unleashing a loose funk b-line and dubby vocal snippets.
DANCING IN HONG KONG by Romain FX provides a madcap end to the EP, a cute little ‘80s electro-funk jam where jaunty keys, organ bass and a little city pop vibe rub up against each other.
All in all this is a great eclectic dance compilation by one of the top deephouse labels out there. Too bad you could not enjoy the music in the club.

Label: Exploited
LC: 15799
Artist: Various Artists
Title: Shir Khan Presents Welt Am Draht 2020
Releasedate all stores: 10.12.2020

Try A Little Harder

Enduro Disco - Try A Little Harder I Exploited

Street Violence (Massimiliano Pagliara Remix)

NEAT - Street Violence - (Massimilano Pagliara Remix) I Exploited

Walkman (Tunnelvisions Remix)

Budakid - Walkman (Tunnelvisions Remix) I Exploited

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)