Después de un año regresa Skycrew (@skycrewrecords), sello mexicano guiado por Roy Parra aka Tiempo de Maldad (@tiempodemaldad).

Encounter es un ep de Dark Indie Disco con influencia rock producido por Velax (@iamvelax) y Chinosynth (@chino-synth) con remixes de Ivan de la Rouch, Aurum Miles (@aurummiles) y Corresponsal. 
Ojo, que esto está que arde!

BUY: https://skycrewrecords.bandcamp.com/album/encounter

PREMIERE: Velax, Chinosynth - Space Shifting (Corresponsal Remix) [Skycrew Records]

Noises, percussion and distortions is where Borgetti was born as an electronic music project in the city of Culiacán, Sinaloa. Based on Punk/Hardcore, playing drums in some bands where breakdowns, guitars and distortions make pronounced noise shine in the atmosphere of a garage. Being this a watershed for the artist, he decided to call this second EP 'Más Ruido' playing with indie dance beats and some voices that will pull you to the dance floor.

Includes 3 powerful remixes by Mexican producers BadWolf, TAPIIA and Samuel Lupian made for the dancefloor.
Available on beatport and soundcloud on September 13, 2022 and the full release on september 27, 2022

Cover art : Coma Print 
Master work : Ande Casa Creativa

PREMIERE: Borgetti - Más Ruido [Maleante]

After his latest releases on Correspondant and TAU, London based artist Hardt Antoine is back with a new EP to be released on his label Anemos Dance. On this occasion we have the pleasure of premiering "Acid Reach", a powerful track that feature organic, acoustic percussion, contrasting and eventually fusing with dark, analogue, electronic sounds.

Artist: Hardt Antoine
Track: Acid Reach (Original Mix)
Label: Anemos Dance
Release date: 02/12/2022
Buy: www.beatport.com/release/caban-ep/3923248

Artist & Label Information
Hardt Antoine: facebook.com/hardtantoine // @hardtantoine // instagram.com/hardtantoine
Anemos Dance: facebook.com/anemosdancelabel // @anemos_dance // instagram.com/anemos_dance

PREMIERE: Hardt Antoine - Acid Reach (Original Mix) [Anemos Dance]

Sent from a distant future on the brink of collapse, Bongo & Pusk are here to dissect modern rave culture and find the essence at its core. An alternative version of The Philosophers Stone, known to the children of tomorrow as The Ravers Rock. Without it, humankind is destined to a future deprived of kindness, tolerance and laughter. A future where people have no connection to each other, themselves or the planet they inhabit. Bound as slaves to the Hamster Wheel of Eternity.

Their mission started with wax, plastic and cracked code on old machines. Back in the late 90’s they were just teenagers with a shared passion for rave music, but turning 1’s and 0’s into vibrating air quickly became their focus. Now they operate from their studio in Copenhagen - an inter-dimensional vessel, where folding waves and time with a mix of classic analogues and modern digitals are their weapons of choice.

A keen sense for quality music and a symbiotic playing style has made them a mainstay on the Copenhagen and Berlin underground scene and insistingly pushing their sound performance forward sets them apart from your ordinary conveyor of electronic music. In constant search for that magic moment when the universe aligns and everything comes one, they have guested a multitude of clubs and festivals in Northern Europe and released on imprints like Sum Over Histories, Get Physical, Tonkind, Sofa Beats, Golden Gate Records and Compute Music.


After a recent studio rebuild, our protagonists are now looking deeper into modular sound design and a more performative approach to writing music. That and finishing a lot of works is setting up for much more to come.


So join the party - it’s a quest for a better tomorrow!


DROM : A playful session had created a groove, but it had no real direction or purpose so it stayed in the drawer for a while. Simultaneously we were exploring darker sonic territories and that unnerving feeling of having pushed things too far. Enter Juno-60 and a simple chord bending its way deep into our souls, and Drom was born. A celebration of the uglier side of rave culture and that ambiguous feeling of not being able to stop and enjoying it too.

REMIX: Prepare to embark on a mesmerizing journey through sound with Hammon & LERM's latest remix. This enchanting rendition takes you on a delightful ride, filled with kaleidoscopic melodies and mind-bending beats. With its psychedelic undertones and entrancing rhythms, the track draws you in and leaves you in a trance-like state, lost in the depths of its euphoric soundscape. A true testament to the duo's artistry and creativity, this remix is sure to captivate both dedicated fans and new listeners alike, solidifying Hammon & LERM's position as cherished favorites within the label's repertoire.

Drom

PREMIERE: Bongo & Pusk - Drom (Hamoon & LERM Remix)/My Choice Recordings/

FRANK MUSIC I Amount - Did I Dream?

Secret Island

Buy / Stream

Zeynep Erbay - Secret Island (Instrumental) (Exploited)

Born and raised on planet Earth like everyone else, Ambear lands on Logia Records with “Zaebic”. The DJ / Producer who recently released a release on Diynamic, brings us this time an EP where he translates his ideas into music, music inspired by 70's synthesizers and science fiction.
This release is completed by the participation of Yerno Vil, Argentine producer and member of the La Plata label Modula, now based in Madrid, Spain, and another great remix of Cu Da Curuxa from the Logia headquarters.

Pre-order link: logia.bandcamp.com/album/zaebic

Release Date: April 11.

Master by Gabriel Granato
instagram.com/Frecuencia441

Art by Blas García
instagram.com/blasyx_

https://soundcloud.com/logiarecords

PREMIERE: Ambear - Be Like In Reality [Logia Records]

H & Tots - Conectate (Tierra De Ovnis Remix)[Logia Records]

Just landed! Our latest future rave anthem is a journey from pure energy to mind-bending drops. Turn it up and feel the heat.

Subspace

Sound Flowers (Wellyington Remix)

Artwork: https://www.instagram.com/theejackieart?igsh=MTB4ZXZqYmwxZm93MA==

I wrote Falling Back last August while reminiscing on summer and all of the events that transpired.  I tend to experience a lot of change in the month of August. I had just turned 21, and I was spiraling hard. It could just be my July Leo self having to face the reality of growing up, but it is a transitional thing for me. I see my friends considerably less, I have to cope with the weather getting a bit colder, and truthfully, I reevaluate a lot of different aspects in my life. I was listening to a lot of 90’s inspired material at the time that I wrote that demo, and I have spent a full rotation around the Sun trying to figure out the best way to relay that message sonically. I feel like taking my time with this track really allowed it to grow and develop in its own light. 

There was one night in July last year that I was reminiscing about when I wrote the lyrics. The song is really just about falling back into reality after experiencing a love so beautiful, so meaningful, so different from the rest. Then, I learned how to let him go. How to fall back into the swing of things. How to pretend like it didn’t exist. However, I think the beauty of songwriting is the fact that everyone will have their own meanings and feelings that they can piece away from the song. Looking back on it, I left the lyrics kind of vague, and I hope that adds a sense of mystery to the track. After all, my favorite dance tracks all have that same element of mystery. I think I replicated that vibe well.

Lyrics:
Falling back, against the light
Falling back, I realize

Falling back, against the light
Falling back, I realize

Hearts aglow in the dead of night
Setting constant fires in my mind
Falling back, against the light
Trusting blue, black skies

It was you by my design
All these secret places in my life
Falling back, against the light
Falling back, I realize

It was you
Falling back

Falling back, against the light
Falling back, I realize

Stream

Falling Back

Shir Khan started Exploited in 2007. Exploited Rec now plays host to some wide-ranging and innovative electronic talent - including Adana Twins, Claptone, Budakid, Joyce Muniz, James Curd, Shir Khan (to name a few) - and its artists have been receiving numerous supportive spins from the likes of Solomun, Pete Tong, Soul Clap, Wolf&Lamb, Azari&III, Jesse Rose, Axel Boman and A-Trak.
This is serious dance music at it's most cutting edge with all the juice to really get you going. It's totally contemporary, innovative and has a chunky dirty feel. "Exploited" take you on an invigorating roller coaster ride back to your youth when you first listened to dance music with all the thrills and spills you so enjoyed about clubbing. It's heavy, exciting and special.
'"Exploited Records" is a seamless melting pot of varied styles that simply can't fail to please even the most discerning ears. Highlights here are plentyful. Not to be missed at any cost.' (Clash)
'Musical hybrids are truly the flavour of today, but few have managed to capture the atmosphere of an unpredictable microcosm of a night out on a recordlabel - until now. Shir Khan's label "Exploited" bottles the zeitgeist's giddy thrills with plenty of style and substance. This is dance music hybridism in all its most glorious forms, and Shir Khan is an expert at making square pegs fit round holes.' (DJ-Mag)
'"Exploited Records" boss Shir Khan has been gaining a lot of acclaim recently, and deservedly so - as he has shown us the high quality, diversity and forward-thinking nature of his label. Engaging, riveting and diverse.' (Data Transmission)