IDA Radio: Changeless w/ Exploited Body & APEAK - 24th March 2021

Tracklist:

Exploited Body

Prison Religion - Banshee, Pale Fire, Landing
DÆMON - Host
Shifted - Several Instances
Chaperone - Loose Jaw
Brodinski & Sebastien Forrester - Slabs
Vladislav Delay - Rakkn
Ronce - Voids
Visionist - A Born New
Vanity Productions - Where Sentiment Is Left To Chance
JFK - Avalanche Zone
ANFS - Ponos
Walton - Overload Destruction
Morphs - Rumors & Reality
FJAAK - XoXp0rt (ft. J Manuel) (Cocktail Party Effect Remix)
Slikback - SRT
Cressida - Soil
G.XIST - All Is Well In Utopia
Violent - Replicant
No.Ba - Siberian Night
Exploited Body - Uniform Of Brutality
Lag Switch - Plenilune

APEAK

Romance Relic - World Of Hearts
oxhy - serum ft. Felix Lee
LLuke - 200425
James K - Subliminal Burn
Anthony Linell - Being Water
Purient - Fantasy
Ptwiggs - Forever Is Not Enough
Softie - Heavy Air
Wanderwelle & Bandhagens Musikförening - Black Spheres (Ptwiggs Remix)
Ōtone - Slice (Catartsis reslice)
Brodinski & Reddo - Read Me
Clouds - 6i6
FOR. - Transparent Flags
Alpha Maid - WOWOWOW

@exploitedbody
@apeak

IDA Radio: Changeless w/ Exploited Body & APEAK - 24th March 2021

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We’re going back to the old school. You comin’?

More glitch than you can shake a cheese plant at 🌱

BK 2 THE oLDSKL

Originally aired on NTS 9th November 2019.

Tracklist:

Shapednoise - The Foolishness Of Human Endeavour
Giant Swan - OPAFS;R
M.E.S.H. - 10 Alarm
APEAK - Untitled
Croatian Amor & Varg2™ - Tell Your Tale To The River
Trauma - Bažina Zrození
E-Saggila - Tilt
Varg2™ - (+46) Placing My Iphone X Facing Up To See When U Answer My Texts [Exploited Body & APEAK Remix]
object blue - Neo Noir
Sawf - Brountalia
SITOI - Kyyhky
KABLAM - Vanmakt
Varg2™ - Parasites (Exploited Body Remix)
Knut Vandekerkhove - When I Grow Up
Ziúr - Laniakea
Elvin Brandhi - Haunt
FAKETHIAS - Torn/Enhanced

Duration: 39:35

@hesska
@nts_live

NTS: Castles In The Sky w/ Hesska - Exploited Body Guest Mix - November 9th 2019

This come from our own collective bitch SASHA THEFT (@sashatheft)
She puts the good in goodies and the bang in bangers.  

A long time behind-the-scenes hard worker in Lisbon and sonically obsessed with rave sounds and breaks-a-plenty,  she now blossoms with all the possible colours and accumulated knowledge that the backstage and closeness to the underground can provide.  

This mix reveals a prodigious selector with an already strong clarity on what she means to say, taking on the collective’s personality: playful, bitchy and trancey. From beautiful smooth easy vocally-driven breaks she catapults us quickly through a rave mean pop bangers selection… and they all go off.  We are then blessed with 4/4 trance that keeps you grounded on its hardness but high enough on it’s beautiful melodies to make you daydream of simpler times.

  In her own words:
 ‘sasha theft isn’t an exception to the feeling of loneliness the current events have brought upon us all. A hopeless romantic that experiments with sweet naive love melodies and power post apocalyptic breaks that merge into a sci fi novel that promises to make you long for another while living your tank girl fantasy in the desert.’

PODKET 09 _ SASHA THEFT

John Object's music has been described as “pop musique concrète”. Within, the strange juxtapositions and the cacophonous and mutant digital textures erect grotesque structures, as if the natural and artificial materials of the collage connoted “the noise and jumbled signals, the unimaginable informational garbage, of the new media society” (F. Jameson). But amidst the dyspeptic case of nausea, vomiting and panting produced by the massive bombardment of data, mysterious, kitsch or naïve melodic passages and hooks erupt, clearly revealing a fascination towards pop. The tense fracture of the two spheres of John Object's music has to do with the sense of musicality insofar as it, as Peter Sloterdijk points out in relation to the field of acoustic anthropology, “assumes that the adult ear can occasionally take a holiday from the trivial work of hearing and be lured away from everyday noise [...] [where predominates] the inescapable chatter of our fellow human beings which the media amplify maximum”. The fragments of the nursing’s cry report the impact of the transformation brought about by the quantum leap to the confrontation from immersion in the fetal world, the memory of a developmental phase where the subject was “into a mode of conflict-free encirclement”. Perhaps it could be said that we are talking about an artist inserted in a kind of updated pulp modernism (see G. Meier, “Reassembling the Pulp Doppelgänger”).

The present mix illuminates aspects of Object's conceptual universe through two main dissociable but inseparable themes. The first is that of internet effects, which, together with mobile telecommunications technology, has “altered the texture of everyday experience beyond all recognition” (M. Fisher). Apart from the phenomena of archivism and the obsession with accumulation in the total flow –explained by means of collage techniques and whose limit is that of sound materials torn from their context to become floating signifiers–, the most striking is that of streaming, its technical repercussions made evident by fluctuations in sound quality in the simulation of the concert. When it seems to work as a substitute for rave/club culture, streaming is the most ruthless element of the Fisher dictum and has decisive operational ontological consequences; bilocation then multiplies to a paroxysm in the form of a simulacrum that conceals “the fact that the real is no longer real” (J. Baudrillard), whose ghost is the myth of an era now retromaniacally taken up again in the form of “Grim and boring beats, endlessly pounding to an audience who felt they were part of an experience but who lacked cohesion and energy” (L. Kirby). Could not only time but also space be out of joint?

The second theme deals with loss and moves based on reference points, pieces held for relatively long periods around which synchronizations, overlaps, duplications and prefigurations occur. After the introduction, the section ranging from “The Game Is Over” to “Cosmia” is dominated by the psychological nostalgia of the 90s and 00s. Then begins a “retraction inward” process that, after “This Country” and “Home”, is confirmed with the beyond-the-grave vocal tessitura of “Sweet Thing”. From this point onwards, a heartbreaking, negative synthesis of the dialectic between community and atomization, artistic advancement and cultural sclerosis is produced. It is as if after the concert, during the subway ride home, the subject, off-centered by the overwhelming bureaucratization, traced on his iPod the cultural artifacts of a trajectory now lost. Memory gives way to hauntological history. The biographical element contains hints of utopia and has political reach: the ubiquitous commodification of culture after the deactivation of soft power, the fragmentation of public space, the vague but caustic political and economic references as parodies of themselves in the face of catastrophe

All tracks have been remixed/edited in some way.

Photography by Geray Mena

Dialektik Podcast #11 – John Object

Yi Su's track for compilation of @losprimerosVIIVI [https://losprimerosviivi.bandcamp.com/]
____________________________________________________________________________

All proceeds going to the Deutsche Wildtier Stiftung (German Wildlife/animal Foundation) in particular to support their research & protection of the European Wildcat. 

www.deutschewildtierstiftung.de/wildtiere/wildkatze
www.deutschewildtierstiftung.de

released July 9, 2020

Cover by qwizzz & Bloodlust.
All other graphics on bc/yt/sc by qwizzz.
All music written & produced by the contributing artists.

Yi Su - DRILL-HAMMER CORE [losprimerosVIIVI]

"The music just goes boom boom boom, so I appreciate the opportunity to share some thoughts. I feel worried since so many events this year scare me, seeing how polarizing peoples opinion (socially, politically, humanitarian, etc.) are becoming and it feels to me like we, as a human race, are facing very sensible times. Since making music brings me the most joy in my life, I wish to give this joy to others as well. 
So we can look forward to share our thoughts in a sweaty crowd at some show again."

Live in Vienna 2019

Φ

https://soundcloud.com/gusch-275514750
https://djgusch.bandcamp.com/album/i-live-here-now

SI005 - DJ GUSCH live

@goldenmedusa is a queer, Berlin-based selector and DJ. Former manager and resident for the independent record label and party series Leisure System. Mostly known for her eclectic, experimental, and dancefloor-oriented mix of techno, electro, bass, and breakbeats.

SOAK w/ Golden Medusa on Internet Public Radio [Dec 14-20]

@ancestralvision is a Prague-based producer, dj and is the co-founder of @unizonelabel. They started Unizone together with @djnotsureyet in 2017. After 2 years of heavy partying and showcasing producers from all over the world (Imaabs, Kablam, Wulffluw XCIV), Unizone shifted their focus to label activities and regular biweekly radio show on Radio1.cz

Unizone head honcho enjoys heavy beats and dirty breaks as much as he loves bold emotional melodies, calm soundscapes or spiritual choirs. It makes perfect sense that you can find all of these elements in his hybrid-club production and mixes. 

Ancestral Vision is currently working on his debut EP :)

Tracklist :

Séverine - NXTSTEP
Benfika - Exodexo
Cyberian - Seasons of Grief
bilej kluk - 540
Murlo - Primal
Shlohmo - Eating Away
Dane Law - Delph
DJ MORO - Nour
Miss Jay - 134 BPM - Encerrade (ft. acideyes) (Sped Up Version)
GIL - Fetish (GIL edit)
Krabs - gloria rmx instrumental [unreleased]
Liquid Soap - Talk 2 Me
Lithe - Hammer
Toma Kami - Negative Extasy
DJ SMOKE - IT GO
Menzi - Click Dirty

HYPERLINK MIX #15 w/ ancestral vision

TRACKLIST 

Polygon Window - Supremacy II - Warp Records
Polygon Window - Quixote - Warp Records 
Joey Beltram - Ball Park (DJ Rush Remix) - Tresor 
The Dosadi Experiments - Arrival - UTE.REC 
The Source Experience - Elektra - R&S Records 
Alpha Tracks - Golden Shot - Blue Hour
The Source Experience - Mental Rider - R&S Records 
Digital Distortion - Bass Overload - Paradigm Records 
Synthetic Progress - Acid Future - Harthouse 
Braincell - Shapechanger - Harthouse 
Clementine - Breaking Point - Djax-Up-Beats 
The Dosadi Experiments - Winds of Tandaloor - UTE.REC
Clementine - Cryptic Symphony (First Sight) - Djax-Up-Beats
The Source Experience - X-Ray - R&S Records 
Sedvs/Peel - Late Bloomer - Bare Hands 
DJ Shufflemaster - Imageforum - Tresor 
Cosimo Damiano - Hermod Takes Place - Survive ltd. 
Alpha Tracks - Trouble in Tahiti - Morbid Records 
Cat Barbieri - INTCAEB - Important Records

022 BUSHRA

The brainchild of Helsinki-based experimentalist Nori Kin, Exploited Body is an audial paradox – where blistering distortion collides with delicate melody, and ethereal vocals oscillate between angelic lament and demonic invocation. Their music is a visceral experience, at once hypnotic and harrowing, luring listeners into a world of staggering emotional weight and sonic extremity.  

With releases on PAN, Posh Isolation, Northern Electronics, and their own imprint Changeless, Kin has steadily carved out a distinct presence in the contemporary experimental landscape. Their compositions stretch the boundaries of electronic music, fusing industrial abrasion, haunting atmospherics, and deeply personal narratives into something both intimate and overwhelming.